Old Masters Prints and Multiples
OLD MASTERS
Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.
The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.
Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.
Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.
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Style: Old Masters
Shepherd talking to a young shepherd on a donkey
Located in Middletown, NY
Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Two military studies, a preparatory red chalk drawing by Jean-Baptiste Pater
By Jean-Baptiste Pater
Located in PARIS, FR
As Florence Ingersoll-Smouse wrote in 1921 in her book devoted to Jean-Baptiste Pater, "a painter of the Fête galante, Pater is interesting both by his intimacy with Watteau, to whom many of his works are still attributed, and by his own value as an artist.” This sanguine, full of life and spontaneity, is typical of the preparatory studies made by the painter to be used later in the composition of his paintings.
1. Jean-Baptiste Pater, pupil and disciple of Antoine Watteau
Antoine Pater, Jean-Baptiste's father, belonged to the petty bourgeoisie of Valenciennes where he worked as a merchant-sculptor. His brother Jacques was a local painter who was probably involved in his nephew's training. Born on December 29, 1695, Jean-Baptiste Pater was first trained with Jean-Baptiste Guider, a local painter whose death in 1711 was probably the reason for Jean-Baptiste’s departure alongside Watteau, who was visiting Valenciennes. Watteau's difficult character led to their separation in 1713.
Back in Valenciennes, Jean-Baptiste Pater encountered difficulties with the powerful Corporation of Saint-Luke (to which he refused to belong) which forced him to return to Paris in 1718. He reconciled with Watteau shortly before his death (on July 18th 1721), inherited the commissions that Watteau had been unable to fulfil and completed some of his paintings.
Pater was accepted by the Académie Royale in 1725 but did not produce his reception painting The soldier’s revels until three years later. Throughout his brief career (he died at the age of forty on July 25th 1736), he mainly had a clientele of amateurs and received only one royal commission, shortly before his death.
2. Description of the drawing and related artworks
Pater had adopted his master Watteau's method of composition. His study drawings were carefully glued in a notebook and were used to animate his compositions.
His paintings sometimes suffer from a somewhat artificial composition, since the figures seem to be pasted one next to the other. This point has also been made about Watteau’s.
The theme of military scenes (which was at the time included in the genre of Fêtes galantes!) was one of Pater’s favourite subjects. Together with the Bathing Women...
Category
1720s Old Masters Prints and Multiples
Materials
Chalk
A Wild Boar, and a Bear, from Animalium Quadrupedum
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category
16th Century Old Masters Prints and Multiples
Materials
Laid Paper, Engraving
Ancient Roman Statue of a Horse - Original Etching by Carlo Nolli - 1700s
By Carlo Nolli
Located in Roma, IT
Ancient Roman statue of a horse, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th ce...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Maximilien de Bethune, Duc de Sully
By (After) Frans Pourbus the Younger
Located in Middletown, NY
A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger
Etching on fine ...
Category
Late 17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Three Grotesque Figures by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800.
Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...
Category
19th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Etching
Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli.
This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right.
This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition.
Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books.
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category
16th Century Old Masters Prints and Multiples
Materials
Engraving
Veduta in Prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi
Located in New York, NY
Etching, 1773.
From the Vedute di Roma.
Framed dimensions 25.5 x 34.5 inches.
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
"A Harlot's Progress" Plate 3 Etching
Located in Houston, TX
Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six paintings and engravings. The story is about a woman named M. Hackabout who arrived in London and started working as a prostitute. The third plate is of her getting arrest for her choice in profession. The series is a satirical story that emphasizes the dangers of being a prostitute and the health risks that come from it.
In 18th century engraving, the detail of the black mole on women and men's face is a symbol of the deadly venereal disease, syphilis. In this plate, Hackabout has already contracted the disease and that is why the black dot is visible on her forehead as well as her madam's.
In 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330. The detail with the cross seen in earlier reproductions of the engraving.
Dimensions without Frame: H 14.5 in x W 16.5 in.
Artist Biography: William Hogarth ( 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known to be his moral series A Harlot's Progress, A Rake's Progress and Marriage A...
Category
1730s Old Masters Prints and Multiples
Materials
Etching
Two Studies of Children;A Mom... - Etching by Stefano Della Bella - 17th Century
Located in Roma, IT
This pair of etchings, executed on a single sheet, was realized by Stefano Della Bella in 17th century.
Both etchings are signed with initials “SDB fec.”
The state of preservatio...
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
The Large Village Fair
Located in Chicago, IL
The Large Village Fair, 1685
Etching
268 x 377 mm.; 10 1/2 x 13 1/4 inches
Watermark:
Arms of Amsterdam
Provenance:
H. Freiherr von und zu Aufsess (Lugt 2749)
M. Menge (Lugt 1893a).
References:
Hollstein 16
Notes:
A fine, early impression (before spots on the sky) of one of Dusart’s most powerful and fanciful works.
