Early 19th Century Prints and Multiples
to
69
1,116
154
81
9
3
Overall Width
to
Overall Height
to
513
200
3
2
2
1
311
26
24
20
15
4,739
10,305
57,421
25,569
728
996
2,237
2,356
2,554
5,122
7,999
13,399
7,638
3,956
3,920
690
661
12
975
456
373
303
284
236
208
132
114
101
85
57
56
55
43
38
36
32
32
31
913
280
178
168
98
104
788
405
319
Period: Early 19th Century
Landscape fromLiber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 162 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
The Discovery - Etching by James Neagle - 1810
Located in Roma, IT
The Discovery is an original artwork realized by James Neagle for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Set of Four Stipple Engravings from "Drawings by Hans Holbein" /// Henry VIII
By Hans Holbein
Located in Saint Augustine, FL
Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543)
Title: "Catherine Howard Queen", "Jane Seymour Queen", "Anna Bollein Queen", a...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Engraving, Intaglio
Portraits of men - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits of men is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote th...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Design Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
60 x 44 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Surimono - Original Woodcut Print by Yashima Gakutei - 1820/1846
By Yashima Gakutei
Located in Roma, IT
Surimono is a beautiful color woodcut with white and silver gold embossing, made between 1820 and 1846 by the Japanese artist Yashima Gakutei.
A young woman is squatting on the floor, holding a musical instrument, the favorite subject of the Japanese master.
With a layer of dust, a small hole in the upper margin to the right and some fading, the original print is still in good condition and retains its incredible charm.
Really the surimonos are a genre of Japanese woodblock prints, privately commissioned for special occasions. Being produced in a small edition for a mostly educated audience, surimono were often more experimental in subject matter and treatment, and extravagant in printing technique, than commercial prints.
Good conditions except a minor fading on top and some brushing of paper.
Yashima Gakutei (c. Osaka, 1786 - 1868)
The Japanese artist and poet was a pupil of both Totoya Hokkei...
Category
Modern Early 19th Century Prints and Multiples
Materials
Woodcut
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
L'Amputé - Original Lithograph by N. Toussaint Charlet - Early 19th Century
Located in Roma, IT
L'Amputé farceur is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Lithograph print. Signed on plate on the lower left. Is not dated but we can attribute th...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Architectural Details of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural details of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an o...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Persia & Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Engraving
Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
By Luigi Mayer
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Johann Christian Reinhart (1761-1847) - 1807 Engraving, Balaam's Donkey
Located in Corsham, GB
A fine early 19th Century engraving, showing the Biblical scene of Balaam's Donkey. The artist has inscribed their name and date in plate at the lower edge, along with an inscription...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Il va l'Apaiser - From Modes et Manières du jour à Paris...
Located in Roma, IT
Image dimensions: 16 x 10.5 cm.
Il va l'apaiser is an original watercolored print realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
Portrait of a man is an original artwork realized by John Hall for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Poachers ferretting rabbits, watercolour after Samuel Alken Jnr.
Located in London, GB
Samuel Alken
Coursing Scene
Watercolour on green-grey wove paper
Probably a contemporary copy of a rabbiting plate
Bears signature to bottom left
25 x 42 cm
Samuel Alken Jr. (178...
Category
Realist Early 19th Century Prints and Multiples
Materials
Watercolor, Pencil
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Alexander Emperor - Original Lithograph - 1816 ca.
Located in Roma, IT
Alexander Emperor is an original print realized in 1816 ca.
Original mixed colored hand watercolor lithograph .
Title printed on plate on the lower margin.
Published by Richard Ev...
Category
Modern Early 19th Century Prints and Multiples
Materials
Watercolor, Lithograph
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Located in Soquel, CA
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...
Category
American Realist Early 19th Century Prints and Multiples
Materials
Paper, Printer's Ink, Etching
Profile - Original Etching by Philip Audinet - 1810
Located in Roma, IT
Profile is an original etching artwork realized by Philip Audinet for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lond...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Architect Mercier - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Architect Mercier is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Caricature of Lord Anson - Etching by Thomas Holloway - 1810
Located in Roma, IT
Caricature of Lord Anson is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$353 Sale Price
35% Off
Comic Composites for the Scrap Book, Surrealist Engraving of Assemblage Figures
Located in Long Island City, NY
Comic Composites for the Scrap Book
Unknown Artist
Date: 1829
Engraving
Image Size: 8 x 13.75 inches
Size: 9.5 x 14.5 in. (24.13 x 36.83 cm)
Publisher: W.B Cooke, London
Category
Surrealist Early 19th Century Prints and Multiples
Materials
Engraving
Roman - Oskar Schlemmer
Located in Winterswijk, NL
Art print on heavy paper
After the original from 1925
In great condition
Category
Early 19th Century Prints and Multiples
Materials
Color
A Drunk Man - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
A Drunk Man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
A Winter Sledge
Located in Columbia, MO
Rudolph Ackermann (20 April 1764 in Stollberg, Electorate of Saxony – 30 March 1834 in Finchley, London)[1] was an Anglo-German bookseller, inventor, lithographer, publisher and busi...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
Nauvoo - Original Lithograph - Early 19th Century
Located in Roma, IT
Nauvoo is an original modern artwork realized in the Early 19th Century.
