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Enso Gutzeit

Alvar Aalto Armchair with Special Height, Artek, "Enso-Gutzeit", 1962
By Alvar Aalto, Artek
Located in Odense, DK
A very rare Alvar Aalto armchair made for the Enso-Gutzeit ("Stora Enso") Headquarters in 1962
Category

Vintage 1960s Finnish Scandinavian Modern Lounge Chairs

Materials

Leather, Beech

White Alvar Aalto Commissioned Ceiling Lamp for Enso-Gutzeit Oy, Idman 1960s
By Alvar Aalto, Idman Oy
Located in Helsinki, FI
Finnish forest industry company Enso-Gutzeit Oy in 1960s. It has a simple form yet it's quite impressive
Category

Vintage 1960s Finnish Scandinavian Modern Wall Lights and Sconces

Materials

Metal, Brass

Pair of Alvar Aalto Commissioned Armchairs, Enso Gutzeit, Zebra and Brass, 1962
By Alvar Aalto, Valaistustyö
Located in Helsinki, FI
An imposing and not to mention rare pair of Alvar Aalto chairs designed for the Enso-Gutzeit
Category

Vintage 1960s Finnish Mid-Century Modern Armchairs

Materials

Brass

Twin Ceiling Lamp by Alvar Aalto, Made by Idman, Finland
By Alvar Aalto, Idman Oy
Located in London, GB
. This design is believed to have been created for the Enso-Gutzeit headquarters in Helsinki, which was
Category

Mid-20th Century Scandinavian Modern Flush Mount

Materials

Metal

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Single Murano Glass Flush Mount by Venini
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H 10.5 in W 10.5 in D 8.25 in
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Alvar Aalto for sale on 1stDibs

An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism and Nordic design to a prominent place in the global arena. In both his buildings and his vintage furniture — which ranges from chairs, stools, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.

Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furnishings.

Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the Paimio armchair, developed with his wife, Aino Aalto, in 1930 as part of the overall design of a Finnish tuberculosis sanatorium.

Comfortable, yet light enough to be easily moved by patients, the Paimio chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had an enormous influence on Charles and Ray Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.

Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with Aino, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating Savoy vase, so-called for the luxe Helsinki restaurant for which the piece was designed.

Artek also produced Aalto pendants and other lighting designs, many of which — such as the Angel’s Wing floor lamp and the Beehive pendant — incorporate a signature Aalto detail: shades made of concentric enameled-metal rings graduated down in diameter. The effect of the technique is essential Alvar Aalto: at once precise, simple, and somehow poetic.

Find a collection of vintage Alvar Aalto stools, vases, dining tables and other furniture on 1stDibs.