Box Sculptures

1:28 scale reproduction of L.O.V.E by Maurizio Cattelan installed in 2010 in Piazza Affari Milan - Italy Comes with original wooden box

"LaFlat" is an original archival pigment print on cardboard box artwork by Kid Hazo measuring 5.5"h x 11"w x 5.25"d. This is an edition of 13. kid hazo (pronounced has•ohh) is a Phi...

This sculptural installation incorporates running water and and interior light which activates the scene of a streambed along a grassy knoll. Kathleen Vance is an environmental artist who creates projects that connect people to local aspects of nature that are overlooked or under appreciated. With the series “Traveling Landscapes” Vance creates miniature landscapes with running streams and rivers inside vintage suitcases and trunks...

Shoji Hamada Lidded Jar with Signed Box stoneware and glaze 4.5 x 5.75 x 5.75" date unknown signed

Resin, steel, string and acrylic paint with hand-drawn canvas Edition of 250 Figure: 36 × 23 × 18 cm (14.2 × 7.5 × 8.7 in) Canvas: 20.5 x 16.3 cm (8 x 6.5 in) Box: 47 x 31 x 32 cm (1...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely with our artists to take this positive and proactive step, helping collectors across the pond continue building their collections with confidence. This antique Japanese Tobacco Box...

Denied Warhol Brillo Box, Contemporary Pop Art Sculpture by Charles Lutz. Silkscreen and latex paint on wood, stamped Denied with the Andy Warhol Art Authentication Board's mark. 17 x 14 x 17" 2008 Lutz's 2007 ''Warhol Denied'' series gained him international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" works authored by Lutz. Andy Warhol's Brillo Boxes were originally created in 1964 and are easily his most iconic sculptures, rivaling paintings like Liz Taylor, Marilyn Monroe, Elvis, Campbell's Soup Cans, Flowers and Electric Chairs. These highly prized sculptures continue to soar in value and were the subject of a recent HBO documentary, “Brillo Box (3¢ Off)”, which also included Charles Lutz. Lutz, also known for the installation work Babel, exhibited at the 2013 Armory Fair in New York City which caused near riots as he invited the fair goers to take cardboard versions of the Brillo Box Sculptures. "In the mid-1960s, Warhol carried his consumer-product imagery into the realm of sculpture. Calling to mind a factory assembly line, Warhol employed carpenters to construct numerous plywood boxes identical in size and shape to supermarket cartons. With assistance from Gerard Malanga and Billy Linich, he painted and silkscreened the boxes with different consumer product logos: Kellogg’s Corn Flakes...

Cornucopia is an original decorative object realized in the 2017s by Ferdinando Codognotto. Original wood sculpture realized in swiss pine expe...

"Brillo Box Green" Pop Art Sculpture 17" x 17.5" x 14" in Ed. 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award win...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...

Silver was the material of choice for both ecclesiastical and domestic vessels in the New World, not only for its status as a precious metal, but also because of its abundance and du...

"Brillo Box Purple" Pop Art Sculpture 17" x 17.5" x 14" in Ed. 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award wi...

"Brillo Box Pink" Pop Art Sculpture 17" x 17.5" x 14" in Ed. 1/1 by Kii Arens ABOUT One of the most credible and influential in Los Angeles - the award winn...

Jonathan Seliger makes meticulous reproductions/ interpretations of mass produced objects and containers for everyday consumables. Here, having departed from his signature painted ca...

Set of 4 Denied Warhol Contemporary Pop Art Sculptures by Charles Lutz. Silkscreen and latex paint on wood in 4 parts, stamped Denied with the Andy Warhol Art Authentication Board's mark. 62 x 21" overall Each measures: Kellogg's 25 x 21 x 17" White Brillo 17 x 14 x 17" Yellow Brillo 13 x 16 x 11.5" Heinz 8.5 x 15.5 x 10.5" 2008 Lutz's 2007 ''Warhol Denied'' series gained him international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" works authored by Lutz. Andy Warhol's Brillo Boxes were originally created in 1964 and are easily his most iconic sculptures, rivaling paintings like Liz Taylor, Marilyn Monroe, Elvis, Campbell's Soup Cans, Flowers and Electric Chairs. These highly prized sculptures continue to soar in value and were the subject of a recent HBO documentary, “Brillo Box (3¢ Off)”, which also included Charles Lutz. Lutz, also known for the installation work Babel, exhibited at the 2013 Armory Fair in New York City which caused near riots as he invited the fair goers to take cardboard versions of the Brillo Box Sculptures. "In the mid-1960s, Warhol carried his consumer-product imagery into the realm of sculpture. Calling to mind a factory assembly line, Warhol employed carpenters to construct numerous plywood boxes identical in size and shape to supermarket cartons. With assistance from Gerard Malanga and Billy Linich, he painted and silkscreened the boxes with different consumer product logos: Kellogg’s Corn Flakes...

Stainless Steel Sculpture by Chen Zhiguang Title: Tree is not Wood #2 Material: Stainless Steel Dimension: 92 x 104 x 48 cm Date: 2021 About the artwork: Bonsai (Potted landscape)...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

Resin, steel, string and acrylic paint with hand-drawn canvas Edition of 250 Figure 36 × 19 × 22 cm (14.2 × 7.5 × 8.7 in); Canvas 20.5 x 16.3 cm (8 x 6.5 in) Signed and numbered on t...

Daniel Arsham Eroded Brillo Box Quartz Crystal and Other Calcified Geological Materials Holographic Label of Authenticity Edition of 500 ERODED BRIL...

