Old Masters Prints and Multiples
OLD MASTERS
Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.
The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.
Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.
Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.
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Style: Old Masters
Las Rinde el Sueño - Etching by Francisco Goya - 1868
Located in Roma, IT
Las rinde el Sueño is an original etching realized by Francisco Goya and published for the first time in 1799.
Original etching on paper.
This amazing Etchi...
Category
1860s Old Masters Prints and Multiples
Materials
Etching, Aquatint
La Vierge au Poisson (d'apres Raphael), Heliogravure by Marco Dente
Located in Long Island City, NY
Marco Dente, After by Amand Durand, Italian (1493 - 1527) - La Vierge au Poisson (d'apres Raphael), Year: circa 1878, Medium: Heliogravure, Image Size: 10...
Category
1870s Old Masters Prints and Multiples
Materials
Etching
Carlo Nolli - Etching by Carlo Nolli - 18th Century
By Carlo Nolli
Located in Roma, IT
Liberation of Angels from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Nolli in the 18th Century.
Signed on the plate.
Good conditions with folding, a cut,...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighti
Located in Middletown, NY
Bruyn, Abraham de (after). Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighting. 1577. Engraving on hand made laid paper, 10 5/8 x 6 7/8 inches (268 x 1...
Category
16th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
Hercule Gaulois, ou L’Éloquence
By Charles-Nicolas II Cochin
Located in Middletown, NY
A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...
Category
Early 18th Century Old Masters Prints and Multiples
Materials
Laid Paper, Woodcut
Offering Vesta - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Offering Vesta from "Antiquities of Herculaneum" is a Hand-colored etching on paper realized by Nicola Vanni in the 18th Century.
Signed on the plate.
Good conditions.
The etching...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Le Roi et l'Homme Mort, Heliogravure by Giovanni Boccaccio
Located in Long Island City, NY
Giovanni Boccaccio, After by Amand Durand, Italian (1313 - 1375) - Le Roi et l'Homme Mort, Year: Printed 1878, Medium: Heliogravure, Size: 9 x 7 in. (22.86 x 17.78 cm), Printer: Am...
Category
1870s Old Masters Prints and Multiples
Materials
Etching
Landscape with Pair on Wooden Bridge
By Nicolaes de Bruyn
Located in Chicago, IL
Engraving after Egidius Coninxloo (c. 1581 - 1619), executed by Nicolaes De Bruyn (Antwerp 1571 - 1652 Amsterdam)
Unidentified watermark
Category
Early 17th Century Old Masters Prints and Multiples
Materials
Engraving
Vincent de Paul Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Saint Vincent de Paul by Gerard Edelinck (1640-1707) after a painting by Simon Francois (1606-1671), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Vincent de Paul (1581-1660) was a French Catholic...
Category
Late 17th Century Old Masters Prints and Multiples
Materials
Engraving
Two men standing ankle-deep in a body of water, rocky outcrop ... hilltop
Located in Middletown, NY
Etching on light, fibrous, laid Japon paper, 5 3/16 x 6 1/4 inches (132 x 158 mm), full margins. Scattered moderate foxing throughout, very minor printing creases (innate), and one s...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Etching
Jean Racine Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Jean-Baptiste Racine by Gerard Edelinck (1640-1707), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Jean Racine (1639-1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille. Racine's works were primarily tragedies. He wrote Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for young readers. His writing is renowned for its elegance, purity, speed, and fury. The American poet Robert Lowell described his style as a "diamond-edge" and the "glory of its hard, electric rage". Racine's works often displayed his psychological insight, the passion of his characters, and the stark reality of his plots and stage descriptions. In 1672, he was elected to the Académie Française, and two years later he achieved the title of "treasurer of France", and later the honorary title of an "ordinary gentleman of the king" to King Louis XIV, and subsequently a secretary of the king .
This beautiful engraved portrait is printed on chain-linked, laid paper with wide margins. The sheet measures 17.13" high by 10.75" wide. There is a small spot in the lower margin and a few tiny faint spots in the margins, but the print is otherwise in very good condition. The original descriptive text pages, 81 & 82, are included.
Provenance: This engraving was owned by Arthur Pomeroy, 1st Baron Harberton and the Viscount Harberton (1723-1798). He was an Irish politician, who represented County Kildare in the Irish House...
Category
Late 17th Century Old Masters Prints and Multiples
Materials
Engraving
The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Royal Feminine
Located in Ibadan, Oyo
Shipping Procedure
Unmounted artwork
Ships in a well-protected tube from Nigeria
Accompanied by a Certificate of Authenticity.
About Artist
Tosin Oyeniyi is an intrinsically talente...
Category
21st Century and Contemporary Old Masters Prints and Multiples
Materials
Canvas, Linen, Ink, Linocut
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613.
Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Category
Early 17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Engraving
The Spectacle Seller by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...
Category
19th Century Old Masters Prints and Multiples
Materials
Etching
Animal Figures from Ancient Rome - Original Etching by Various Masters - 1750s
Located in Roma, IT
Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters.
In ...
Category
1750s Old Masters Prints and Multiples
Materials
Etching
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Prints and Multiples
Materials
Etching
Goddess - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Goddess from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century.
Signed on the plate.
Good conditions with some foxing and folding ...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
18th Century Engraving "Attack with a Battering Ram" by Montfaucon
Located in Alamo, CA
This early original copper-plate engraving entitled "Attaque avec le Belier" from 'L'antiquité expliquée et représentée en figures' (Antiquity Explained and Represented in Diagrams), published in Paris in 1719 by Bernard de Montfaucon. It depicts an ancient...
Category
Early 18th Century Old Masters Prints and Multiples
Materials
Engraving
Ancient View of Windsor - Etching by G. Braun and F. Hogenberg - 17th Century
Located in Roma, IT
Ancient view of Vindesorium (Windsor) is an old master artwork realized by George Braun and Franz Hogenberg in the Late 17th Century, as part of the famous Series "Civitates Orbis Te...
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
La Lampe Polonoise
Located in Fairlawn, OH
La Lampe Polonoise
Aquatint, 1771
Signed and dated in the plate lower left
Condition: Yellowing to the sheet
Image size: 6 1/8 x 8 1/8 inches
Reference: Hedou 147 ii/II
Provenance: C...
Category
1770s Old Masters Prints and Multiples
Materials
Aquatint
St. Jerome in the Desert
Located in Chicago, IL
Engraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the Elder
Category
16th Century Old Masters Prints and Multiples
Materials
Engraving
Carolus de Mallery, by Lucas Vorsetman the Elder after van Dyck
Located in Middletown, NY
An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery.
Lucas Vorsterman the Elder (after Anthony van Dyck).
Carolus de Mallery, from Icones Principum Viror...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category
Mid-18th Century Old Masters Prints and Multiples
Materials
Engraving
The Large Village Fair
Located in Middletown, NY
Hamburg: Lippmann, 1895.
Copperplate engraving on cream wove paper with a deckle edge, 10 1/8 x 13 1/2 inches (256 x 342 mm), full margins. In generally good condition with some lig...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Engraving, Handmade Paper
New Map of the Terraqueous Globe - WORLD MAP - CALIFORNIA AS AN ISLAND
By Edward Wells
Located in Santa Monica, CA
EDWARD WELLS (British 1667- 1727)
A NEW MAP of the TERRAQUEOUS GLOBE - according to the latest Discoveries and most general Divisions of it into CONTINENTS and OCEANS, 1700-01 (Shirley 609)
Engraved by Michael Burghers, Oxford. Hand-colored, Platemark 14 1/4 x 20 1/8 inches. Central cartouche flanked by figures representing the continents with dedication to William, Duke of Gloucester...
Category
Early 1700s Old Masters Prints and Multiples
Materials
Engraving
Chiton - Etching by Francisco Goya - 1868
Located in Roma, IT
Chiton is an original etching realized by Francisco Goya and published for the first time in 1799.
Etching on paper.
The plate belongs the Third Edition of "Los Caprichos" that has...
Category
1860s Old Masters Prints and Multiples
Materials
Etching, Aquatint
L'Arc en Ciel - Etching R.P. Grouiller after after J.F. Millet - 19th Century
Located in Roma, IT
L'Arc en Ciel is an original print in etching technique on ivory paper, realized by R.P. Grouiller (engraver and sculptor) after by J.F. Millet (French Painter, 1814-1875).
Good co...
Category
19th Century Old Masters Prints and Multiples
Materials
Etching
Le Chaos, from "Le Temple des Muses" - Original Etching by B. Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the myth of Chaos.
Plate from the volume “Le Temple des Muses”, published in Amsterdam in 1742 by Zacharias Chatelain. Capture (under the image) and author "B. Picart del. 1731" inscribed under the frame engraved on the lower left margin. In good conditions, except for a normal yellowing of the margins.
This was an illustrated book of Ovid's most popular fables published in 1733 in Dutch (Tempel der Zanggodinnen), in 1738 in English, and in 1742 in French by Zacharias Chatelain. The engravings had captions in four languages: French, English, German, and Dutch. The artists involved were Michel de Marolles, Bernard Picart, Jacques Favereau, Abraham van Diepenbeeck...
Category
1740s Old Masters Prints and Multiples
Materials
Etching
Young Roman Poet - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Young Roman Poet Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Vanni and Azzerboni in the 18th Century.
