Early 19th Century Prints and Multiples
to
351
1,099
156
80
10
3
Overall Width
to
Overall Height
to
495
200
2
2
2
1
311
26
24
20
17
4,757
10,260
57,770
25,942
718
1,050
2,174
2,316
2,512
5,098
8,499
13,426
7,544
3,852
3,934
673
663
12
961
450
362
296
280
237
203
131
115
98
85
57
56
55
43
37
36
34
32
28
894
285
179
168
96
102
771
385
317
Period: Early 19th Century
Veduta degli Avanzi della Villa... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno
Image dimensions: 46x60 cm.
From the collection “Le antichità de’ contorni di Roma (...)” an a...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Portrait after Raphael - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait after Raphael is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Temple de la Concorde, Rome - Etching by C.-L. Clérisseau - Early 1800
By Charles-Louis Clérisseau
Located in Roma, IT
Roman Temple is an original print on paper realized by Charles-Louis Clérisseau. titled on the lower center" Temple de la Concorde a Roma".
In very good conditions.
Sheet dimension: 31 x 21 cm
Included a white passepartout: 49 x 34 cm
The artwork represents the beautiful scenery of Roman temple, the landscape is from one of the most historical parts of the city, skilfully depicted details of remained part of temple and historical heritage sites, representing an admirable view from the eternal city of Rome.
Charles-Louis Clérisseau (Paris, 1721 – Auteuil, 1820) was a French architect and painter. Student of Jacques-François Blondel, in 1746 he won the prix de Rome in architecture by going to the Italian city, as a boarder of the Academy of France...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Portrait of a Lady - Etching by Thomas Cheesman - Early-19th century
Located in Roma, IT
Portrait of a Lady is a beautiful etching on paper, realized by the English artist Thomas Cheesman (1760 - 1834).
Signed on plate on the right corner, the watercolor etching is d'...
Category
Abstract Early 19th Century Prints and Multiples
Materials
Etching
Portrait of a Gentlewoman - Colored and Mezzotint - 18th Century
Located in Roma, IT
Portrait of a Gentlewoman is an original print on paper realized by Anonymous English artist in the late 18th Century.
The artwork represents a portrait of an elegant woman.
Mixed ...
Category
Early 19th Century Prints and Multiples
Materials
Etching, Mezzotint
Interno del Pronao del Tempio ... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini.
From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins.
Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”.
In very good condition.
Image Dimensions: 45 x 57 cm
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$439 Sale Price
25% Off
36: Brighton Fishing Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Lady Margaret Hall, Oxford, lithograph by F. L. Griggs
Located in London, GB
F. L. Griggs
Lady Margaret Hall, Oxford
Lithograph
31 x 47 cm
Frederick Landseer Maur Griggs was a British etcher, draughtsman, and illustrator known for his highly detailed and atm...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
The Ashmolean and Balliol College, Oxford, lithograph by F. L. Griggs
Located in London, GB
Engraved by F. L. Griggs, drawn by Sir Muirhead Bone
The Ashmolean and Balliol College, Oxford
Lithograph
31 x 47 cm
Frederick Landseer Maur Griggs was a British etcher, draughtsman...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
Cathedral Church of Notre Dame, at Séez /// John Sell Cotman Architectural Print
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842)
Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99)
Portfolio: Architectural Antiquities of Normandy
Year: ...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Intaglio
"The Beggars Opera" and " A Just View of The British Stage" Original Etchings
Located in Houston, TX
The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...
Category
Baroque Early 19th Century Prints and Multiples
Materials
Etching
The Library - Original Etching - Early 19th Century
Located in Roma, IT
The Library is an original modern artwork realized in the first decades of the XIX Century.
Original colored Etching on paper.
