Old Masters Prints and Multiples
OLD MASTERS
Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.
The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.
Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.
Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.
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Style: Old Masters
The Knight and his Horse - Etching by G.B. Tiepolo - 1785
Located in Roma, IT
The knight and his horse is an etching realized by Giambattista Tiepolo, in 1785.
Sheet 23 x 30 cm.
Good impressions on paper, with wide margin...
Category
1780s Old Masters Prints and Multiples
Materials
Etching
Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category
Early 18th Century Old Masters Prints and Multiples
Materials
Laid Paper, Woodcut
Jaguar Pompeian - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Jaguar Pompeian Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions.
The etching belo...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
The School Master by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...
Category
19th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Etching
Roman Temple Fresco - Etching- 18th Century
Located in Roma, IT
Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized in the 18th Century.
Monogrammed on the plate.
Good conditions.
T...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Letter P - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter P is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Four Soldiers, one with Flag - Etching after Salvator Rosa - 18th Century
Located in Roma, IT
This etching, representing Four soldiers, one with flag, is an 18th century copy after Salvator Rosa and it is from the series of capricci with soldiers, called Figurine.
The first ...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good conditio...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
The Basilica of Constantine
Located in Chicago, IL
A very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...
Category
18th Century and Earlier Old Masters Prints and Multiples
Materials
Etching
Three Grotesque Figures by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800.
Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...
Category
19th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Etching
Glaucus and Scylla - Etching after Salvator Rosa - 18th Century
Located in Roma, IT
This etching, representing Glaucus and Scylla, is an 18th century copy after Salvator Rosa (ca. 1661).
Signed lower right “S.Rosa”
The state of preservation is very good. Foxings d...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Ancient Roman Fresco - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions e...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Jan Cornelis Sylvius
Located in Middletown, NY
Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...
Category
19th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Player - Etching by Filippo Morghen - 18th Century
Located in Roma, IT
Player from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century.
Signed on the plate.
Good conditions with some folding due to the t...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Profile of Man, Old Masters Lithograph after Andrea del Sarto
By Andrea Del Sarto
Located in Long Island City, NY
Andrea del Sarto, After by Alphonse Leroy, Italian (1486 - 1530) - Profile of Man, Medium: Lithograph, Image Size: 10.25 x 7.5 inches, Size: 19.5 x 14 in. (49.53 x 35.56 cm), Fram...
Category
16th Century Old Masters Prints and Multiples
Materials
Lithograph
Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category
Mid-18th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
The Quacksalver
Located in Middletown, NY
Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Landscape - Etching - 17th Century
Located in Roma, IT
Landscape is an old master artwork realized by Artist of late 17th Century.
Etching on paper.
Includes frame 31.8 x 37 cm
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
Piazza Navona in Rome: A Framed Original 18th Century Etching by Barbault
Located in Alamo, CA
This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...
Category
Mid-18th Century Old Masters Prints and Multiples
Materials
Etching
To Drink in Excess
By Cornelis Visscher
Located in Middletown, NY
Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Hunting the Bear - Etching By Jean Jaques Flipart- 18th Century
Located in Roma, IT
Hunting the Bear is an old master artwork realized by Jean Jaques Flipart (1709 - 1782) in the late 18th Century
Sheet dimensions 37.5 x 52 cm
Title printed on plate.
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Study of a Head
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler)
Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category
17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Anatomy Studies after Guido Reni - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies after Guido Reni is an etching realized by Nicholas Cochin in 1755.
Good conditions with slight foxing.
Signed in the plate.
The etching was realized for the anato...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Mezzotint
Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published.
The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points.
The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
Category
Mid-18th Century Old Masters Prints and Multiples
Materials
Engraving
Portrait of Carlos de Colonna, Marques de la Espinar
By Paulus Pontius
Located in Middletown, NY
(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression.
__________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Engraving
Lunar Costumes - 20th Century - Gaetano Dura - Lithograph - Old Masters
By Gaetano Dura
Located in Roma, IT
Lunar Costumes is an original lithograph by Gaetano Dura.
Titled on the lower center. Signed printed on lower left. Published by Lithography Gatti e Dura, Naples (printed on lower r...
Category
20th Century Old Masters Prints and Multiples
Materials
Lithograph
Pompeian Styles Wall Painting - Etching by Carlo Nolli - 18th Century
By Carlo Nolli
Located in Roma, IT
Pompeian Styles Wall Painting from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Nolli in the 18th Century.
Signed on the plate.
