Bronze Sculptures

A figurative porcelain sculpture.

Female figural bronze by Etienne Henry Dumaige (1830-1888) of Psyche with lit Oil Lamp, perched on a stump. Her gaze is incredibly striking, commanding the eye of the viewer. The lam...

A fine patinated plaster sculpture Albert Einstein mounted to a painted wooden base. The sculpture is signed illegibly and dated on the re...

Bear standing by Antoine-Louis Barye (1796-1875) Rare bronze sculpture with a nuanced dark brown patina Probably cast by Brame (old edition) France circa 1880-1890 height 24 cm A ...

Subrata Biswas - Untitled - H: 6.5 Inches x W: 5 Inches X D: 3 Inches Bronze Sculpture. There is a fantastic element in the works which is brought about by transforming the motifs o...

Subrata Biswas - Relief - 10.5 Inches Diameter Bronze Sculpture Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a conscious selection of elements of folk f...

3 Carved Wood Plaques Outsider Modern Mid 20th Century Latin Gay Male LGBT Beefcake Each plaque is 16 x 10 x 1 1/4 inches. Two are vertical and one is horizo...

Best known for her sculptures of graceful female figures in gently sweeping garments, Bessie Potter Vonnoh initially trained under Lorado Taft at the Art Institute of Chicago. The 18...

Bust of a Woman, bronze sculptue. Bronze with dark brown patina signed on the back R. Cortazar 1/9. Originally from Tapachula, Chiapas Mexico, he was b...

"Milan" is a new, large free-standing bronze sculpture, suitable both for the inside and outside. Edition 8, signed, numbered and dated on the bottom. The sculptress Susanne Kraiss...

Manuel Mendive is an eminent Afro-Cuban painter, sculptor, and performance artist. His colorful, evocative paintings and carvings—as well as his dynamic performance and body art—pay ...

EDITION Monogrammed, stamped, numbered and marked on reverse: FxL; FX Lalanne; EA 3/15; Artcurial

This is a mid 20th century mod abstract large bronze sculpture by Wolfgang Behl (German/American, 1918-1994). The sculptural group titled "The Family" features a mother and father with two children. Numbered 20/20. Signed. 21" H x 10 1/4" x 10 1/4 Wolfgang (Johann Wolfgang) Behl (1918 - 1994) was active/lived in Connecticut, Illinois / Germany. Known for Sculpture and as an architectural carver. A carver,designer, and teacher, Wolfgang Behl was born in Berlin, Germany where he studied at the Berlin Academy of Fine Arts. His teacher was otto Hitzberger, sculptor and architecture carver. I have seen some his work, particularly in carved wood compared to Constantin Brancusi although this one seems way more reminiscent of Alberto Giacometti. In 1939, Behl came to the United States and taught briefly in Pennsylvania at the Perkiomen School and in Rhode Island at the Rhode Island School of Design. There in 1943, he won the Joseph N. Eisendrath prize for sculpture. He also became a friend of Louis Mayer...

Wind Girl II medium is a limited edition bronze sculpture with a nickel plating.

Swan Diver Male Medium is a limited edition bronze sculpture. Created with the lost wax casting process. We have a brown and a nickel plated version available. There is also a mini...

Terracotta Statue of Emperor Napoleon at St. Helena Circa 1825-1840 This exceptional terracotta statue of Napoleon Bonaparte on St. Helena stands as one of the earliest known depict...

Paard Horse Bronze Sculpture Brown Patina Animal Nature In Stock Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the Rot...

Diana and the Hounds by Giuseppe Joseph D’Aste is a finely executed silvered bronze sculpture from the 1920s, cast using the lost-wax (cire perdue) metho...

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

Artist's signature and edition number inscribed in the the bronze base of the piece. 38/65

Signed/engraved by Artist on bronze base of sculpture with an edition number. Open Edition #7

Rare and fascinating carved wooden female bust, probably used as a wig holder. The work, made in Holland in the first half of the 17th century, features an elegant stylization of fac...

Artist: A. Ganso Title: Lions and Deer Year: 1973 Medium: Bronze Sculpture, signature inscribed Size: 23 x 15 x 13 inches (58.5 x 38 x 33 cm)

A. LACARRIÈRE PÈRE, FILS & CIE French, (Mid 19th century) Bronze Figural Torchères - Médaille d'or - Exposition de 1867 Monumental Patinated Bronze Figural Torchères on Pedestal; ...