A long inscription is present on the lower margin. On...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Peterhouse, Cambridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Radcliffe Library, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)
Located in Saint Augustine, FL
Artist: George Brookshaw (English, 1751-1823)
Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX)
Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits
Year: 1808 (First edition)
Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper
Limited edition: Unknown
Printer: T. Bensley, London, UK
Publisher: George Brookshaw, London, UK
Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295
Framing: Framed in a silver/gold moulding
Framed size: 22.94" x 18.88"
Sheet size: approx. 22.25" x 17.5"
Image size: 16.25" x 12.25"
Condition: Light toning to sheet. One unobtrusive foxmark lower center right. In otherwise very good condition
Rare
Notes:
Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label lower center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Aquatint
Trinity Gate, Trinity College, Cambridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Peterhouse, Cambridge 'Chapel of St Peter's College' engraving by Havell
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Sculpture of Cupid Chained - Original Etching by F. Cecchini - 1821
Located in Roma, IT
"Amore incatenato Statua” (Unchained Eros, Statue) is a wonderful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Bernardino Nocchi (Lucca, 1741 - Rome, 1812) as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Francesco Cecchini incise Roma”.
This original print is numbered on plate in Roman numerals on higher right corner “Tom. II.Tav. XXX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
The Borghese Collection is known to be the most important antique statue one, after the Torlonia Collection in Rome.
This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue unchained, is in excellent conditions with some minor stains on the margins, some signs of the time and a usual yellowing of the paper along the external margins, do not affect the image.
Illustrazioni de'Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Margaret Countess of Richmond, Christ's College, Cambridge engraving
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Shinsen Kyoka gojunin isshu - Orignal Woodcut by Ryuryukyo Shinsai - 1803
Located in Roma, IT
Shinsen Kyoika gojunin isshu is a polychrome woodblock print, ink and color on paper, designed by the Japanese master and surimono artist, Ryuryukyo Shinsai (Edo, 1799-1829), in 1...
Category
Early 19th Century Prints and Multiples
Materials
Paper, Woodcut
Ancient View of Chateau de Frederiksborg - Lithograph on Paper - Early 1800
Located in Roma, IT
Ancient of Chateau de Frederiksborg is an original modern artwork realized in Italy in the first half of the 19th Century.
Original Lithograph on Ivory Paper.
Inscripted on the l...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
38: Lugger on the Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Fellow Commoner, University of Oxford 1814 engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Chapel of Caius College, Cambridge engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Proctor, University of Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Paris - Lithograph by Horace Vernet - 1805
Located in Roma, IT
Paris is an Original Lithograph realized by Horace Vernet in 1805.
Good condition on a grey paper.
No signature.
Émile Jean-Horace Vernet (30 June 178...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
$422 Sale Price
25% Off
Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Elizabeth de Clare, Clare College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Horses - Etching by Thomas Holloway - 1810
Located in Roma, IT
Horses is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810.
Good conditions.
Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay).
Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Trinity College, Cambridge library colonnade engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Colonnade under Trinity Library...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Two Actors in a Fight Scene with Lightning and... by Utagawa Kunisada - 1820s
Located in Roma, IT
Two actors in a fight scene with lightning and thunderbolt is an original artwork realized in the 1820s by Utagawa Kunisada (1786-1865).
Diptych. Two colors woodcut.
Format: 2 x ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Woodcut
Trop-Tôt - Original Lithograph and Pochoir by F. Bouchot - First Half of 1800
Located in Roma, IT
Amusing original colored lithograph with pouchoir details.
Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 2, from the suite of 10 lithographs, Tr...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph, Stencil
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 61 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
La Belle Autrichenne - Etching by P.Paul Prud'hon - Early 19th Century
By Pierre-Paul Prud'hon
Located in Roma, IT
La Belle Autrichenne is an artwork realized by Pierre-Paul Prud'hon in the Early-19th Century.
Original print in etching technique.
Good conditions.
This artwork is depicted thr...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm.
[Paris 1805].
Prevost came from a lo...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color, Engraving, Handmade Paper
Classe 17
Located in San Francisco, CA
Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923)
Title: Classe 17
Year: 1917
Medium: Lithograph
Edition: Numbered 61/100 in pencil
Paper: Wove
Image size: 10.5 x 14.25 inches
...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
University of Cambridge Nobleman engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Nobleman, Cambridge (1815)
Aquatint with original hand colouring
30 x 25 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Fishermen - Lithograph - 1824
Located in Roma, IT
Fishermen is a lithograph on paper realized by an Anonymous artist in 1824.
