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Dorothy Thorpe Cast Resin Flower Bowl

1960s Cast Resin Flower Shape Bowl / Centerpiece by Dorothy Thorpe
By Dorothy Thorpe
Located in Buffalo, NY
1960s cast resin flower shape bowl / centerpiece by Dorothy Thorpe, retains original label.
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Materials

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By Dorothy Thorpe
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Dorothy Thorpe Resin Buddha
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Dorothy Thorpe for sale on 1stDibs

Dorothy Thorpe glassware was a chic staple of every mid-century modern wet bar, paricularly her festive Roly Poly silver-banded tumblers. Although not as widely known as such contemporaries as Eva Zeisel and Edith Heath, Thorpe was one of a group of creative and entrepreneurial women whose designs captured the imagination of the postwar homeowner with her modern and festive designs.

Thorpe was born in Salt Lake City in 1901 and settled in Los Angeles as a young woman. She began creating her signature glassware using the trade name Dorothy Thorpe Originals in the 1930s. Thorpe was a designer, not a glassblower. To create her shimmering wares, she purchased glass blanks from a variety of manufacturers and subjected them to various techniques, including sandblasting, etching and silver overlay. Initially Art Deco in style, the pieces were signed with a large T and smaller D. Thorpe also worked in ceramics and, in the 1940s, with Lucite, producing a line of household items, such as magazine racks, sculptural lamps, candlesticks and umbrella stands.

After World War II, Thorpe was inspired by the new interest in the flowers and animals of the South Pacific to begin incorporating tropical floral motifs into her work. She traveled to Hawaii and studied local irises, roses, azaleas, narcissus and eucalyptus. The decorative patterns based on these studies were created primarily by sandblasting, which makes a glass surface appear frosted. From the 1930s through the ’50s, Thorpe’s designs won her many fans among the members of café society, including Princess Grace of Monaco and the Shah of Iran. They were also widely imitated. Vintage tumblers that bear a silver stripe around the rim but lack the “DT” signature on the bottom are not Thorpe originals.

In the 1950s, Thorpe created the glassware line Atomic Splash, which featured the energetic geometric patterns that were so popular at the time. Atomic Splash patterned drinking glasses and serving dishes bore a silver overlay that evoked an explosion. She also designed a line of ceramic tableware decorated with a wreath of spring flowers in collaboration with Crown Lynn Pottery, in New Zealand, and, in the mid-’60s, created coffee sets for the Santa Barbara and Monterey companies. Among her own ceramics products were lines glazed iin the eye-catching shades Orange Persimmon and Blue Periwinkle.

A Close Look at Mid-Century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right decorative-bowls for You

Vintage, new and antique decorative bowls have been an important part of the home for centuries, although their uses have changed over the years. While functional examples of bowls date back thousands of years, ornamental design on bowls as well as baskets likewise has a rich heritage, from the carved bowls of the Maya to the plaited river-cane baskets of Indigenous people in the Southeast United States.

Decorative objects continue to bring character and art into a space. An outdoor gathering can become a sophisticated garden party with the addition of a few natural-fiber baskets to hold blankets or fruit on a table, as demonstrated in the interior design work by firms such as Alexander Design.

Elsewhere, Richard Haining’s reclaimed wood vases and bowls can express eco-consciousness. Sculptural handmade cast concrete bowls like those made by the Oakland, California–based UMÉ Studio introduce compelling textures to your dining room table.

Minimalist ceramic decorative bowls of varying colors can evoke a feeling of human connectedness through their association with handmade craftsmanship, such as in the rooms envisioned by South African interior designer Kelly Hoppen. And you can elevate any space with ceramic bowls that match the color scheme.

Browse the 1stDibs collection of decorative bowls and explore the endless options available.