Untitled, Glazed Stoneware, 2022 Additional information: Medium: Glazed stoneware Condition: Excellent Dimensions: 34 x 19 x 14 1/2 in About artist: David Klamen (American, b.1961)...

Reclining Doe by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark brown patina signed "Barye" on the base old edition cast – probably from the Barye's workshop (...

French bronze of Sappho Leaning Against a Column Holding Her tortoise Lyre, Original rich brown patina intact. Artist: Jean Jacques Pradier (Swi...

La Notte The Night Bronze Sculpture Mythology Classic Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command...

This bronze sculpture by Auguste Moreau is a beautiful work from the Romanticism period. Auguste was the third son of sculptor and painter ...

BORN • Baghdad, 1963 EDUCATION • 1987 B.A. in Painting, Academy of Fine Arts, Baghdad SOLO EXHIBITIONS • 1994 Graphic Expiation, Riwaq Gallery, Baghdad • 2000 French Cultural Centre, Amman • 2001 French Cultural Cnetre, Doha • 2002 Steel and Asphalt Memory, French Cultural Centre, Doha • 2004 Blocks, Orfali Gallery, Amman • 2007 Beard Land, Karmin Gallery, Amman • 2008 Beard Code, Sultan Gallery, Kuwait • 2011 Yusuf, Al Bareh Art Gallery, Bahrain • 2012 Rosewater, Wade Wilson Art Gallery, Houston Texas • 2014 The Truth, Wade Wilson Art Gallery, Houston Texas • 2015 Reconquista, Meem Gallery Dubai • 2016 Criterion, Albareh Gallery, Manamam Bahrain GROUP EXHIBTIONS • 1985 Fredrickstad Biennale, Fredrickstad • 1997 Environment and Surroundings in Iraqi Art, Jordan National Gallery of Fine Arts • 1997 Amman Homage to Jawad Selim...

Two Dancers Bronze Sculpture Artist signed, artist proof, the sculpture stands on a steel base made to be place in the garden, original patina. John A...

"Bambara Queen, Rep. Mali" is a carved wood sculpture with abstracted human and animal figures. 20" x 6" x 3" The Bambara are a Mande ethnic group native to West Africa, primarily ...

This carving is of a large head with three horns. This piece is made of wood and skin by the Ekoi people of Nigeria. Ekoi people, also known as Ejagham, are an ethnic group in the ex...

I first realized my love for visual storytelling when I began producing and directing television shows. Starting with the writer’s script, my palette was everything seen through the ...

High relief panel depicting 'Saint Barbara' Southern France, 16th-17th century Polychrome carved wood with traces of gilding 64 x 32 cm. (good condition, with minor missing and cra...

Charles Samuel – Thyl Ulenspiegel and Nele (after the Monument to Charles De Coster, 1894) Bronze, marble base, 66 x 61 x 27 cm Cast by Petermann, Brussels A moment of intimacy and d...

Large roman carved marble fountain head representing a lion Rome, I-II Century AC Bonham's London, 22 September 1998, lot 485; formerly in the pr...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Signed left back

Painted Terracotta sculture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his child...

EUGÉNE DELAPLANCHE French, 1836-1891 La Musique Signed E. Delaplanche, F.Barbedienne Fondeur Patinated Bronze with brown patina circa 1878 Fou...

Found materials, cedar, and acrylic paint.

He Who Fights with a Feather by Denny Haskew Figurative Bronze "Mother I reach for your warmth. But my heart seems to break. Memories now these spirits made to march and die. Know...

This mask was hand-carved by an unknown artist from the Mende tribe in Sierra Leone, Africa. It depicts a face with its eyes downcast, hair in rows, and two birds on the top. 16" x 10" x 10 1/2" The Mende people (also spelled Mendi) are one of the two largest ethnic groups in Sierra Leone. The Mende are mostly farmers and hunters. Much Mandé art is in the form of jewelry and carvings. The masks associated with the fraternal and sorority associations of the Marka and the Mendé are probably the best-known, and finely crafted in the region. The Mandé also produce beautifully woven fabrics which are popular throughout western Africa, and gold and silver necklaces, bracelets, armlets, and earrings. Masks are the collective Mind of Mende community; viewed as one body, they are the Spirit of the Mende people. The Mende mask...