Good conditions with slight foxing,
The artwork is realized through perfect hatching and deft strokes, c...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
The Radcliffe Camera library Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Mythological Scene - Original Etching by Francesco Novelli - 19th Century
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in Roma, IT
Mythological Scene is an original Etching realized in Early 19th Century after Raffaello by Francesco Novelli (1767-1836).
In good condition.
The artwork is depicted skillfully th...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Arm of a Man - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Arm of a Man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", Londo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$307 Sale Price
25% Off
Trinity College, Cambridge Library engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Trinity Library...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
University of Oxford Bachelor engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Servitor, Bachelor of Divinity, Collector (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
A Servitor; Bachelor of Divinity; and Collector of the University of Oxford.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Roman Views - Original Etching by Agapito Franzetti - 1820s
Located in Roma, IT
Roman Views is an original etching realized by Agapito Franzetti in the 1820s.
Signed on the plate.
good conditions.
Included a. Passepartout: 35 x25 cm...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$328 Sale Price
20% Off
The Battle - Original lithograph by Richard Parks Bonington - Early 19th Century
Located in Roma, IT
The Battle is original lithograph "d'après" drawing of F.A. Pernot, realized by the artist Richard Parkes Bonington (1802- 1828)
Signed on the plate on the lower left. Printed by V...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Ciociara Prays in Front of her Husband's Grave by Bartolomeo Pinelli - 1815
Located in Roma, IT
Ciociara Prays in Front of her Husband's Grave is an Original Etching hand Watercolored realized by Bartolomeo Pinelli in 1815.
The artwork is in good condition.
Stamp signed on plate and Titled on the lower margin.
Bartolomeo Pinelli (November 20, 1781 – April 1, 1835) was an Italian illustrator and engraver. Starting in 1807, he produced an album of 36 watercolors, entitled Scene e Costumi di Roma e...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Clare College, Cambridge / Clare Hall / King's College engraving by Stadler
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Students of Emmanuel and Trinity Colleges, Cambridge 1815 engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
$263 Sale Price
25% Off
Heads of Children - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Heads of children is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$287 Sale Price
30% Off
Les Bords de l'Escaut - Original Etching by Nicolas Toussaint Charlet - 1841
Located in Roma, IT
Les Bords de l'Escaut is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Etching print. Signed on plate on the lower left. Dat...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Roman Costume - Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Roman Costume is an original hand-colored etching artwork realized by Bartolomeo Pinelli in 1819.
Signed by the artist on the plate, dated lower left "Roma, 1819", titled in Italian...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
$328 Sale Price
20% Off
Portrait of men and women - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of men and women is an original etching artwork realized by Thomas Holloway after Lebrun and Chodowiecki, for Johann Caspar Lavater's "Essays...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Erasmus - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Erasmus is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of M...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$219 Sale Price
25% Off
The Dance of Death - Woodcut by Alfred Rethel - Mid-19th Century
Located in Roma, IT
The New Dance of Dead is an Woodcut Print realized by Alfred Rethel in 1848.
The artwork is in good condition on a yellowed paper, included a white cardboard passpartout (32x48 cm)....
Category
Modern Early 19th Century Prints and Multiples
Materials
Woodcut
La Tauromaquia, Plate #31
Located in San Francisco, CA
This artwork titled "Banderillas de Fuego" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category
Realist Early 19th Century Prints and Multiples
Materials
Photogravure
Gate of Christ Church, Oxford engraving by Reeves after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Tom Tower, Christ Church, St Aldate's, Oxford by Hill after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Aldate's From Carfax (1813)
Aquatint with original hand colouring
27 x 21 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Doctors of Divinity, University of Cambridge 19th century engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctors in Divinity, Esquire Beadle, and Yeoman Beadle (1815)
Hand-coloured aquatint
25 x 30 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of two Doctors in Divinity and two beadles (administrative assistants to the Chancellor and Proctors of the University) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, likely to a graduation ceremony.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Read More
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”