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Etchings By Whistler

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The Street, Chelsea - 1880s etching by Whistler follower Theodore Roussel
By Theodore Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Street, Chelsea Embankment Etching, signed in the
Category

1880s Realist Landscape Prints

Materials

Etching

Billingsgate - Etching by James Whistler - 1859
By James Abbott McNeill Whistler
Located in Roma, IT
Signed and dated on plate. Eighth state of 8 (final state), after different works with drypoint, with margins.  Published in 1878/79 on Japan paper in "The Portfolio". Matting includ...
Category

1850s Modern Figurative Prints

Materials

Etching

Bibi Lalouette - Etching by James Whistler - 1859
By James Abbott McNeill Whistler
Located in Roma, IT
, Grischka Petri, Joanna Meacock James McNeill Whistler: The Etchings, a Catalogue Raisonné, University of
Category

1850s Modern Figurative Prints

Materials

Etching

Alderney Street - Etching by J.A. Whistler - 1881
By James Abbott McNeill Whistler
Located in Roma, IT
Whistler can be considered a forerunner of the Post-Impressionist movement. Very good conditions.
Category

1880s Figurative Prints

Materials

Etching

The Rag Gatherers - Original Etching by J.A. Whistler - 1858
By James Abbott McNeill Whistler
Located in Roma, IT
contrasts, Includes passepartout (cm. 53x37). The American artist James Abbott McNeill Whistler can be
Category

1850s Post-Impressionist Figurative Prints

Materials

Etching

"The Rag Gatherers (Kennedy 23V)"Etching signed by James Abbott McNeill Whistler
By James Abbott McNeill Whistler
Located in Milwaukee, WI
"The Rag Gatherers" is an original etching on zinc plate by J. A. M. Whistler. The artist signed
Category

1850s Art Nouveau Figurative Prints

Materials

Fabric, Etching

Whistle
By Valton Tyler
Located in Dallas, TX
was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to
Category

1970s Surrealist Still-life Prints

Materials

Rag Paper, Etching

"La Mere de Whistler, " an Etching and Drypoint signed by Auguste Brouet
By Auguste Brouet
Located in Milwaukee, WI
"La Mere de Whistler" is an original etching and drypoint signed by the French artist Auguste
Category

Early 20th Century Portrait Prints

Materials

Drypoint, Etching

"Beach Scene at Dieppe" James Abbott McNeill Whistler, Tonalist Watercolor
By James Abbott McNeill Whistler
Located in New York, NY
Haden, a key figure in 19th century etching, and association with this man stimulated Whistler
Category

1880s Impressionist Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"Fulham AKA Chelsea (Kennedy 182), " Original Etching Signed
By James Abbott McNeill Whistler
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed
Category

1870s Impressionist Landscape Prints

Materials

Etching

Fumette Standing, after a James Whistler Etching, Painting, Oil on Canvas
By Terry Guyer
Located in Yardley, PA
Whistler's mid-1800's model Eloise, a modiste, from Whistler's etching of her "Fumette Standing". Among
Category

2010s Other Art Style Paintings

Materials

Oil

Summer landscape by Whistler's French artist friend Delâtre, Barbizon connection
Located in Norwich, GB
, Rops, Rousseau, and of course Whistler, among others. Francis Seymour Haden said that 'if Rembrandt
Category

Late 19th Century Barbizon School Landscape Drawings and Watercolors

Materials

Paper, Pastel

Four Original Signed Etchings by Louis Jou
By Louis Jou
Located in Paonia, CO
original etchings and wood engravings appeared in books authored by Victor Hugo, Andre Gide, Cervantes and
Category

20th Century Expressionist Figurative Prints

Materials

Etching

Venus
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper
Category

1850s Impressionist Nude Prints

Materials

Drypoint, Etching

The Unsafe Tenement
By James Abbott McNeill Whistler
Located in New York, NY
James Abbot McNeill Whistler (1834-1903), The Unsafe Tenement, etching, 1858. [signed in the plate
Category

1850s Realist Landscape Prints

Materials

Etching

Bridge, Amsterdam
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin
Category

1880s Impressionist Landscape Prints

Materials

Etching

The Mill, Amsterdam, 1889
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the
Category

1880s Impressionist Landscape Prints

Materials

Drypoint, Etching

The Traghetto
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly
Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in
Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

J.H. Woods’ Fruit Shop, Chelsea
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed
Category

1880s Impressionist Landscape Prints

Materials

Drypoint, Etching

J. Becquet, Sculptor
By James Abbott McNeill Whistler
Located in Fairlawn, OH
J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on
Category