Signed on the plate.
...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Ancient Fresco 1 - Etching by Giuseppe Aloja - 18th Century
Located in Roma, IT
Wall Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century.
Signed on the plate.
Good conditions...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Prints and Multiples
Materials
Etching
Map of Dordrecht - Etching by G. Braun/F. Hogenberg - Late 16th Century
Located in Roma, IT
Map od Dordrecht is an artwork realized by Braun and Hogemberg in the late 16th century.
Hand watercolored etching.
40x54 cm.
Good conditions.
Braun Hoghemberg (1541-1622) was a ...
Category
16th Century Old Masters Prints and Multiples
Materials
Etching
Muertos Recogidos - Etching by Francisco Goya - 1863
Located in Roma, IT
Muertos recogidos is an original artwork realized by the great Spanish artist Francisco Goya in 1810.
Original Etching on paper.
The artwork belongs to the famous series "Los Desastres de la...
Category
1860s Old Masters Prints and Multiples
Materials
Etching, Aquatint
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration.
On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin.
Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341.
This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete.
Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks:
Big cartouche with half-moon
Big cartouche with letters “FO” and “AS”
Bound and ripples on paper.
In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation.
Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes.
Other four views are deeply inspired by Michele...
Category
1760s Old Masters Prints and Multiples
Materials
Etching
The Great Landscapes II, (4th State)
Located in Chicago, IL
Watermark:
Schellenkappe (Foolscap) Similar to Churchill no. 340
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
(Large!) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTRO VITTORIE
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (1710-1778)
UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTTRO VITTORIE, (Focillon 330, Wilton-Ely 463) 1750-1756
Etching, Plate 48 from “Le Antichita Romane“ vol. 3. Engraved by Jean Barbault...
Category
1750s Old Masters Prints and Multiples
Materials
Etching
Ancient Roman Bust - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Bust, original etching from the end of the 18th century, made by Various Old Masters.
Good condition.
Units of measurements typical of the period in the lower center...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87)
Portfolio: Vitruvius Britannicus; or The British Architect, Co...
Category
1710s Old Masters Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching
Little Girl Playing with a Baby in its Mother's Arms
Located in Middletown, NY
Deuchar, David, (after van Ostade). Little Girl Playing with a Baby in its Mother's Arms; Mother with Two Children. Edinburgh: c 1800. Etching on cream laid paper, 3 3/4 x 2 3/4 inch...
Category
19th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category
1770s Old Masters Prints and Multiples
Materials
Etching
Portrait de Frederic III, Electeur de Saxe, Heliogravure by Albrecht Dürer
Located in Long Island City, NY
Albrecht Durer, After by Amand Durand, German (1471 - 1528) - Portrait de Frederic III, Electeur de Saxe, Year: 1873, Medium: Heliogravure, Size: 8 x 5.5 in. (20.32 x 13.97 cm), ...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Etching
Rembrandt's Mother, Photogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Rembrandt's Mother, Year: Of Original 1639 (printed 1906), Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm), ...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Etching
Saint Simon, from Christ and the Apostles
By Ludolf Ludwig Businck
Located in Middletown, NY
Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551.
[Stechow 16]
Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...
Category
Early 17th Century Old Masters Prints and Multiples
Materials
Woodcut
Portrait of Marquard Freher, aged forty-nine
Located in Middletown, NY
Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...
Category
Early 17th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
Esto sí Que es Leer - Etching by Francisco Goya - 1868
Located in Roma, IT
Esto sí que es leer is an original etching realized by the great Spanish artist Francisco Goya and published for the first time in 1799.
Etching on wove paper....
Category
1860s Old Masters Prints and Multiples
Materials
Etching, Aquatint
Bellos Consejos - Etching by Francisco Goya - 1868
Located in Roma, IT
Bellos Consejos is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799.
Original etching on paper.
The plate is part of the T...
Category
1860s Old Masters Prints and Multiples
Materials
Etching, Aquatint
Letter of the Alphabet I - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet I from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belongs...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
The Arch of Constantine and the Colosseum
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition,...
Category
1760s Old Masters Prints and Multiples
Materials
Etching
To Drink in Excess
By Cornelis Visscher
Located in Middletown, NY
Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category
Mid-18th Century Old Masters Prints and Multiples
Materials
Engraving
Phinée - Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Phineus.
Beautiful plate with fresh impression and sharp details, from the volume “Le Temple des Muses”, pu...
Category
1740s Old Masters Prints and Multiples
Materials
Etching
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Mid-18th Century Old Masters Prints and Multiples
Materials
Etching
The Praying - Etching after Rembrandt - 19th Century
By D'Après Rembrandt
Located in Roma, IT
The Praying is an etching on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of ...