Artist: Damien Hirst (1965) Title: The Magnificent Seven Year: 2000 Medium: Pingpong balls in original cardboard box Edition: 940/1500 Size: 2 3/8 x 13 1/4x2 3/8 inches Condition: Excellent Inscription: Signed and ink stamp numbered on the base of the box. Notes: Published by Gagosian Gallery, New York, for the exhibition "Theories, Models, Methods, Approaches, Assumptions, Results and Findings. DAMIEN HIRST (1965- ) Macabre bad-boy Damien Hirst, one of the most prominent and notorious British artists was catapulted to international art stardom with his a 14-foot tiger shark...

Ai Weiwei Pequi Tree Miniature, 2021 Tin 12 3/5 × 3 1/10 in 32 × 8 cm Edition of 250 The "Pequi Tree" is a notable installation by the renowned Chinese artist Ai Weiwei. This artwo...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Tony Berlant (b. 1941) is an American artist renowned for his painterly collages and intricate metal sculptures. His work combines various source materials including photographs, fou...

This assemblage evolved into a quarter of boxes evoking a jazz movement. MARCY GREGORY ASSEMBLAGE SCULPTOR Having studied art at the Art Students League...

TUSCAN YIN/YANG PRISON is a stoneware clay sculpture with Butterscotch glaze by Brooklyn, New York artist Rene Murray. It measures 20"H x 25"W x 13"D. The ...

Tony Berlant (b. 1941) is an American artist renowned for his painterly collages and intricate metal sculptures. His work combines various source materials notably fragments of metal...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...

Jonathan Seliger makes meticulous reproductions/ interpretations of mass produced objects and containers for everyday consumables. Here, having departed from his signature painted ca...

Love Box Contemporary Pink Sculptural Box With Crystals. Steel and automotive paint with rock crystals. Randi Grantham was born and raised in Las Vegas...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Edition 2/50. Signed left side.

Artist: Nicasio Fernandez Title: Needed Tools Size: 11 × 4 1/10 × 5 1/5 in 27.9 × 10.4 × 13.2 cm Medium: Zinc alloy and mixed media Edition: o...

Mr Charmant is a wall sculpture that pays tribute to friendship with dogs. Dogs are not our whole life, but they make our lives whole. A true friend leaves paw prints on your heart. ...

Chicago-based artist Patrick Fitzgerald uses his works as a means of resurrecting the idyllic worlds he once found in the industrial surroundings of his youth. Raised in Grand Rapids...

As part of its 2016 spring/summer accessories collection, Supreme has teamed up with Italian designer and architect Alessandro Mendini of the Atelier Mendini Milano design studio for a couple of decorative trays. The platters feature graphics custom-made for the downtown streetwear giant by the Italian designer, whose illustrious back catalog includes the golden tower...

Title: Trente-Troisiéme Situation Humaine: Etre un Intellectuel en possession d'un Dictionnaire pour les Illettrés Curt Stenvert was an Austrian avant-garde artist who initially worked as a painter. His artistic practice gradually expanded to include cinematic works and object art. His works are still internationally acclaimed today. He received his artistic training through his studies at the Academy of Fine Arts in Vienna. He studied there with Albert Paris Gütersloh and Fritz Wotruba, which enabled him to deal with aspects of movement and perspective. This resulted in his aluminium plexiglass sculptures. His cinematic works were also influenced by his preoccupation with movement. Movement became a central motif in his works. Stenvert introduces the viewer to the biological, psychological, sociological and philosophical conditions of human existence. He developed experimental, feature-length and documentary films, which won international awards. He had solo museum exhibitions in Sweden, Italy and Germany and took part in the 1966 Venice Biennale. The social aspect preoccupied Stenvert throughout and he translated his impressions and thoughts of student unrest, social protests...

"Undersea Living" is an original ceramic sculpture by Bill Reid. The artist signed the piece on the back and the title is stamped into the front. Reid's narratives have many humorous...

Jonathan Seliger makes meticulous reproductions/ interpretations of mass produced objects and containers for everyday consumables. Here, having departed from his signature painted ca...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

Jonathan Seliger makes meticulous reproductions/ interpretations of mass produced objects and containers for everyday consumables. Here, having departed from his signature painted canvas constructions to explore aluminum, bronze and stainless steel fabrications which are sprayed with automotive enamels, he takes the once popular slogan “Super Size It” to the extreme presenting larger-than-life versions of a milk carton and a Hermes bag...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

medium: silkscreen on paper, wood, acrylic Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance unde...

Nesting is both a joyous time for birth, comfort, and rest, and a fight for survival from the elements of the natural world. Nature provides beauty and tranquility but also potential...

Linda Stein, Card House 004 - Mixed Media Collage Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her B...

The Paul Evans slate patchwork coffee table is a notable piece from the mid-century modern era, created by the American designer and sculptor Paul Eva...

Giselle Borrás is a Colombian born artist who has lived and worked in Colombia, Spain and the United States of America. She has had several group and solo shows, and her work can be found in private collections across the United States and Colombia. She studied painting, drawing and color theory with several artists in Colombia and then continued her development in Madrid, Spain at The Fuencarral Studio. For the past twelve years she has been committed to her artistic work drawing inspiration from her continuous admiration for the human body. The end results of her work are these subtle and weightless figures, created from maintaining the painting process spontaneous, filled with innocence and yet providing the viewer much force, energy and presence. Her colors remain consistent, always vibrant and bold, and the painting is finished when the idea has become a complete discussion. Art is a language spoken with fluency by this up and coming artist...

Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022 Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated. Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany. Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York. Kathleen Vance Artist Statement, “Traveling Landscapes” With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...

The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...

Pierced book

unique stainless steel sculpture

cotton, thread