Good conditions with some f...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate
Good conditions exc...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Bearded man in turban and fur
Located in Middletown, NY
Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light surface soiling, unevenly trimmed wide margins, all consistent with age. Likely printed...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
NEAPOLIS, Friedrich Bernhard Werner - Framed print on paper, modern
Located in Napoli, IT
Print on paper prized antique print "View of Naples" by Friedrich Bernhard Werner.
Category
1970s Old Masters Prints and Multiples
Materials
Black and White
The White Arab - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The White Arab is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1630. This specimen belongs to an edition of the late 19th ...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
Sainte Cecile d'apres Raphael, Heliogravure by Marcantonio Raimondi
Located in Long Island City, NY
Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Sainte Cecile d'apres Raphael, Year: 1875, Medium: Heliogravure, Size: 11 x 6.5 in. (27.94 x 16.51 cm), Printe...
Category
1870s Old Masters Prints and Multiples
Materials
Etching
Ancient Roman Fresco - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions with...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
The couple
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685)
Title: The Couple
Year : 1638
Medium: Etching
Paper: Laid paper
Image (plate mark): 3.25 x 2.5 inches
...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Etching
Mercury and Argus (2nd State)
Located in Chicago, IL
References:
Blum 38 II/IV
Robert-Dumesnil 17 I/III
Russell 49 II/IV
Mannocci 42 IIb/III
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
A study of whimsical architectural elements: Satyr's, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category
Mid-17th Century Old Masters Prints and Multiples
Materials
Laid Paper, Etching
Landscape with Bridge - Etching by J. C. Richard de Saint-Non - 18th Century
Located in Roma, IT
Landscape with Bridge is a beautiful black and white etching realized by Jean-Claude Richard de Saint-Non at the end of 18th Century.
On lower margin under the image the inscriptio...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Seascape - Etching by Giuseppe Aloja - 18th Century
Located in Roma, IT
Seascapes is an Etching realized by Luigi Aloja (1783-1837).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano ...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
View of Meissen, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of View of View of Meissen, Germany entitled "Misena Hermun Duvorum Urbs" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
The map depicts a side view and bird's-eye view, looking across the Elbe River (labelled Albis Fluvius on the map; White River in Latin) from the northeast. In the foreground are three women in conversation on a hill above the city, along with a man and a woman in conversation by a road, all dressed in contemporary costumes of the upper class. A coat-of-arms is present in each upper corner. A great castle sits atop a hill in the background on the left. Meissen grew up around Albrechtsburg castle, built by Emperor Henry I around AD 929, and was granted a municipal charter at the end of the 12th century. From 1471 onwards, the castle complex was reconstructed as the residence of the Saxon electors on the northeast corner of the Domberg (Cathedral Hill). Meissen cathedral is a Gothic hall church begun c. 1270; in 1413 a bolt of lightning destroyed its west towers, which were replaced only in the 20th century. Meissen lies to the northwest of Dresden, Germany in Saxony. Meissen is famous for its Meissen porcelain and the Albrechtsburg castle
The following is an English translation of an excerpt from Braun's description of the city: "This city is surrounded by very many rivers, to the east flows the Elbe, to the south the Triebisch, to the west are the mountains, to the north the Meisse, after which the city is said to be named. The city is well-situated in its surroundings, the navigable rivers, the mountains and the healthy air. Around the city there is a good land to grow grain, fertile vineyards on the hillsides and without doubt the mountains are not without ore, for one mile away, up the Elbe, is Scharfenberg, where silver and lead ore are mined.."
References: Van der Krogt 4, 2684; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Prints and Multiples
Materials
Engraving
Exo.17 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Exo.17 - Old Testament Story is an Etching print realized by Sisto Badalocchio.
About The Old Testament Story, 1607 ca.
Passpartout included 31 x 35 cm
The artwork is in good cond...
Category
Early 1600s Old Masters Prints and Multiples
Materials
Etching
La Vierge a la Poire, Heliogravure by Albrecht Dürer
Located in Long Island City, NY
Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge a la Poire, Year: 1873, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Printer: Amand Durand, D...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Etching
Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 95 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...
Category
1810s Old Masters Prints and Multiples
Materials
Etching, Aquatint
La Descente de Croix Aux Flambeaux, Old Masters Etching by Rembrandt van Rijn
Located in Long Island City, NY
Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Descente de Croix Aux Flambeaux (B280), Year: 1878 (of original 1654), Medium: Heliogravure, Size: 8.25 ...
Category
Late 19th Century Old Masters Prints and Multiples
Materials
Etching
!6th c. VIEW OF FLORENCE
Located in Santa Monica, CA
SEBASTIAN MUNSTER (1488-1552)
FLORENCZ - -- FIGUR UND GELEGENHEIT DER EDLEN UND HOCH BERHÜMPTEN STATT FLORENTZ. . c 1550 (Fauser, #3925.)