Concerning the provenances of this etching:
Hans von und zu Aufsess (1801-1872) was a great book lover and also a major collector of Old Master prints. He was one of the founders, in 1852, of the Germanisches Museum in Nürnberg and was that museum’s director until 1862. Mas Menge (died in 1945) was a famous violinist and also a major collector of Old Master prints and drawings.
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
Self-Portrait - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
Antiquities of Herculaneum - Letter L - Etching - 18th Century
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century.
Good conditions ...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
The Great Landscapes II, (4th State)
Located in Chicago, IL
Watermark:
Schellenkappe (Foolscap) Similar to Churchill no. 340
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
The Peasant Settling His Debt
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighti
Located in Middletown, NY
Bruyn, Abraham de (after). Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighting. 1577. Engraving on hand made laid paper, 10 5/8 x 6 7/8 inches (268 x 1...
Category
16th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below.
180mm by 240mm (plate mark)...
Category
Early 17th Century Old Masters Prints and Multiples
Materials
Engraving, Etching
Soldiers On Horses - Etching - 18th Century
Located in Roma, IT
Soldiers On Horses is a print realized by the French School of 18th Century.
Etching, with coeval hand watercolor on paper.
Applied on a Passepartout...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
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San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures.
Paolo Vero...
Category
Early 1700s Old Masters Prints and Multiples
Materials
Engraving
The Spectacle Seller by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...
Category
19th Century Old Masters Prints and Multiples
Materials
Etching
Beggar with a Wooden Leg
Located in Middletown, NY
Etching on handmade wove paper, 3 3/4 x 2 3/4 inches (95 x 70 mm), thread margins. Third state (of five), likely printed early 19th century. In very good condition with light handlin...
Category
17th Century Old Masters Prints and Multiples
Materials
Etching, Handmade Paper
NEAPOLIS, Friedrich Bernhard Werner - Framed print on paper, modern
Located in Napoli, IT
Print on paper prized antique print "View of Naples" by Friedrich Bernhard Werner.
Category
1970s Old Masters Prints and Multiples
Materials
Black and White
Vue de la Bastille, Old Masters Hand-Colored Engraving after Hyacinthe Rigaud
Located in Long Island City, NY
Hyacinthe Rigaud, After, French (1659 -1743) - Vue de la Bastille, Year: of original: 1750, Medium: Hand-Colored Engraving, signed in the plate, Edition: ~1000, Image Size: 8.5 x...
Category
1750s Old Masters Prints and Multiples
Materials
Engraving
View of the Tiber with Country Landscape
By Jan Dirksz Both
Located in Chicago, IL
Etching on paper with Schriftband watermark.
Reference: Bartsch 7 III/IV (from VI).
A very fine, early impression. Printed with the name of the artist, but before the addition...
Category
15th Century and Earlier Old Masters Prints and Multiples
Materials
Etching
Rembrandt's Mother, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Rembrandt's Mother, Year: Of Original 1639 (printed 1906), Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm), ...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Etching
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...
Category
1710s Old Masters Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
The Artist’s Mother - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The Artist’s Mother is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of ...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
Saint Jerome by Amand-Durand after Albrecht Durer
Located in Long Island City, NY
Artist: Albrecht Dürer, After by Amand Durand, German (1471 - 1528)
Title: Saint Jerome
Year: 1873
Medium: Heliogravure
Size: 9 x 7.25 in. (22.86 x 18.42 ...
Category
1870s Old Masters Prints and Multiples
Materials
Engraving
Two Cavaliers (after Herman Swanevelt)
Located in Middletown, NY
Etching on cream laid paper with a large foolscap watermark, 5 5/8 x 7 7/8 (150 x 200 mm), thread margins. In excellent condition with a light pencil inscription and an inventory num...
Category
17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Antiquities of Herculaneum - Letter T - Etching - 18th Century
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet T, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century.
Good conditions ...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Portrait of Cardinal Guido Bentivoglio - Original Etching by T. Holloway - 1810
Located in Roma, IT
Portrait of Bentivoglio is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowle...
Category
1810s Old Masters Prints and Multiples
Materials
Etching
The Smoker at the Window by David Deuchar, after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...
Category
19th Century Old Masters Prints and Multiples
Materials
Etching
L'Isle de France: A Hand-colored 17th Century Map by De Wit
Located in Alamo, CA
This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...
Category
Early 18th Century Old Masters Prints and Multiples
Materials
Engraving
Ancient Roman Fresco - Original Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good condi...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Giosuè 6 - Old Testament Story - Etching by Giovanni Lanfranco - 1607s
Located in Roma, IT
Giosuè 6 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco after Agostino Carracci.
About The Old Testament Story, 1607 ca.
Passpartout included ...
Category
Early 1600s Old Masters Prints and Multiples
Materials
Etching
Ancient Roman Scene - Etching by Nicolò Fiorillo - 18th Century
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions with ...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Letter L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter L is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Er...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Landscape with Roman Ruins
By (After) Peter Paul Rubens
Located in Chicago, IL
Engraving after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), executed by Schelte Adams Bolswert (Bolsward c. 1586 -1659 Antwerp).
