Abstract Abstract Sculptures

Guillaume ROCHE The artist translates movement and energy through the dynamism of assemblages and seeks the balance of composition. His sculptures offer aerial movements, round sh...

A unique wall-hanging steel sculpture by Preston Abernathy (American XXth). The work is a solid panel of brushed, polished and etched stainless steel in a geometric pattern with gre...

This contemporary, mixed media Wall Relief by Ned Evans features multicolored oil paint and resin on wood. Its modern design turns your guest ...

Enrique "Sebastian" Carbajal (Born 1947) bronze sculpture Brilliant bronze sculpture by listed Mexican artist Enrique "Sebastian" Carbajal. This Mexican modernist bronze sculpture sits atop a marble base. Signed in the bronze. The base measures: 4.5" wide x 3" deep. The sculpture stands 24" tall. Sebastián (born Enrique Carbajal González...

Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...

A huge centerpiece good-quality Seguso Murano (probably 1970s or 1980s, Memphis Milano era) elliptical-form clear glass sculptural bowl with striated ...

Ana Guitel Nigri, Universe2, Wall sculpture, stainless steel, Abstract sculpture, mettalic sculpture, spiritual elevation, Brazilian-Israeli artist,

Virus Lamp Tripod - Set Our Virus luminaire is a spherical luminaire on pedestals with a color filter attachment for indoor use. The tubular sectional steel has been arranged here a...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

"In Sync II" is an abstract artwork by Stan Olthuis composed of acrylic paint on a reclaimed laminate table top. In Sync II measures 42" high by 42" wide ...

A series of works .. ANCIENT ... this series has a magical connection. They have the ancient spirit of past civilizations and sections of different corners of history. Looking at eac...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

An original clay wall sculpture by American artist Neil Tetkowski.

" Hang Tide " This unique sculpture was created by David Marshall and Jennifer Baker from sand cast aluminium and cast glass. Mounted on sandstone base. Certified authentic by both ...

One of a kind Sculpted Paper or Bas Relief Séverine de La Chapelle's artistic inspiration reflects her temperament—joyful, spontaneous, and infused with positive energy. Through her ...

Milled wood, LED lights and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his o...

System Red-Grey is a unique small size contemporary modern cube sculpture by the famous Dutch artist couple Nel Haringa and Fred Olijve in whi...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Imagination of the YinYang symbol in zinc The two semicircles are shown differently in this design than in the original YinYang symbol Masculinity is (also) represented in this desig...

Olympiad. Hand fabricated steel with patina, bronze rod. Unique, one of a kind. 19 x 19 x 14" sculpture. Powder coated steel base, 3"h, 12"w, 9"d. There are two sides to any circle:...

Geometrically shaped copper sculpture. The piece is the tone of shiny bright copper and has circular and triangular shapes to the work. It is not signed. Artist Biography: Matthew ...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

Spirit Flames blends the fiery beauty of Brazilian Agate with modern design. Its vibrant colors and built-in lighting create a dynamic, energetic vibe, perfect for adding warmth and ...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...

I wove a tapestry as I returned home to the front-line city of Kharkov, which is constantly under fire. At home, I felt that I wanted to implement the ideas that I had come up with earlier, I wanted to create something new, and the sounds of sirens and explosions did not bother me anymore. Created with the sound of sirens and explosions. Combining bright particles of yarn and thread, I imprint my positive attitude, I live a full life, I breathe. This work is one of the sari of my knitted tapestries, a modern interpretation of the carpet tapestries that used to be hung on the wall, let my bright tapestries...

Bunny Ryan Cronin Oil Paint, Wood, and Fiberglass 52" (Height) x 25" (Width) x 12.5" (Depth) When people look at his work Cronin wants them to feel an immediate impact, even if they...

The Modern Outdoor Sculpture " Skywalker ” is a unique striking piece of Art that combines steel, brass and wood to create a interesting blend of materials made by David Marshall in...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

White Musical plate 2011, porcelain, 13x17 cm inside in the plate small pearls, which make a pleasant sound reminiscent of the sound of the sea, when you move the plate

Sofia Horbachevska is a Ukrainian ceramic artist based in Kyiv, where she works in her own studio. A graduate of the Mykhailo Boychuk Kyiv State Academy of Decorative and Applied Art...

Aluminum sheet, metal wire and acrylic - mobile Amaury Maillet is a self-taught artist who explored art in Provence and Saint Martin in his childhood. ...

​"Casa De La Serpiente" - House of the snake, 29/60, 1996 aluminum, paint, signed.​ Edgard Negret was born in 1920-2012 Colombia. He studied at the Scho...

Gorgeous One of a kind Blown and fused Glass sculpture in opaque white, black, grey, and white silver transparent . Includes its black metal base (about 32cm X 10 cm X 18cm ). Total ...

Earthenware, 1986 Publisher : Atelier de Segries (Moustiers-Sainte-Marie) Diameter: 25cm The energy of the artist's gesture can be seen in the peta...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Realized by the Artist in 3 different variants, each with a different central body. Declaration of authenticity signed by the Artist on rear of photo in 1975. Provenance: Private Col...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

Composition BRGT is one of the most recent unique small size contemporary modern cube sculptures of a new series by the famous Dutch artist co...

stainless steel wall sculpture

stainless steel wall sculpture

cold rolled steel, powdered coated white wall sculpture

cold rolled steel wall sculpture

cold rolled steel, natural rusted finish wall sculpture

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Cephalopod 33.75 x 43.0 x 0.03, 0.31 lbs Handmade paper, mixed media Hand signed by artist Artist's Commentary: "'Cephalopod' is a biomorphic work carved in Maltese limestone. It...

Architecture, functional objects and the human gestures that occur when interacting with these structures inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces,...

Paper mache "Les Argonautes" Artist: JS. Ferlay Vallauris Workshop "Les Argonautes", Vallauris: Isabelle Ferlay (1917-?) And Frédérique Bourguet (1925-1997) Isabelle Ferlay and Frédérique Bourguet founded their ceramic workshop in Vallauris in 1953, which they named "Les Argonautes", in reference to the famous Greek epic. Isabelle studied painting at the Fine Arts school of Lyon in 1940, then she attended the Fine Arts in Marseille. Finally, she finished her artistic training in Montpellier, at the Fontcarade national school, where she learned ceramics. Françoise dit Frédérique Bourguet studied at the Beaux-Arts in Montpellier until 1945 and it was in Sèvres, in Françoise Bizette's studio, that she trained in the art of ceramics. She created her first workshop in Paris in 1945, which she shared with Valentine Schlegel until 1951. The two women ceramicists then practiced modeling technique. It was in 1953 that she met Isabelle Ferlay and together, they decided to set up a workshop in Vallauris. They produce shaped pieces, sometimes molded, made of earthenware, enamelled in bright colors. In the 1970s they made stoneware cooked over a wood fire. Some ceramists frequented their workshop, notably the very talented Jacques Innocenti and François Raty.

In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...

"Grey Gear" by Joel Perlman Abstract sculpture in bronze Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minimalis...

In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

"Red White All Over - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work...

"Intersections Garden #12" by Arlene Slavin Colored vinyl and stainless steel Abstract, Modern, Contemporary Outdoor Sculpture, Plastic, Vinyl, Colorful, Multi-colored, Mesh, Vertic...