Woodcut f...
Category
16th Century Old Masters Prints and Multiples
Materials
Woodcut
Roman Wall Motif With Nehebkau - Etching by Carlo Nolli - 18th Century
By Carlo Nolli
Located in Roma, IT
Roman Wall Motif With Nehebkau and Pegasus from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Nolli in the 18th Century.
Signed on the plate.
Good condition...
Category
18th Century Old Masters Prints and Multiples
Materials
Etching
Bathsheba Receiving David's Letter - Etching after Adriaen Collae - 17th Century
Located in Roma, IT
This etching, the prototype of which is attributed to Adriaen Collaert (ca. 1560-1618), is taken from the Theatrum Biblicum by Claes Jansz. Visscher, first published in Amsterdam in ...
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
Abolboda; Elodea (Waterweeds); Lepidosperma (Hoary Rapier-Sedge) /// Botanical
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Abolboda; Elodea (Waterweeds); Lepidosperma (Hoary Rapier-Sedge)" (Triandrie Monogynie, Plate 905)
Portfoli...
Category
1740s Old Masters Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Ancient Roman Statue - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by An anonymous artist in the 18th century.
Signed on the plate on the l...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Portrait of René Descartes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of René Descartes is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognom...
Category
1810s Old Masters Prints and Multiples
Materials
Etching
Farnese Hercules
By Jacob Bos
Located in Chicago, IL
448 x 315 mm.; 17 5/8 x 12 1/4 inches
Watermark:
Eagle, close to Briquet 207 (Rome 1573-76)
Notes:
Bos was born in ‘s-Hertogenbosch in southern Netherlands (in French, the city’s name is “Bois-le-Duc”), and was active in Rome for a number of years from circa 1549 onward. His works were influenced by Marcantonio Raimondi (near Bologna 1480 – died between 1527 and 1534: see our no. 11).
The inspiration for this magnificent and extremely rare engraving was the famous so-called Farnese Hercules...
Category
16th Century Old Masters Prints and Multiples
Materials
Engraving
$15,000
Philosopher Standing with Two Figures - Original Etching by G.B. Tiepolo
Located in Roma, IT
Extremely beautiful Artist's proof.
Sixth Sheet from “Vari Capricci”, the most important series by Giambattista Tiepolo including 10 etchings (un...
Category
1740s Old Masters Prints and Multiples
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching F. Cepparoli - 18th Century
Located in Roma, IT
Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli in the 18th Century.
Signed on the plate.
Good c...
Category
Late 18th Century Old Masters Prints and Multiples
Materials
Etching
Ruega por Ella - Etching by Francisco Goya - 1868
Located in Roma, IT
Ruega por Ella is an original etching realized by the great Spanish artist Francisco Goya and published for the first time in 1799.
Original etching on paper.
The plate is part of ...
Category
1860s Old Masters Prints and Multiples
Materials
Etching, Aquatint
(Large!) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTRO VITTORIE
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (1710-1778)
UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTTRO VITTORIE, (Focillon 330, Wilton-Ely 463) 1750-1756
Etching, Plate 48 from “Le Antichita Romane“ vol. 3. Engraved by Jean Barbault...
Category
1750s Old Masters Prints and Multiples
Materials
Etching
Self-portrait with Raised Sabre - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-portrait with Raised Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece of art belongs ...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
Cottages and a Hay Barn - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Cottages and a Hay Barn on the Diemerdijk is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
Lieven Willemsz van Coppenol - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Lieven Willemsz van Coppenol: the Smaller Plate is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1658 ca. This wonderful pi...
Category
19th Century Old Masters Prints and Multiples
Materials
Engraving
The Singers
Located in Chicago, IL
The Singers (4th State), 1667
Etching printed with tone
240 x 190 mm.; 9 1/2 x 7 1/2 inches
Provenance:
W. Benoni White (Lugt 2592)
Karl Herweg (not in Lugt)
References:
Godefroy 19 IV/VII
Hollstein 19 IV/VII
Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47
Notes:
A very fine impression of the rare 4th state (of seven) of this major Van Ostade.
Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state.
Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland.
Pelletier (S. William Pelletier, Adrian Van Ostade...
Category
17th Century Old Masters Prints and Multiples
Materials
Etching
Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648)
Portfolio: Histoire Na...
Category
1740s Old Masters Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Old Masters prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Old Masters prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters prints and multiples, so small editions measuring 1.58 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $350,000, while the average work sells for $333.
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