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Post-Impressionist Prints and Multiples

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Unsigned and unnumbered, as issu...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Cauchemar - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Nana, Modern Lithograph by Jules Pascin
Located in Long Island City, NY
"Nana" is an original lithograph after a early 20th Century painting by Jules Pascin. The work bears the artist's stamp signature and numbering in pencil. Estate authorization by Luc...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Sommeil
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC Le Sommeil 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches
Category

19th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Le Repos - Original Lithograph After G. Braque - 1967
Located in Roma, IT
Le Repos is an original lithograph realized by Georges Braque (After) (Argenteuil, 1882 - Paris, 1963) in 1967. Original Lithograph on paper. Published by Maeght Editeur, Paris. Credits printed on rear. Mint Conditions. Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Blonde - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Chaton - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Bernard Buffet - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Bernard Buffet Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimension...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Chat Perché - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

La Chatte Bleu de Perse - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

A L'Espagnole - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Portrait of a Man - Lithograph by Luc-Albert Moreau - 1940
Located in Roma, IT
Portrait of a Man is a Lithograph on ivory-colored paper realized by Luc Albert Moreau in 1940. The artwork is in good condition. Hand-signed and dated on the lower right corner, n...
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1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Mademoiselle Eglantine’s Troupe by H. de Toulouse-Lautrec - Mid-20th Century
Located in Roma, IT
Mademoiselle Eglantine’s Troupe is is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: La Troupe de Mademoi...
Category

Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph, Paper

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Physiology of Boxing - Original Lithograph by Luc-Albert Moreau - 19th Century
Located in Roma, IT
Physiology of Boxing is an Original Litograph realized by Luc Albert Moreau (1882-1948). The artwork is in good condition included a cream colored cardboard passpartout (49x32 cm). No signature. In the 1920s, French painter Luc-Albert Moreau created a suite of 60 lithographs of the many aspects of boxing, which he considered a noble sport. Physiologie de la Boxe featured paintings and drawings of boxing winners and losers, as well as spectators and managers. Moreau was a painter with the Cubists up to 1912, but soon reverted to a more traditional style. He also produced lithographs of Parisian bars...
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19th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Paroles Dans un Parc
Located in San Francisco, CA
This art work titled "Paroles Dans un Parc (Words in the Park)" 1989 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A. (Artist Proof in French) in pencil by the artist. The image size is 22.15 x 30.25 inches, sheet size is 24.75 x 32.85 inches. It is in excellent condition, has never been framed. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...
Category

Late 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Chat Botté - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
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1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Anna Held dans Toutes ces Dames, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Auti te pape (Les Femmes à la Rivière) - Woodcut After Paul Gauguin 1891
Located in Roma, IT
Original woodcut after Paul Gauguin. Second edition of 100 prints signed by the Artist's son Pola Gauguin: lower left "Paul Gauguin fait", lower left "Pola Gauguin imp.". Inscribed ...
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1890s Post-Impressionist Prints and Multiples

Materials

Woodcut

Vuillard, L´Avenue, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Ceremony - Original Lithograph by Pierre Bonnard - 1930
Located in Roma, IT
Signed on plate. This lithograph is from the collection "The Life of Saint Monique", published by Vollard in 1930. Passepartout included : 53 x 37 cm This artwork is shipped from ...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Behind the scenes of the Folies... by H. de Toulouse-Lautrec - Mid 20th Century
Located in Roma, IT
Behind the scenes of the Folies Bergère. Lona Barrison is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: ...
Category

Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph, Paper

Au Square
Located in New York, NY
A very good impression of this color lithograph. Edition of 2000. Published by "L'Estampe Moderne," Paris, with the blind stamp (Lugt 2790, lower right).
Category

1890s Post-Impressionist Prints and Multiples

Materials

Color, Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Portrait of Woman - Original Etching by Edouard Chimot - Early 20th Century
Located in Roma, IT
Two Figures is an Original etching monotype realized by Edouard Chimot. The artwork is in good condition on the yellowed paper, included a cardboard passpartout (51x35 cm). Hand-si...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Etching