Bronze with Prismacolor pencil.

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. Excerpts from the Grove Dictionary of Art online Pierre Julien in American Public Collections, on the French Sculpture Census website STATUE BARE (BODY) NANNY GOAT (ANIMAL) AMALTHAEA SITTING WOMAN ABOUT US: AYN GALLERY is located in the heart of old Paris on the Ile Saint-Louis surrounded by the Seine, in the most prestigious district of Paris. Just a few steps away from Notre Dame, like a village, this place preserved from urbanists offers a setting as it existed centuries ago with its numerous private mansions which earned the island the nickname "island of palaces" and its illustrious occupants: Charles Baudelaire, Marie Curie, Georges Pompidou or Camille Claudel Our gallery is located just opposite one of the oldest churches in Paris. As the eponymous name of the place indicates, Yasmine Azzi, the owner and artistic director of the place, has a keen eye. Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...

Maurice Bouval (Fr. 1863-1916) Art Nouveau sculpture. French Art Nouveau Gilt-Bronze Figure of a Woman Cast by E. Colin & Cie., Paris, circa 1900 Possibly Pandora, modeled rising ou...

Provenance: Private Collection, Spain. This intriguing and enigmatic sculpture depicts the head of a young African man emerging from a circular opening ...

A cast, Roman, Grand Tour bronze figure of a youth. Wonderful patina. Measures : Statue is 23"H. Base is 8.75"W x 7.5"D.

Antique bronze sculpture of male nude reading a letter or proclamation. Marble base, 19th century. Unsigned.

Luis Domenech y Vicente (Spanish, 1873-1920) "Aui Victori" [Hail to the Victor] Patinated Spelter Sculpture, circa 1920, the standing figure with outstretched arm holding a sprig of ...

Artist: Kuno Lange, German (1950 - ) Title: Mother and Newborn Year: 1997 Medium: Bronze Sculpture, signature and number on base Edition: 2/9 Size: 28 in. x 7 in. x 3.5 in. (71.12 cm...

"I am influenced and gain insights through the exploration of artists and authors who consider the land and our place within it. This information along with my own investigations, re...

Pierre Traverse Archer and Centaur c. 1969 Bronze 17 x 16 x 7 in, 45 x 41 x 17 cm It is signed by the artist and is an "Epreuve d'artiste" (EA) 3/4 Edition 3/4

