Still-life Prints

J.M. VAN NIKKELEN (Dutch, 1680-1749) Poster 25 x 20 in. Unframed Copyright 1942 New York Graphic Society, Ltd. Printed in USA. Good/Fair Condition-signs of wear (i.e. discoloration...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 027 Subject: Grand Canyon, Framed Size: 17" x 21" x 0.8''inch, 23x53x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrap...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 014 Subject: Trees, Framed Size: 20.5" x 27.5" x 1.5''inch, 52x72x4cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 131, 1962. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 131, 1962. Published by Aimé Maeght, Éditeur, Paris; pr...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...

Moise KISLING Still-life with Cabbage and Garlic Original Lithograph On Arches vellum 38 x 28 cm (c. 15 x 11 inches) Excellent condition

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 175, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

Regal Flower Arrangement is an original limited edition( 25/50 ) lithograph by Alessandro Nastasio. A large vase of purple flowers and lots of greenery in set on a purple table and is exploding with color and energy. Alessandro Nastasio was born in Milan in 1934. In 1952 he followed the “free school of the nude” led by Aldo Salvatori. In 1960 he attended the Atelier of Giorgio Upilio where Giacometti, Lam, Fontana, De Chirico worked and where he had the opportunity to study the themes of the inspiring myths. He worked at the MAF foundry with the master Tullio Figini who shared the secrets of the lost wax Renaissance fusion and where he met the masters Crocetti, Manfrini, Manzu , Minguzzi, Fabbri,. He then moved on to Quinto de Stampi at the De Andreis foundry where Marino Marini, Pomodoro, Rudy Wach, Strebelle, Negri and Rosental operated. A regular reader of the great sapienzal texts of antiquity, he trained in particular on the Bible which he illustrated with woodcuts, aquatints, etchings and linocuts, especially the Song of Songs, the book of Ecclesiastes and several pages of the Gospels He also drew his inspiration from the philosophical-religious tradition of the Eastern world through the reading of Rig-Veda, Upanisad and the Matnavi of Rumi. In 1966-67 he obtained the chair at the Academy of Fine Arts of Brera and for thirty years he devoted himself to the teaching of Art Education in various schools. Nastasio created works both pictorial and plastic in collaboration with famous architects such as: Figini and Pollini, De Carli, Gardella, Faranda, Selleri, Ponti. His great talent soon came to the attention of various art dealers: first Max G...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His fav...

'Eulophia Virens – Greenish Eulophia' Orchid lithograph with original hand-colouring , 1866, by Walter Hood Fitch (1817-1892). Native orchid of Sri Lanka a...

'1-2 Morchella Esculenta 3.5. Morchella Viridis' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific...

Vibrant cubist still life, a hand signed limited edition lithograph print by Fausto Maria Casotti (also known as Cauri) (Italian, b. 1924). Bold colors and blocky shapes characterize...

Carlo Alberto Petrucci, 'Still Life with Peonies', color monotype, c. 1915. Signed in pencil, in the image, lower right. A superb, painterly impression, with fresh colors, on heavy c...

'5 Amanita Mappa 6 Amanita junquillea' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...

'256 Marcella rotunda' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fren...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 141, published by Aimé Maeg...

Artist: Janet Fish, American (1938 - ) Title: Pears and Autumn Leaves Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 60 Paper Size: 38.5 x 29 inches

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

Print/ Photography/ Limited edition of 15, proposal for a Vinyl cover, signed by the author.

A grouping of three engravings depicting classical Italian architectural features held in the National Museum of Naples, entitled "Bronze Hydria", "Marbre Naissance de Bacchus" and "...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a British visual artist known for his distinctive, whimsical, and often ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 156, published by Aimé Maeg...

3 color Letterpress on 100% cotton lettre paper, 110# with deckled edges. Signed and numbered edition of 235/450. OBEY publishing chop on lower left corner. 10 inches x 13 inches

'Boletus Edulis Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name bel...

'1-4 Hydnum Repandum 5 Hydnum Imbricatum' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name b...

'Agaricus Azureus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name ...

'1 Hydnum Coralloides 2 Hydnum Erinaceus' (Coral Tooth Fungus and Lion mane's mushroom) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. ...

large format still life photographs capturing a series of fantastical creatures made of found objects and organic materials CREATURE I by Christian Stoll 48 x 68 inches (122 x 173...

'1-2 Helvella Crispa 3-6 Peziza Repanda' (White Saddle and Palomino cup) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after ...

'1-4 Agaricus Comatus 5-6 Agaricus Picaceus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific nam...

Harland Miller Hate's Outta Date (Yellow), 2022 Screenprint on paper 39 2/5 × 27 3/5 in 100 × 70 cm Edition of 125 hand-signed and numbered by the artist on verso published by White...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 157, 1966. Published by Aim...

'145. Cortinarius fulgens 146. Cortinarius semi-sanguines 147. Flammula sapinea' ' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...

Limited edition of 15, fine art print, with a certificate, the item is a part of an alphabet created by Zoltán Salamon. The alphabet remained unfinished. This concretely is letter "S...

Bernard BUFFET Small blue primrose Stone lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum c. 8 x 6" (20 x 15 cm) REFERENCE : Catalog raisonn...

Objects in the Study is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1961. Phototype print..  Good condition. Italian title on th...

The ever-quirky Philip Evergood has composed a print that is at once a World War II image (The New York Times on the table has the headline 'Japs Bomb P...

This etching and aquatint is hand signed in pencil by the artist "G.Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 100, at the lower left m...

JEWISH SYMBOLS is an original hand drawn, limited edition lithograph by Marius Sznajderman (Born-Paris, France 1926-2018) printed in colors on white archival printmaking paper, 100% acid-free, using traditional hand lithography printmaking methods. JEWISH SYMBOLS is an expressive modern abstract color still life composition depicting symbols from the Jewish faith including a menorah, roosters, Magen David(star), Aron Kodesh...

Raoul DUFY Still-Life with Fruits, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 37.5 cm (c. 11 x 14.8 inch) Excellent ...

Ewok Kenner toy from "Return of the Jedi" -1983 These iconic figures have become more then just iconic collectable toys. They encapsulate an era instantly transporting the viewer to ...

mountain landscape , 70x70cm, print on canvas Edition 20 pcs.

mountain landscape , 70x70cm, print on canvas Edition 20 pcs.

mountain landscape , 70x70cm, print on canvas Edition 20 pcs.

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a kid the ice cream truck was a nei...

Bernard CATHELIN Orchids Original lithograph, 1988 Handsigned in pencil Inscribed EA (épreuve d'artiste) aside the edition of 100 copies On Arches paper, size 40 x 31 (c. 15 8/10 x ...

Lowell Blair Nesbitt: 1933-1993. Well listed American painter and printmaker. He has auction records for paintings over $43,000 and for a print over $3300. This lithograph is of tuli...

Ewok Kenner toy from "Return of the Jedi" -1983 These iconic figures have become more then just iconic collectable toys. They encapsulate an era instantly transporting the viewer to ...

'Albuca Minor' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude Michel M...

Colour linocut, limited edition (13/16), titled, signed and dated in pencil. 2009. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked e...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. His surreal constructions of Kastani (chestnut...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770. Duhamel du Monceau (1700-1782) was one of outstanding ...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...