19th Century Impressionist Portrait Prints

Materials

Drypoint, Etching

'En Plein Soleil' from the French Set, 'Douze eau-fortes d'apres Nature'
By James Abbott McNeill Whistler
Located in Myrtle Beach, SC
James Abbott McNeill Whistler, 'En Plein Soleil' from the French Set (Douze eau-fortes d'apres
Category

1850s Impressionist Figurative Prints

Materials

Etching

Old Putney Bridge
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a
Category

Late 19th Century Impressionist Landscape Prints

Materials

Drypoint, Etching

Charing Cross Bridge - 1909 etching of London by Joseph Pennell
By Joseph Pennell
Located in London, GB
his series of etching of Parisian shop fronts. Inspired by Whistler, Pennell then produced a series
Category

Early 20th Century Impressionist Landscape Prints

Materials

Etching

"Le Pont-Neuf" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Sanchez and Seydoux 1899-2. Published in Paris in
Category

1890s Prints and Multiples

Materials

Etching

The Venetian Mast
By James Abbott McNeill Whistler
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog
Category

1870s American Impressionist Landscape Prints

Materials

Drypoint, Etching

Seymour seated
By James Abbott McNeill Whistler
Located in Roma, IT
Not signed. The American artist James Abbott McNeill Whistler can be considered a forerunner of the
Category

Late 19th Century Post-Impressionist Figurative Prints

Materials

Etching

Seymour seated
H 14.97 in W 10.83 in D 0.04 in
Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian
Category

Late 19th Century Landscape Prints

Materials

Etching

The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
By Theodore Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Corner of Cheyne Walk, Chelsea Etching, unsigned
Category

1880s Realist Landscape Prints

Materials

Etching

"Le Portique de la Galerie Nationale a Londres" etching by Tissot
By James Jacques Joseph Tissot
Located in Hinsdale, IL
Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C
Category

Late 19th Century Impressionist Figurative Prints

Materials

Etching

NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with
Category

1870s Landscape Prints

Materials

Drypoint, Etching

"Road Landscape, " Original Etching and Aquatinit
By Félix Bracquemond
Located in Milwaukee, WI
"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a
Category

1870s Impressionist Landscape Prints

Materials

Etching, Aquatint

The Port Of Bordeaux, France In Winter: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian
Category

Mid-19th Century Landscape Prints

Materials

Etching

Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
, funning between rue de l'Abbaye and rue Jacob. In mid-August 1894, Whistler paused in the small place
Category

Late 19th Century Impressionist Figurative Prints

Materials

Lithograph

Japanese Mark - Original Etching bu H. C. Guérard - 1875
Located in Roma, IT
Image dimensions: 13.5 x 11.5 cm. Japanese Mask is a beautiful etching realized by the French
Category

1870s Modern Figurative Prints

Materials

Etching

Tête-à-Tête in the Garden
By James Abbott McNeill Whistler
Located in Storrs, CT
garden at Whistler's home at 110, rue de Bac, Paris, are Ethel Birnie Philip, Whistler's sister-in-law
Category

Late 19th Century American Modern Figurative Prints

Materials

Lithograph

Chelsea Rags
By James Abbott McNeill Whistler
Located in Storrs, CT
, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in
Category

Late 19th Century American Modern Figurative Prints

Materials

Lithograph

Victoria Club
By James Abbott McNeill Whistler
Located in Storrs, CT
significant figures in American art and a forerunner of the Post-Impressionist movement, James Whistler is
Category

Late 19th Century American Modern Figurative Prints

Materials

Lithograph

The Thames, 1894 - Victorian aquatint etching of London by Joseph Pennell
By Joseph Pennell
Located in London, GB
etching of Parisian shop fronts. Inspired by Whistler, Pennell then produced a series of deeply
Category

1890s Realist Landscape Prints

Materials

Aquatint

A J Meyer Etching Dulwich College London c. 1920 British School print
Located in London, GB
to join the craze for etchings started by Whistler and that died out after the 1929 Wall Street crash.
Category

1910s Realist Landscape Prints

Materials

Etching

"Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
By Paul César Helleu
Located in Hinsdale, IL
to know the painters of Impressionism and also artists Sargent and Whistler who became his special
Category

Early 20th Century Post-Impressionist Portrait Prints

Materials

Drypoint

"Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
By Paul César Helleu
Located in Hinsdale, IL
painters of Impressionism and also artists Sargent and Whistler who became his special friends and
Category

Early 20th Century Post-Impressionist Portrait Prints

Materials

Drypoint

Man By a Radiator.
By Clifford Isaac Addams
Located in Storrs, CT
Man By a Radiator. 1912. Etching. Hausberg catalog 247 state iii/iv. Only 2 impressions in this
Category