Au Bois de Boulogne - Original Etching by H. Farge - Mid 20th Century
Located in Roma, IT
Image dimensions: 16 x 11 cm. Au Bois de Boulogne is an original modern artwork realized in the first decades of the XX Century by the French artist Henri Farge...
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Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Etching

Patte de Velours - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Fleur sur un Fond Jaune et Orange - Screen Print after F. Leger - 1950s
Located in Roma, IT
Fleur sur un fond Jaune et Orange is a contemporary artwork realized by Jean Bruller after a gouache by Fernand Léger. Screen print on Arches wove paper. Unsigned, from a portfolio...
Category

Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Screen

Vuillard, Maternité, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 7.87 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Tavern - Etching by Marcel Gromaire - 1952
Located in Roma, IT
Tavern is a black and white etching on paper, realized in 1952 by Marcel Gromaire (1892-1971). Monogrammed on plate on the lower left corner. Good conditions except for some foxing...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Etching

Portrait of Woman - Lithograph by Edouard Chimot - Early 20th Century
Located in Roma, IT
Portrait of Woman is an Original Lithograph realized by Edouard Chimot. The very beautiful artwork is in good condition except for some spots on the yellowed paper, included a cardboard passpartout (34x26 cm). Hand-signed by the artist on the lower right corner. Represents a young lady with red hair...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Portrait of Felix Faure - Woodcut Print by F. Vallotton
Located in Roma, IT
Signed on plate with Felix Vallotton's F.V. monogram. Image Dimensions : 16 x 12.5 cm Passepartout included : 39.5 x 34.5 cm This artwork is shipped from Italy. Under existing legis...
Category

Late 19th Century Post-Impressionist Prints and Multiples

Materials

Woodcut

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 5.71 x 8.86 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Femme sur le Dos - Lassitude - Lithograph after H. de Toulouse-Lautrec - 1890s
Located in Roma, IT
Femme sur le Dos - Lassitude is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58 x 45, matted.  Monogrammed on plate. Good conditions. This specimen belo...
Category

1890s Post-Impressionist Prints and Multiples

Materials

Lithograph, Paper

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Le Siamois - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Nude Woman - Original Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Nude Woman is an Original Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signed on the lower. Luc-Albert Moreau (1882-194...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Petit Chat est Mort - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Chat qui Dort - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Jacques Villon (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Jacques Villon Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Chat Sauvage - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Mademoiselle Spinelly chez elle - Pochoir by G. Barbier - 1920
Located in Roma, IT
Pochoir. This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. Passepartout included : 34 x 49 cm
Category

1920s Post-Impressionist Prints and Multiples

Materials

Stencil

Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Woodcut

The Bow
Located in New York, NY
Artist’s in-plate monogram lower left
Category

19th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Des Ongles Et Du Bec
Located in Roma, IT
Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century. The single prints, realized with a sophisticated mixe...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Etching

Seurat, Torse d'homme nu, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Models at Window - Stencil by Paul Iribe - 1908
Located in Roma, IT
Pochoir. Signed on plate. One of the beautiful illustrations realized by Paul Iribe for "Les Robes de Paul Poiret" in 1908. Passepartout included : 69 x 50 cm.
Category

Early 1900s Post-Impressionist Prints and Multiples

Materials

Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

de Vlaminck, Voiliers sur la Seine, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 6.69 x 8.27 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Matisse, Le Lagon (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...
Category

1980s Post-Impressionist Prints and Multiples

Materials

Lithograph

Matisse, Le Lagon (after)
Matisse, Le Lagon (after)
$716 Sale Price
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Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

'Woman in a Kimono', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA
Located in Santa Cruz, CA
Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950. A substantial monotype and gouache showing a young woman seated, her kimono fallen open and b...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Paper, Gouache, Graphite, Monotype

Man Sitting - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Man Sitting is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signature on the lower right corner, numbered on the left. Luc-Albert Moreau (1882-1948) is a French painter, engraver, lithographer, and illustrator, close in his early days to the group known as the Black Band, then to the Golden Section.
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Post-impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.

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