Bolswert was one of the major printmakers in the ...
Category
17th Century Old Masters Prints and Multiples
Materials
Engraving
Ancient Roman Temple - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Temple from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Vanni in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs to the prin...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Barcelona, Antique Map from "Civitates Orbis Terrarum" - Etching - Old Master
Located in Roma, IT
Braun G., Hogenberg F., "Barcelona", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 16.5 x 47, Dim Passepartout: cm 40 x 70.
Wonder...
Category
Early 17th Century Old Masters Prints and Multiples
Materials
Etching, Aquatint
L'Enlevement d'Amymone, Heliogravure by Albrecht Dürer
Located in Long Island City, NY
Albrecht Durer, After by Amand Durand, German (1471 - 1528) - L'Enlevement d'Amymone, Year: 1873, Medium: Heliogravure, Size: 10.5 x 7.5 in. (26.67 x 19.05 cm), Printer: Amand Du...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Etching
18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Engraving, Etching
A Chinese Watchman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Ancient Roman Scene - Etching F. Campana - 18th Century
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Ferdinando Campana in the 18th Century.
Signed on the plate.
Good conditions wi...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Il tempio del Sole
Located in Middletown, NY
Etching on hand made cream laid paper, 2 7/8 x 6 1/4 inches (72 x158 mm), 1/4 inch margins. In very good condition with minor edge wear. Adhered with adhesive along the left top shee...
Category
Early 17th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Etching, Laid Paper
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495.
This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough."
The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland.
References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Prints and Multiples
Materials
Engraving
Ancient Roman Still Life - Etching by Giacomo Casanova - 18th Century
Located in Roma, IT
Ancient Roman Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Azzerboni and Casanova in the 18th Century.
Signed on the plate.
Fair cond...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Animal Figures - Original Etching by Various Old Masters - 1750s
Located in Roma, IT
Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters.
In ...
Category
Mid-18th Century Old Masters Prints and Multiples
Materials
Etching
Aegidius Sadeler II Engraving "Petronia, First Wife of Vitellius, Roman Emperor"
By Aegidius Sadeler II
Located in New York, NY
Artist: Aegidius Sadeler II
Petronia, First Wife of Vitellius, from set of Roman Emperors and Empresses, c. 16th-17th century
Engraving
Publisher: Marcus Christoph Sadeler
Sight: 15 1/4 x 10 3/4 in.
Framed: 19 3/4 x 15 1/4 x 1 in.
This image was conceived in the 16th century by Aegidius Sadeler II and published by Marcus Christoph Sadeler. It is unclear when the present version was executed.
Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries.
His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550-1632), Rudolf II's gemologist and physician.[3]
After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan...
Category
16th Century Old Masters Prints and Multiples
Materials
Engraving
Roman Fresco - Etching by Ferdinando Campana - 18th Century
Located in Roma, IT
Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century.
Signed on the plate.
Goo...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Antiquities of Herculaneum-Letter N - Etching by Giovanni Mignani - 18th Century
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet N, from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Mignani in the 18th century.
Good ...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Genesis 7 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 7 - Old Testament Story is an original Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607ca.
Passpartout included 29 x 39 cm
The ...
Category
Early 1600s Old Masters Prints and Multiples
Materials
Etching
Study of Six Heads - Etching by J.-J. Boissieu
Located in Roma, IT
Study of Six Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Six study od heads ( four elder men, a middle-aged man at the center, and a woman with turbant) etched with a superb technique and an incredible draftsmanship are drawn to different scales and with different degrees of finish, have the dignity of six different portraits with the same passion and effort.
Signed on plate on lower right margin “De Boissieu”. Inscription ( number plate) on higher-right corner "10".
This old master’s original print with lifetime impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time,do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Drypoint, Etching
Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Etching
Woman Taken in Adultery, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Woman Taken in Adultery, Year: 1906 Date of Original 1644, Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm),...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Etching
Narciso and Echo - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Beautiful Artist’s Proof, representing the myth of Narcissius and the nymph Eco, draw by "the Metamorphosis" by Publio Ovidio Nasone.
This aquatint, by Ludovico Caracciolo (engraver...
Category
1810s Old Masters Prints and Multiples
Materials
Etching, Aquatint
Letter of the Alphabet S - Original Etching - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
This or That (Ona Kan O Woja) - 21st Century, Contemporary Figurative, Linocut
Located in Ibadan, Oyo
Shipping Procedure
Unmounted artwork
Ships in a well-protected tube from Nigeria
Accompanied by a Certificate of Authenticity.
About Artist
Tosin Oyeniyi is an intrinsically talente...
Category
21st Century and Contemporary Old Masters Prints and Multiples
Materials
Canvas, Linocut
Old Masters prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Old Masters prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters prints and multiples, so small editions measuring 1.58 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $350,000, while the average work sells for $333.