Early 20th Century American Modern Portrait Prints

Materials

Drypoint, Etching

"Portrait of Madame Georges Menier" By Helleu
By Paul César Helleu
Located in Hinsdale, IL
to know the painters of Impressionism and also artists Sargent and Whistler who became his special
Category

Early 19th Century Art Nouveau Figurative Prints

Materials

Drypoint, Etching

Le Portique de la Galerie Nationale a Londres by J.J. Tissot
By James Jacques Joseph Tissot
Located in Hinsdale, IL
school of architectural etchers founded on the style of Whistler’s Thames and Venice etchings. This
Category

1890s Realist Prints and Multiples

Materials

Drypoint, Etching

The Street, Chelsea Embankment
By Theodore Casimir Roussel
Located in New York, NY
Whistler, he printed his etchings personally, then trimmed them at the plate mark and left his signature on
Category

1880s Impressionist Landscape Prints

Materials

Etching

Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54
Category

19th Century Impressionist Figurative Prints

Materials

Drypoint, Etching

St. Germain-Des-Pres, Paris
By John Marin
Located in New York, NY
etchings of Whistler, and Marin was surely aware of and influenced by Whistler. But, according to Zigrosser
Category

Early 1900s American Impressionist Landscape Prints

Materials

Etching

Windsor
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of
Category

Late 19th Century Modern Landscape Prints

Materials

Etching

"Kacia, " Original Color Lithograph by Eugene Delatre
By Eugène Delâtre
Located in Milwaukee, WI
), and also under the artist John Lewis Brown. Most of his prints are etchings, copper engravings, or
Category

1890s Modern Figurative Prints

Materials

Lithograph

Laburnums at Battersea
By Theodore Casimir Roussel
Located in London, GB
THEODORE ROUSSEL, RBA (1847-1926) Laburnums at Battersea Etching, signed in the plate, trimmed to
Category

1880s Aesthetic Movement Landscape Prints

Materials

Etching

Laguna Veneta.
By Otto Henry Bacher
Located in Storrs, CT
etchings, was himself a proficient etcher. He became an apprentice and collaborator with Whistler, who
Category

19th Century American Impressionist Landscape Prints

Materials

Etching

A Street in Ventnor, Isle of Wight
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), A Street in Ventnor, Isle of Wight, etching, soft ground etching
Category

1910s Impressionist Landscape Prints

Materials

Drypoint, Etching

The Steam Launch, Chelsea Embankment.
By Theodore Casimir Roussel
Located in Storrs, CT
1888-89. Etching. Hausberg 18. 3 1/4 x 4 3/4 (image and sheet). Edition about 30. Agnew's label
Category

Late 19th Century Impressionist Landscape Prints

Materials

Etching

The Sleeping Model
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), The Sleeping Model or The Sleeper, etching and drypoint with
Category

1890s Impressionist Figurative Prints

Materials

Color Pencil, Drypoint, Etching

Almshouses, St. Cross
By Sir David Young Cameron, R.A.
Located in Middletown, NY
Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80
Category

Early 1900s Modern Landscape Prints

Materials

Etching

Portrait of George Frederick Watts
By Alphonse Legros
Located in Storrs, CT
Portrait of George Frederick Watts (1817-1904. 1879. Etching. Beraldi catalog 19 state .iii/iv
Category

Late 19th Century Barbizon School Portrait Prints

Materials

Etching

House on Cliff Walk, Newport, Rhode Island
By Clifford Isaac Addams
Located in Storrs, CT
House on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i
Category

Mid-20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Caprice, or House on Cliff Walk, Newport, Rhode Island
By Clifford Isaac Addams
Located in Storrs, CT
House on Cliff Walk, Newport, Rhode Island or Caprice, Newport, Rhode Island.. 1931/33. Etching
Category

Mid-20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Bailey's Beach, Newport, Rhode Island.
By Clifford Isaac Addams
Located in Storrs, CT
Bailey's Beach (Newport, Rhode Island). 1933. Etching. Hausberg 126 state v/vi. Edition 75. 6 x 7 7
Category

Mid-20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

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Etchings By Whistler For Sale on 1stDibs

Find the exact etchings by whistler you’re shopping for in the variety available on 1stDibs. Find Impressionist versions now, or shop for Impressionist creations for a more modern example of these cherished works. If you’re looking for a etchings by whistler from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 19th Century while another version may have been produced as recently as the 20th Century. Adding a etchings by whistler to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of gray, beige, black and more. There have been many interesting etchings by whistler examples over the years, but those made by James Abbott McNeill Whistler, Auguste Brouet and Theodore Roussel are often thought to be among the most thought-provoking. Artworks like these — often created in etching, drypoint and engraving — can elevate any room of your home. A large etchings by whistler can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 5.91 high and 7.88 wide — and may be better suited to a more modest living area.