Judith Brown, American "Reveler" Steel sculpture of a body in motion, dancer Signed with initials Initialed "JB" Base: 11" X 6" X 1.75" Sculpture: 16" X 10" X 10" Judith Brown (December 17, 1931 – May 11, 1992) was an American dancer and a woman AbEx sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. "One of the things that made Judy stand out as an artist was her ability to work in many different mediums. Some of this was by choice, and sometimes it was by necessity. Her surroundings often dictated what medium she could work with at any given time. After all, you can't bring you're welding gear with you to Rome ."Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. Her style similar to Leonard Baskin and John Chamberlain. Figurative abstract expressionism. Brown's work was exhibited widely throughout the United States and Europe, featured in group shows at the Museum of Contemporary Crafts, the Boston Arts Festival, The New Britain Museum of American Art, and many other galleries and museums. Brown's one-person exhibitions include shows at Zygos Gallery in Cyprus and Galeriea de Antonio Souza in Mexico City, as well as galleries and museums in Vermont, Florida, and New York City. Brown's artwork was also displayed in windows at Tiffany's and Bonwit Teller in their New York City department stores. In addition to displaying her work in exhibition settings, Brown received many public and private commissions throughout her career. Her public commissions may be found in many U.S. states including New York, Vermont, New Jersey, Virginia, Georgia, and California; and she has work currently housed with several museums and corporations including the Pepsi Company, Marriott Corporation, Dartmouth College, Vermont Law School, Jewish Museum, and the Museum of Dance. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola, Outdoor Sculpture of Bird, New London, New Hampshire 1989: Room Screen, 51/2 feet, Rita Moreno, Los Angeles, California; Martha Graham Award for presentation to her in Boston, Massachusetts 1990: Fireplace Screen, Sharon Mills, Chattanooga, Tennessee Selected exhibitions 1957: "The Patron Church", Museum of Contemporary Crafts, New York City 1958: Dallas Museum of Art, Dallas, Texas; The Jewish Museum, New York City 1959: Detroit Institute of Arts; Pennsylvania Academy of the Fine Arts, Philadelphia 1962: National Academy of Arts and Letters, New York City 1963: Arkansas Arts Center, Little Rock, Arkansas; Newport Art Association, Newport, Rhode Island 1964: "West Side Artists", Riverside Museum, New York City; "The Crafts and Worship", Dallas Museum of Art, Dallas, Texas; Hopkins Center, Dartmouth College, Hanover, New Hampshire 1966: "Recent Acquisitions", Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; Byron Gallery, New York City 1967: Byron Gallery, New York City; Southern Vermont Art Center, Manchester, Vermont; University of New Hampshire, Durham, New Hampshire 1968: New Britain Museum of American Art, New Britain, Connecticut; "Exhibit of Encaustic Drawings", Kanegis Gallery, Boston, Massachusetts 1969: Graham Gallery, New York City 1970: "Birds and Beasts", Graham Gallery, New York City 1971: Art Gallery of Ontario, Toronto 1972: Brandeis University, Waltham, Massachusetts; SUNY, Plattsburgh, New York 1973: Fairleigh Dickinson University, William Penn Memorial Museum, Harrisburg, Pennsylvania; Sculpture in Tiffany & Co. Windows, New York City 1974: DeCordova Museum, Lincoln, Massachusetts; Hopkins Center, Dartmouth College, Hanover, New Hampshire; Library Art Center, Newport, New Hampshire 1975: "New England Women", DeCordova Museum, Lincoln, Massachusetts; "Animal Sculpture", New Britain Museum of American Art, New Britain, Connecticut; "From Vermont: Past to Present", Gallery 641, Washington, D.C.; Art Association of Newport, Rhode Island; Brattleboro Museum and Art Center, Brattleboro, Vermont 1976: The 41st International Eucharistic Congress, Philadelphia, Pennsylvania; Montshire Museum, Hanover, New Hampshire 1977: Group Show sponsored by Artists Equity, Union Carbide Building, New York City; Institute for the Arts of the Archdiocese of Washington, Gallery Kormendy, Alexandria, Virginia; Contemporary Arts Gallery, Loeb Student Center, New York University, New York City 1979: "Judaica II" sponsored by the YM-YWHA of Metropolitan New Jersey, West Orange, New Jersey; Special Exhibition of Sculpture, Tiffany and Company, New York City; The Brattleboro Museum, Brattleboro, Vermont; Fleming Museum, University of Vermont, Burlington, Vermont; Visual Artists' Coalition, Connecticut College for Women 1980: One man shows: New York University, Contemporary Arts Gallery, Washington Square Park, New York City; St. Gaudens Museum, Cornish, New Hampshire; Tiffany and Company Windows, New York City; Group Show: "The Figure", sponsored by Pratt Institute 1983: One Man Shows: Howard Monroe Gallery, Chapel Hill, North Carolina; Alwin Gallery, London; Group shows: "Regional Selections", Hood Museum of Art, Dartmouth College, Hanover, New Hampshire 1983/5: Participant in Outdoor Sculpture Installation at Rose Hill Campus, Fordham University, New York City 1984: Helen Day Art Center, Stowe, Vermont 1985: DeCordova Museum, Lincoln, Massachusetts; Hopkins Center, Dartmouth College, Hanover, New Hampshire (Best in Show Award) 1986: The Women's Museum, Washington, D.C. (Sculpture acquired for permanent collection) 1987: Tiffany's Windows, Tiffany and Co., New York City 1988: One Man Show: Southern Vermont Art Center, Manchester, Vermont 1989: One man show: National Museum of Dance, Saratoga Springs, New York; Group Show: 4th International Contemporary Art Fair, London; Tiffany's Windows, Tiffany and Co., New York City 1990: National Museum of American Jewish History, Philadelphia, Pennsylvania She was included in the 2024 show 100 Women of Spirit at Galerie Zürcher, New York Greenwich Village. Artists included April Vollmer, Carrie Johnson, Francine Tint and Victoria Palermo She was included in the show Sparkle - Jewellery Sale...

Bronze & wood sculpture Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Us...

