Impressionist Portrait Prints

MAX LIEBERMANN (1847 1935) SELF PORTRAIT DRAWING (Selbstportrat) c. 1922 (Schiefler, 341, III b) Etching, signed in pencil, Scarce signed example found in Max Liebermann “Sein Leb...

Mary Cassatt, After, American (1844 - 1926) - Sarah Wearing Her Bonnet, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size:...

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 28 x 24 inches. AP edition. ...

Original Lithograph by Jean-Gabriel Domergue Title: Sublime Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne...

Lithograph on Chine paper, Edition of 50 Paper size: 39 x 31 cms (15.4 x 12.2 ins) Image size: 27.2 x 19 cms (11 5/8 x 7 1/2 ins)

Vincent VAN GOGH (1853-1890) (after) Portrait of Doctor Gachet Engraving Unsigned On laid paper 32 x 25 cm (c. 13 x 10 in) INFORMATION: "Portrait of Doctor Gachet" (also known as "...

Original Lithograph by Jean-Gabriel Domergue Title: Almost Dressed Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Par...

Etching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28.5 x 38 cms (11 1/4 x 15 ins) Plate size: 14.9 x 19.6 cms (5 7/8 x 7 5/8 ins)

Copper-line engraving with original hand-colouring by M Griffith after Charles Hamilton Smith, 1827. Depicts the Sewessissing, chief of the Iowa Indians. Charles Hamilton Smith (1...

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

Medium: original soft ground etching. This is a lifetime impression printed in 1914 on laid paper and published in Berlin by Bruno Cassirer for Theodore Duret's "Die Impressionisten"...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

RENOIR, PIERRE AUGUSTE (1841 -1919) "Mère et Enfant" (Mother and Child) Delteil 10, Stella 10 Drypoint in color, 1896 Proof aside from the numbered edition of 100 impressions Published in “L’Album des peintres-graveurs; Ambroise Vollard Signature on the stone “Renoir” 10” x 7 3/4” Very fine impression on laid paper Renoir’s interest in the mother and child theme was awakened with the birth of his first son Pierre in 1885. In 1894 their second son, Jean, was born. This was the inspiration for this particular etching created when Jean was just two years old. Renoir was interested in Rubens and Delacroix’s rich use of color and loose rounded form which he observed in the Louvre in Paris. His appreciation is evident in this printThe simple positioning of the figures is structurally balanced, and shows Renoir looking back to Raphael’s Virgin and Child paintings...

This piece is an original lithograph by Pierre-Auguste Renoir, done in 1899. This piece was created for the unpublished "L'album d'estampes de la Galerie Vollard". It is a rare tri...

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...

Hand signed numbered by the artist in pencil. Artwork size: 24.25 x 30 in. Frame size: approx. 37 x 43 in. Artwork appears to be in excellent condition. Artwork has not been examine...

Female Figure Underwater Realist Etching --"Separation" by Carol Bennett Unique etching of a female figure submersed beneath the surface of water by California and Hawaii artist Ca...

Self Portrait Marie Laurencin, French (1885–1956) Date: 1920 Lithograph, signed in pencil lower left Image Size: 8 x 5 inches Size: 13 x 9.75 in. (33.02 x 24.77 cm)

Lithograph on Arches Velin paper, Edition of 50 Paper size: 65 x 50.5 cms (25 1/2 x 19 7/8 ins) Image size: 54.3 x 45 cms (21 3/8 x 17 3/4 ins)

Original poster, lithograph, linen-backed, Nathan Hale poster reading," I only regret that I have but one life to lose for my country." Step into history with this 1939 Kelly Read & Co. Rochester (NY) poster, a testament to the principles our patriots died for. This very rare original poster is the only documented copy remaining. Archival linen-backed and ready to frame. The poster features a stylized image of Nathan Hale, an American Revolutionary War soldier...

Auguste Rodin, French (1840 - 1917) - Antonin Proust (State Six), Year: 1884-1888, Medium: Etching, Image Size: 4.5 x 3 inches, Size: 14.25 x 10.75 in. (36.2 x 27.31 cm), Reference:...

RENOIR, PIERRE AUGUSTE (1841 - 1919) Claude Renoir, tourné à gauche Claude Renoir, Turning Left Delteil 40, Stella 40 Original chalk lithograph ...

Pierre-Auguste Renoir, After, French (1841 - 1919) - Le Petit Garcon au Porte-Plume, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype...

Auguste Rodin, French (1840 - 1917) - Man Facing Left, Year: 1903, Medium: Lithograph on Japon, dated in the plate, Image Size: 5.5 x 5.5 inches, Size: 13 x 8.75 in. (33.02 x 22.23 ...

Auguste Rodin, French (1840 - 1917) - Antonin Proust State Five, Year: 1884-1888, Medium: Etching, Image Size: 4.5 x 3 inches, Size: 14.5 x 11 in. (36.83 x 27.94 cm), Reference: Tho...

Mary Cassatt: Graphic Art at Smithsonian Institution Traveling Exhibition poster, 1981 Offset lithograph poster 22 × 18 inches Unframed and unsigned Publisher: Smithsonian Institutio...

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...

This is an original billboard exhibition poster titled Jeunes Filles au Piano by Pierre-Auguste Renoir, published by the Musée d'Orsay in Paris. Measuring 54 x 38.5 inches, this larg...

Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were onl...

