1960s Prints and Multiples

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Bernard Cathelin Mexique 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mourlo...

Pablo Picasso (1881-1973) - Suerte de Picador Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Ce...

Salvador Dali (1904-1989) - The Purgatory, Canto 18 - The Fourth Terrace; Accidia Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm P...

The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000. Printed ...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

This bright and lively work was originally created for a poster showcasing Miró's works at the Galleria del Milione, Milan. Bold colors, lively imagery, and vivid spontaneity are sta...

1960s Francis Bacon lithographic cover from Derrière le miroir: A highly decorative vintage 1960s Bacon frame-piece constructed under the supervision of the artist. Medium: Litho...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED : 1499 - SIZE : 19 x 13 3/4" - REFERENCES : Michler and Lopsi...

Medium: lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 156) and published in Paris by the atelier Maeght. Size: 15 x 11 inches (378 x 277 mm). There i...

Incredible 1969 photograph of one of the world's greatest rock bands, Led Zeppelin. This photograph was taken by Jay Thompson during a memorable photoshoot at LA's Chateau Marmont. G...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127, 1961. Published by Aimé Mae...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127,...

Artist: Alberto Giacometti Title: 'Nu Feminin' Year: 1961 Medium: Original Lithograph on vélin paper Dimensions: 15in. by 11in. Edition: From the rare limited edition Reference : Lus...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127,...

Medium: original lithograph. The catalogue reference is Mourlot 284. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 5/8 inc...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

This Europe poster was created circa 1960 by the gifted American artist David Klein (1918 -2005) for TWA. Klein chose to depict some of the European highlights for this poster: The R...

Pablo Picasso (1881-1973) - Bacchanale Lithograph from 1967. The edition of 83/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publishe...

Artist: Le Corbusier Medium: Lithograph, Signed & Dated in Stone in a limited edition, 1963 Dimensions: 25.5" x 19.75" About The open hand, a symbol of reconciliation, open to receive and to give, is a recurring motif in Le Corbusier’s work. Many sculptures were erected of this optimistic design, the largest being a public monument in the Indian city...

Frasconi, Antonio. NAILS. Baltimore 505. Woodcut, 1964. Edition of 15. Numbered "10/15," titled and signed in pencil within the image. 18 x 23 3/4 inches (image printed on the full ...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Etching on paper Overall limited edition of 50 pieces plus 10 PA ( artist proofs ) signed in pencil by artist and numbered as: 28/50 paper size: 70 x 50 cm very good conditions A r...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

"The End" is an original color woodcut by Carol Summers. The artist signed the piece in the center right. This woodcut depicts a marble fluted column with the title in large letters ...

Alexander Calder Balloons and spirals, 1965 Lithograph in colors Unsigned as usual On light vellum 32 x 23 cm (c. 12,5 x 9 in) Published in 1965 by National Museum of Modern Art, Pa...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

This is an original lithographic print created in the late 1960's by an anonymous artist. It features two striking lions who were part of the exciting performance that year. This i...

2001: A Space Odyssey - Original 1968 Lobby Card #7 Vintage 2001: A Space Odyssey Lobby Card: After uncovering a mysterious artifact buried beneath the Lunar surface, a spacecraft ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with trifold, as issued. Notes: From the volume, Miró, Oiseau Solaire...

Artist: Warrington Colescott Title Fracas at Calamity's Place Year: 1969 Medium: Lithograph Dimensions: 22.5” x 29.5” inches Edition: Signed, titled, and numbered 32/40 About the A...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Untitled is an original contemporary artwork realized by Lucio Fontana in 1963. Mixed colored photolithograph. Hand signed in pencil by the artist on the lower right margin. Numbe...

Salvador Dali - Henry Wadsworth Longfellow - Original Handsigned Etching Dimensions: 38 x 28 cm 1967 Signed in pencil EA in Sanguine Jean Sc...

Medium: original lithograph. Executed for Derriere le Miroir (No. 128) in 1961, and published the same year by the Maeght atelier. Sheet size: 15 x 22 inches. There is a center fold,...

after Roy Lichtenstein Title: As I opened Fire Poster Dimensions: 64 x 52 cm This work was conceived in 1966 and published by the Stedelijk Museum, Amsterd...

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 37.7 x 80 cm Published by Maeght Editeur, Paris Reference: 924802-1973 FREE SHIPPING

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 119, 1960. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Jack Bush (1909-1977) is known as one of Canada’s most successful abstract artists of the 20th century. In the 1960's he achieved international recognition for his works that positio...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Los Justos, Year: circa 1963, Medium: Aquatint and Intaglio, Edition: C/A VI, Image Size: 7 x 13 inches, Size: 12.75 x 19 in...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED EDITION: 1499 - SIZE : 19 x 13 3/4" - REFERENCES : Michler an...

Pablo Picasso (1881-1973) - Picador et femme Lithograph from 1960. Trial proof with pencil drawn margins (in this context, unqiue). Dimensions of work: 41 x 53 cm The work is in ...

Salvador Dali - Bird on Tongue - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

After Pablo Picasso - Cubism - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man and his work. Picas...

Lithograph on vélin paper. Paper Size: 12.75 x 9.428 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagal...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. The Lithographs of...

Robert Indiana 1, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fra...

Salvador Dali (1904-1989) - The Paradise, Canto 31 - The Archangel Gabriel Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publishe...

Lithograph after Salvador Dali Title: S.N.C.F Blind stamped signature Dimensions: 46.5 x 34 cm Edition: 1700 Numbered in pencil 1969 References : Catalogue raisonne Michler & Lopsi...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

Sonia Delaunay (1885-1979) - Abstract Composition Lithograph from 1969. Dimensions of work: 31 x 23.5 cm Publisher: San Lazzaro, Paris. The work is in Excellent condition. Fast ...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...