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Claire Tabouret

Claire Tabouret, Self-Portrait (Blue) - Signed Print, French Contemporary Art
By Claire Tabouret
Located in Hamburg, DE
Claire Tabouret (French, b. 1981) Self-Portrait (Blue), 2021 Medium: Archival pigment print on
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Archival Pigment

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Pierre Yovanovitch Interior Architecture
By Pierre Yovanovitch, Rizzoli International Publications
Located in New York, NY
. Olivier Gabet is the director of the Musée des Arts Décoratifs in Paris. Claire Tabouret is a French
Category

21st Century and Contemporary American Books

Materials

Paper

Pierre Yovanovitch Interior Architecture
H 12.13 in W 9.37 in D 1.36 in
2018 Claire Tabouret 'The Grip' Offset Lithograph Framed
By Claire Tabouret
Located in Brooklyn, NY
_Additional Details: Original exhibition invitation for Claire Tabouret 'I am crying because you are not
Category

2010s Prints and Multiples

Materials

Offset

The Swimmer
By Claire Tabouret
Located in Miami, FL
Claire Tabouret The Swimmer, 2019 Hand signed and numbered by the artist Printed on Somerset 410gsm
Category

2010s Feminist Portrait Prints

Materials

Archival Pigment

The Siblings
By Claire Tabouret
Located in Miami, FL
The Siblings, 2021 Signed and Numbered 4-color lithography with 6-color screenprint and gloss varnish Somerset 410gsm paper with deckled edges 16 × 18 1/2 in 40.7 × 47 cm Edition of 75
Category

2010s Still-life Prints

Materials

Archival Pigment

Self-Portrait (Blue)
By Claire Tabouret
Located in Miami, FL
Claire Tabouret Self-Portrait (Blue), 2021 Signed and numbered on the front by the artist Archival
Category

2010s Contemporary Figurative Prints

Materials

Screen

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Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.