Leonardo Lasansky Signed & Framed Exhibition Poster C.1982 Dimensions 22" wide x 32" high The frame measures 26" wide x 35" high Signed at ...

"Eternal Problem" - 1924 Etching on Paper Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...

Pencil signed lithograph by Costa Rican Master Francisco Zuniga (1921-1998) Works by Zuniga are instantly recognizable. He is mostly known for his paintings of rural indigenous wome...

Le Jongleur (The Minstrel). 1930. Etching and aquatint printed in colours. Chapon/Rouault 199 d. 12 1/4 x 8 1/2 (sheet 17 1/4 x 13 1/8). Series: Cirque plate 2. Edition 270. Initial...

Herman Hyneman (American, 1849-1907) Untitled, c. 1880 Engraving Sight: 13 x 8 1/2 in. Framed: 26 1/2 x 20 1/2 x 3/4 in. Signed bottom The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

From the Shawl Suite. Serigraph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Artwork image size: 18 x 11 in. Framed size: approx. 30.5 x 23 i...

Abraham Rattner (after) Title: Unknown Year: Unknown Lithograph Size: 26.25x20 inches Esther Gentle, Reproduction, 1952 Signed in the stone Annotated verso COA provided Ref.: 924802-...

Gerald Brockhurst (1890-1978) Pencil Signed Etching "Fabian" c.1921 Fine etching by noted artist Gerald Brockhurst. Titled "Fabian" from an edition of 76. This etching is in excel...

Medium: Aquatint, Drypoint, Etching Year: 2016 Image Size: 4.33 x 3.54 inches Edition Size: 50 Beautiful impressionist image a japanese woman in traditional Kimono. Lawlor's early ...

Medium: Aquatint, Drypoint, Etching Year: 2009 Image Size: 9.65 x 11.4 Edition Size: 50 Lawlor's early etchings were often landscapes combining elements from old Master paintings....

Un Chevalier Louis XIII is a black and White etching realized in the Late 19th Century.  Titled in the lower Image Size: 29x19 Very good impression. Realized by Cadart for the "S...

Medium: Aquatint, Drypoint, Etching Year: 2016 Image Size: 7.9 x 7.9 inches Edition Size: 65 Beautiful impressionist image a japanese woman in traditional Kimono. Lawlor's early et...

Lithograph of a figure of a woman by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "3/12", "Study 8", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Serigraph on clayboard panel. Hand signed and numbered by the artist. Edition PA of 15. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offer...

Hand signed in red. Signed, titlled and numbered in plate. Passepartout included.

Le General Grant is a black and White etching realized by Louis-Sébastien Mercier in the 1860s.  Titled in the lower. Image size: 32x24. Very good impression with wide margins and...

Auguste Rodin, French (1840 - 1917) - Alphonse Legros, Year: 1881, Medium: Etching on laid paper, Image Size: 10 x 7 inches, Size: 11.75 x 9 in. (29.85 x 22.86 cm), Description: Fro...

Early 20th Century Miniature Etching, Portrait of an Old Woman by Ralph Sweet Compelling early 20th century small-scale figurative etching of an old...

Canards Sauvages is a black and White etching realized by Jules Herau in the Late 19th Century.  Titled in the lower Image Size: 32x24 Very good impression. Realized by Cadart fo...

Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Lioness Year: 1978 Medium: Color Aquatint on Arches paper Sight size: 19.5 x 23.25 inches. Sheet size: 25 x 30 inches Signa...

Adoration de la Croix le Vendredi Saint en Italie is a black and White etching realized by Henri Guérard in the 1860s.  Titled in the lower. Image size: 32x24. Very good impressio...

John Phillips, Scottish (1817 -1867) - Portrait of Rodin, Year: 1909, Medium: Etching and Chine Colle, signed, numbered and titled in pencil, Edition: Epreuve de Présentation, Ima...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Chartreux Jouant du Violoncelle is a black and White etching realized by Edouard Moyse in the Late 19th Century.  Titled in the lower Image Size: 32x23 Very good impression. Real...

Gerald Brockhurst (1890-1978) Etching "Anais" c.1930 Very fine etching by listed English / American artist Gerald Brockhurst. Title "Anais" Pencil signed - From an edition of 55. ...

Mid-century portrait of a young girl by a window by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick" in plate, and in pencil in the lower right corner, by the estate. Presented in an off-white mat. Unframed. Paper size: 12"H x 12"W The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...

Medium: Etching Year: 2021 Image Size: 7.9 x 13 Edition Size: 50 Lawlor's early etchings were often landscapes combining elements from old Master paintings. Later he started to in...

Lovis Corinth (German, 1859-1925) Rare Etching c.1920 Fine etching by noted German Expressionist artist Lovis Corinth. This striking imag...

Charles Banks Wilson (American, 1918-2013) was an American artist. Born in Springdale, AK in 1918, he moved to Oklahoma, where he spent his childhood. He was a painter, printmaker, t...

John Phillip, Scottish (1817 - 1867) - Auguste Rodin. Medium: Lithograph, signed, numbered and titled in pencil mounted to board, Edition: 1/10, Image Size: 12.25 x 9.75 inches, Size...

Andre Minaux "Tete de Femme" Original Lithograph c.1960s From a limited edition of only 90. This lithograph is pencil signed and numbered by the artist. Dimensions 22" x 29 1/2". T...