Original Lithograph on Ivory Paper.
Inscripted in capital letters on the lower margin: Nauvoo.
Good condi...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Profiles of Man - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Profiles of man is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Visage de Femme - Original Etching by I.J. de Caussin - Early 19th Century
By Ignace Joseph de Claussin
Located in Roma, IT
Visage de Femme is a modern artwork realized by Ignace Joseph de Claussin in the early 19th century.
Original etching portraying the face of an old woman. Collection: Dikeos.
Dime...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
The Portrait - Etching by Thomas Holloway - 1810
Located in Roma, IT
The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind"...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Roma Costumi Trasteverini - Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Roma Costumi trasteverini is a beautiful artwork realized by Bartolomeo Pinelli in 1819.
Etching and Watercolor technique. In Good condition, worn paper on the marginal line and som...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Ancient View of the Piraeus - Lithograph - Mid-19th Century
Located in Roma, IT
Ancient View of the Piraeus is an original modern artwork realized in the mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Paper, Lithograph
Fellow Commoner, University of Oxford 1814 engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
The Sheldonian and Clarendon, Broad Street, Oxford engraving by Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
James Basire II (1769 - 1822) after Edward Dayes...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Set of Two Hand-Colored Lithographs from Roscoe's "Monandrian Plants" /// Botany
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831)
Title: "Maranta Arundinacea (Arrowroot)" and "Phrynium Grandiflorum"
Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn ...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Lithograph
Interno del Pronao del Tempio ... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini.
From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins.
Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”.
In very good condition.
Image Dimensions: 45 x 57 cm
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Voisin and Henault - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Voisin and Henault is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love o...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
The Physiognomy - The Faces - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The physiognomy - The faces is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the L...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Gate of Christ Church, Oxford engraving by Reeves after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
Located in Alamo, CA
This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday."
This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image.
Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
La Perruche Javane, Pl. 69
Located in Austin, TX
Artist: Jacques Barraband
Title: La Perruche Javane Pt 69
Year: 1801 - 1805
Medium: Engravings with Original Hand-Coloring
Sheet Size: 20" x 13.38"
About the Artist:
Jacques Barraba...
Category
Early 19th Century Prints and Multiples
Materials
Archival Paper, Engraving
The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Soleil je Viens [...] - Original Lithograph by C. Vernet - Early 19th Century
Located in Roma, IT
"Soleil je viens voir pour la dernier fois" is an original lithograph realized by Carle Vernet (1758-1836).
Not signed.
Good conditions.
The artwork represents an interesting woma...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
![Soleil je Viens [...] - Original Lithograph by C. Vernet - Early 19th Century](https://a.1stdibscdn.com/carle-vernet-antoine-charles-horace-vernet-prints-works-on-paper-soleil-je-viens-original-lithograph-by-c-vernet-early-19th-century-for-sale/a_6503/a_75476121613424099821/miz26501_master.jpg?width=240 "je carle")
Testa Quasi Colossale di Lucio Vero - Etching by P. Fontana
Located in Roma, IT
“Testa quasi colossale di Lucio Vero” (Almost colossal head of Lucio Vero) is a wonderful black and white etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini del./ Pietro Fontana inc. Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVI" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints representing a precious piece of the Borghese's collection, the marble bust of the Roman Empero Lucio Vero, is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time( some light thinning of paper along the margin do not affect the image) but with fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Pietro Fontana (Bassano Romano,1762 – Rome, 1837)
The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Jesus College...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Kabuki Scene from "Kanjincho" - Woodcut by 1887 ca.
Located in Roma, IT
A scene from the important representation of Tenno Kabuki's Play "Kanjincho", held during the Meiji Era in the House of Minister Kaoru Inoue at the presence of the Emperor Akinori Aki and of the Princess Akira Terada. Attributed to the Ukiyo-e Master Kinichika Toyohara (Oshima Yasohachi), specialised in the representations of Kabuki Scenes on Woodcut blocks...
Category
Early 19th Century Prints and Multiples
Materials
Woodcut
St Sepulchre, The Round Church, Cambridge exterior after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Sepulchre's - The Round Church (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
18: Fishing Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
06: Baroque
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Man after Raphael - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The portrait of man after Raphael is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Ancient View of the Tour de l'Eglise St. Nicolas - Original Lithograph - 1850s
Located in Roma, IT
Tour de l'Eglise St. Nicolas is an original modern artwork realized in France in the first half of the 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the low...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Lithograph
Les Bords de l'Escaut - Original Etching by Nicolas Toussaint Charlet - 1841
Located in Roma, IT
Les Bords de l'Escaut is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Etching print. Signed on plate on the lower left. Dat...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Prefect of the Pontifical Ceremonial - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
Prefect of the Pontifical Ceremonial is an artwork realized by Giuseppe Capparoni (1800-1879), realized in 1828.
Etching hand colored on ivory paper. Signed on plate and dated on th...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by Johann Caspar Lavater - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Trotter (1748 - 1827).
Original Etching from "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", ...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
60: Barge, Canal Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
56: The Stern of His Majesty's Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Delineations of British Field Sports, lithograph series by Samuel Alken
Located in London, GB
Samuel Alken
Delineations of British Field Sports
Lithograph series
25 x 42 cm
Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
Read More
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”