Edward Penfield On Sale

One of the best of our native talents, Penfield is well-known for the decade 1891-1901, during which he was the art director of Harper's. For five of the ten years he produced posters for each month's issue of the then-popular magazine. His drawings are deceptively simple, with flat color and clear lines, but they always manage to convey class and refinement. And there's quite often a gentle touch of humor or irony, refreshing and frivolous. Penfield's posters are models of effective composition and economy of expression (Jack Rennert, PAI-XXVII, 555) When his tenure at Harper's came to an end, Penfield was free to travel, and his experiences are preserved in two books published by Scribner's, Holland Sketches (1907) and Spanish Sketches (1911), in which his graphic sense blossomed in a wealth of detail. The critic Royal Cortissoz commented: "When he made [these], he entered thoroughly into the spirit of his themes and did some of his best work... He was never the technical virtuoso alone. Humanity was always breaking into his world." - Frederic B. Taraba "We are a bit tired of the very serious nowadays, and a little frivolity is refreshing, and yet frivolity to be successful must be most thoroughly studied." So wrote EDWARD PENFIELD near the outset of his highly influential career as an illustrator, art editor, and poster artist, a career guided by keen observation, a cosmopolitan sensibility, and simplicity that belied his meticulously crafted efforts. In looking at the work of Penfield today, we find less of what strikes us as frivolous and more of a keen sense of design and composition. The Art Center Bulletin of April 1925 remembered his contribution to illustrative art this way: "To everything he produced Penfield brought his great gifts of design and draftsmanship, a wonderful sincerity that never faltered, and a beautiful humbleness of spirit." As early as 1894, just a year and a half after Penfield began a series of monthly images for Harper's , his work was heralded by Publisher's Weekly: "The advertising poster has within recent years actually soared into the regions of art." Penfield is also credited with bringing abstraction to commercial art through his boldly simplified shapes. This and other stylistic trademarks resulted from a distillation of a number of influences, including the compositional precepts and casual poses found in Japanese prints, the hand-craftsmanship of the Arts and Crafts movement, the impressionistic approach of Parisian poster-making, and British poise and directness.

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.