How Much is a Etchings By Whistler?

The average selling price for a etchings by whistler we offer is $3,164, while they’re typically $1,220 on the low end and $10,800 for the highest priced.

Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

Questions About Etchings By Whistler
  • 1stDibs ExpertMarch 13, 2024
    James Whistler is known for his work as a painter. His most famous piece is arguably Arrangement in Grey and Black No. 1. Better known as Whistler's Mother, it shows the profile of the American artist's mother while seated in a rocking chair. Whistler's Nocturne series of Impressionist cityscapes of London viewed at night is also well known. Find a range of James Whistler art on 1stDibs.
  • 1stDibs ExpertSeptember 25, 2019

    Etching is a method of making prints using metal plates onto which a design has been incised by acid.

  • 1stDibs ExpertFebruary 27, 2024
    Yes, Whistler's Mother is a real painting. American painter James McNeill Whistler painted the oil-on-canvas work in 1871, and it depicts his mother, Anna McNeill Whistler. Although more well known by the name Whistler's Mother, the painting is actually titled Arrangement in Grey and Black No. 1. Shop a range of James Abbott McNeill Whistler art on 1stDibs.
  • 1stDibs ExpertMarch 22, 2022
    James Abbott McNeill Whistler is known for his work as a painter. His nighttime scenes of London and his full-length portraits are particularly acclaimed. He also produced etchings and lithographs. You'll find a variety of James McNeill Whistler art on 1stDibs.
  • 1stDibs ExpertFebruary 22, 2021
    Etched glass is a type of decorative glass which is the result of small cuts made to the glass. The cuts, which appear white, typically form patterns or images.
  • 1stDibs ExpertApril 5, 2022
    Vintage etching is a term that refers to a specific type of print produced between 50 and 100 years ago. Printmakers produced etchings by carving images into a copper plate and then soaking it in an acid bath. Then, they applied ink to the plate and pressed it against paper or another material to create an image. On 1stDibs, find a collection of vintage etchings.
  • 1stDibs ExpertMarch 13, 2024
    An original etching is a print produced during the first production run of a print series. After making an etching plate, an artist will create a limited number of etchings. Collectively, these prints are the original etchings. They differ from restrike etchings made years later, sometimes after the death of the artist. On 1stDibs, shop a diverse assortment of etchings.
  • 1stDibs ExpertApril 5, 2022
    An etching is created by cutting down a metal plate with chemicals, including acid, to achieve the desired image. The metal plate is then inked and pressed onto a piece of paper. Picasso became fascinated with etchings when he moved to Paris in the early 1900s, and would go on to pioneer new techniques with etchings throughout his career. Shop a selection of Pablo Picasso pieces from some of the world’s top art dealers on 1stDibs.
  • 1stDibs ExpertSeptember 25, 2019

    There is dry and wet etching.

  • 1stDibs ExpertMarch 22, 2022
    Rembrandt's etchings are important because of the influence they had on printmaking. The printing techniques that he employed allowed each of his prints to seem very unique while making it possible for him to mass produce his images. Printmakers that followed utilized the advancements he made in the field to create and distribute their own prints. Find a range of Rembrandt art on 1stDibs.
  • 1stDibs ExpertApril 3, 2024
    The difference between a lithograph and an etching is that while both are types of prints, they are made using different techniques. With respect to lithography, the image to be printed is drawn or painted on a stone or metal plate with an oil-based substance, such as a greasy crayon or tusche (an oily wash). The stone is then covered with water, which is repelled by the oily areas. Oil-based ink is then applied to the wet stone, adhering only to the oily image. Afterward, the stone is covered with a sheet of paper and run through a press.

    Etching is a way of incising lines in a metal plate by first drawing on an acid-resistant coating, or ground, to reveal the metal beneath. The plate is then submerged in acid, which “bites” the lines into the metal plate. The ground is then removed and the plate is inked for pressing.

    Find a collection of lithographs for sale on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    Yes, Pablo Picasso made etchings and took that foundation into an exploration of printmaking and the different methods of that medium. Picasso first began working on etchings in the early 1900s, quickly mastering the technique, and then he began expanding and pushing the boundaries to create a unique and signature style. On 1stDibs, find a variety of original artwork from top artists.
  • 1stDibs ExpertApril 5, 2022
    Yes, you can etch on the back of a mirror. Modern mirrors typically have a reflective layer that is deposited on the back of the glass. If you want to etch the back of a mirror you need to remove the reflective layer, which can be done with an engraving tool or with an etching solution. Shop a range of antique and modern mirrors on 1stDibs.

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