After studying fine arts, a need for contact with solid material was needed. Ybah took a classic artistic path from an academic education from the Louvre reproductions, learning at t...

Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting. His work often uses meticulous representation as foil for examining skill and craft. He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for twenty-three years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA) and the Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. Education 1998 Alfred University, Alfred, NY, Master of Fine Arts Degree 1995 University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree Solo Exhibitions 2024 Impressions, Ferrara Showman Gallery, New Orleans, LA 2021 Wallflowers, Mark Moore Fine Art, Orange Park, CA 2019 Matter of Perspective, Jonathan Ferrara Gallery, New Orleans, LA 2018 In-Between, Mark Moore Fine Art, Orange Park, CA 2017 Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA 2016 Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA 2015 Executing Merit, Winston Wachter Fine Art, Seattle, WA 2014 Bounty, Clark Collage, Vancouver, WA 2013 Sated, Winston Wachter Fine Art, Seattle, WA 2012 Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA 2009 Making Arrangements, Wexler Gallery, Philadelphia, PA 2006 Ornament, Wexler Gallery, Philadelphia, PA 2004 Politics of Clay, Clay Art Center, Port Chester, NY New Works, Wexler Gallery, Philadelphia, PA 2003 John Elder Gallery, New York, NY Selected Exhibitions 2023 Art Miami, Ferrara Showman Gallery, Miami, FL 2022 Momento Mori, Northern Clay Center, Minneapolis, MN Earth Oracles, Mayten’s Gallery, Toronto, ON Collect Art Fair (Online), London, England 2021 Salon Art Fair, Culture Object, NY, NY Dead Reconning, Pensacola Museum of Art, FL Counterparts, The Museum of Glass, Tacoma, WA Contemporary Clay, Western Carolina University Museum, Cullowhee, NC Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA 2020 Art Miami, Jonathan Ferrara Gallery, Miami, FL Rare Earth, Mark Moore Fine Art, Orange Park, CA Culture Object, New York, NY 2019 Art Miami, Cynthia, Corbett Gallery, Miami, FL Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL State of the Art, Giertz Gallery, Champaign, IL 2018 Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England Vasa Vasorum, Curated by Garth Clark at Peters Projects, Santa Fe, NM Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY Sugar, Eutectic Gallery, Portland, OR 2017 C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France The Evocative Garden, NCECA invitational exhibition, Portland, OR Selections from the PAM permanent Collection, Portland Art Museum, OR Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT BC to BC, San Diego Art Institute, San Diego, CA LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR Form Over Function, Winston Wachter Fine Art, Seattle, WA 2015 Crafting a Collection, Fuller Craft Museum, Brockton, MA 2014 Ceramic Top 40, Red Star Studios, Kansas City, MO Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA 2013 Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL 2012 Shifting Paradigms, Museum of Fine Arts, Houston, Houston, TX Enough is as Good as a Feast, Gallery Jones, Vancouver, BC 2010 BAM Biennial, Bellevue Arts Museum, Bellevue, WA, Hermaphrodite, Ferrin Gallery/Wexler Gallery, Philadelphia, PA Portraiture Beyond Likeness, Ethel Sergeant Clark Gallery, Wayne, PA 2009 5th World Ceramic Exposition Biennial, Gwango-dong, South Korea, New works, Two-person show, Gallery Jones, Vancouver, BC, Canada SOFA Chicago, Chicago, Il with Wexler Gallery 2008 A Human Impulse, Arizona State University Museum, Tempe, AZ, (In) Between, Wexler Gallery, Philadelphia, PA Confrontational Ceramics, Westchester Arts Council, White Plains, NY 2006 Body and Mind, Garth Clark Gallery, New York, NY Edges of Grace, The Fuller Craft Museum, Brockton, MA 2005 Politics as Usual, The Yager Museum of Art and Culture, Hartwick College, Oneonta, NY. Vanitas, Lacost Gallery, Concord...

James Maberly was born in Kenya and brought up in Zimbabwe, later coming to the UK. He studied at both the Ipswich and Norwich Schools of Art, and taught at the Suffolk Collage. Jame...

Mans Best Friend C.M. Junghans 1985 This is done in a German Expressionist style. It is bronze over some sort of fill. It depicts a man gentleman and his dog. a Cocker Spaniel or Co...