Category
19th Century Old Masters Prints and Multiples
Materials
Etching
Portrait Of Jan Six - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Portrait Of Jan Six is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1630. This wonderful piece of a...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
VEDUTA DI CHIAIA, Antonio Cardon - Stampa su carta con cornice, moderna
Located in Napoli, IT
Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the inscr...
Category
1970s Old Masters Prints and Multiples
Materials
Color
Le Supplice du Garrot, Heliogravure by Francisco de Goya
Located in Long Island City, NY
Francisco de Goya, After by Amand Durand, Spanish (1746 - 1828) - Le Supplice du Garrot, Year: 1875, Medium: Heliogravure, Size: 12.5 x 8.5 in. (31.75 x 21.59 cm), Printer: Amand Durand, Description: An Amand Durand etching...
Category
1870s Old Masters Prints and Multiples
Materials
Etching
Les Maries pleurant le corps mort de Jesus Christ, Heliogravure
By Marcantonio Raimondi
Located in Long Island City, NY
Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Les Maries pleurant le corps mort de Jesus Christ, Year: 1875, Medium: Heliogravure on Laid Paper, Size: 9 x 7 ...
Category
1870s Old Masters Prints and Multiples
Materials
Etching
17th century etching black and white landscape scene forest trees cattle
Located in Milwaukee, WI
"Le Bouvier (The Cowherd)" is an original etching by Claude Lorrain. It depicts a shepherd with a herd of cows. This etching is also in the collections of the Met and the Louvre. It ...
Category
1630s Old Masters Prints and Multiples
Materials
Etching
Sweden and Adjacent Portions of Scandinavia: A Hand-colored 18th C. Homann Map
Located in Alamo, CA
This hand-colored copper-plate map of Sweden and adjacent portions of Scandinavia entitled "Regni Sueciae in Omnes suas Subjacentes Provincias accurate divisi Tabula Generalis" was c...
Category
Early 18th Century Old Masters Prints and Multiples
Materials
Engraving
The Smoker at the Window by David Deuchar, after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...
Category
19th Century Old Masters Prints and Multiples
Materials
Etching
Letter of the Alphabet P - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet P from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good condition...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Muertos Recogidos - Etching by Francisco Goya - 1863
Located in Roma, IT
Muertos recogidos is an original artwork realized by the great Spanish artist Francisco Goya in 1810.
Original Etching on paper.
The artwork belongs to the famous series "Los Desastres de la...
Category
1860s Old Masters Prints and Multiples
Materials
Etching, Aquatint
Palazzo Colonna di Sciarra - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Palazzo Colonna di Sciarra is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed ...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Man at Desk, Wearing Cross - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Man at Desk, Wearing Cross and Chain is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1641. This...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category
Early 18th Century Old Masters Prints and Multiples
Materials
Laid Paper, Woodcut
La Mort de la Vierge (B99), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Mort de la Vierge (B99), Year: 1878 (of original 1639), Medium: Heliogravure, Size: 9.25 x 7.5 in. (23.5 x 19.0...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
The Singers
Located in Chicago, IL
The Singers (4th State), 1667
Etching printed with tone
240 x 190 mm.; 9 1/2 x 7 1/2 inches
Provenance:
W. Benoni White (Lugt 2592)
Karl Herweg (not in Lugt)
References:
Godefroy 19 IV/VII
Hollstein 19 IV/VII
Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47
Notes:
A very fine impression of the rare 4th state (of seven) of this major Van Ostade.
Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state.
Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland.
Pelletier (S. William Pelletier, Adrian Van Ostade...
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
Chiesa di S. Marcello - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa di S. Marcello is a black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margins wi...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Maximilien de Bethune, Duc de Sully
By (After) Frans Pourbus the Younger
Located in Middletown, NY
A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger
Etching on fine ...
Category
Late 17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Telephe guéri, from "Le Temple des Muses"
Located in Roma, IT
Black and white etching on wire rod paper, representing the myth of Telephus and his healing.
Plate with fresh impression, from the volume “Le Temple des Muses...
Category
1740s Old Masters Prints and Multiples
Materials
Etching
Hieronymus Schurstab (1st state)
By Hans Lautensack
Located in Chicago, IL
Etching
195 x 295 mm.; 7 3/4 x 11 3/4 inches
Exhibited:
Old Master Prints & Drawings: 1450 - 1850, R. S. Johnson Fine Art, December 1999: no. 21.
Reference:
Hollstein 68 I/II
No...
Category
16th Century Old Masters Prints and Multiples
Materials
Etching
Letter S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter S is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Old Masters prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Old Masters prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters prints and multiples, so small editions measuring 1.58 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $350,000, while the average work sells for $333.