George 1 2 3 Giltwood Mahogany Walnut

Although named for the last Stuart monarch of England, antique Queen Anne furniture, with its curvy cabriole legs and pad feet, has its origins in the earlier reign of King William III, which began in 1689 and ended with his death in 1702. Later evolving during Anne’s rule from 1702–14, the style would continue to influence design in the decades after her death.

Sometimes called late Baroque or early Georgian, Queen Anne chairs, bedroom furniture and tables are subdued yet ornate and characterized by a graceful blend of influences ranging from Asian design to classical motifs. Furnishings of this era — with their curvilinear supports and novel emphasis on comfort and versatility — are marked by a shift away from the more opulent and angular William and Mary style.

Chairs designed in the Queen Anne style are more functional and lightweight than their predecessors. They often feature a vase or fiddle-shaped splat, which refers to the central vertical back element, in order to support the spine and plush cushions. Craftsmen of the era predominantly worked in walnut, maple and pine. Any embellishments they introduced in their furnishings were frequently minimal and refined and expressed by way of modest flourishes such as shells or scrolls. Some pieces were more lavish with “japanned” finishes, or varnished interpretations of East Asian lacquer art. Almost every piece of furniture, whether a tea table or desk, included S-shaped, animalistic cabriole legs that end in a paw or claw-and-ball form.

These qualities made Queen Anne furniture popular throughout Europe and North America. Boston and Philadelphia became hubs for the production of this style of furniture, spurred by the arrival of British artisans who fostered a market for well-heeled colonists. While the showier Chippendale style later surpassed it in popularity, Queen Anne’s simple elegance still draws an enduring appreciation.

Find a collection of antique Queen Anne dining tables, seating, cabinets and other authentic period furniture on 1stDibs.

The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.

In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space. 

We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.

By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design. 

Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.

Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.

On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.