Hugo Passos

Since the early 20th century, Fredericia has manufactured alluring and sophisticated Scandinavian furniture produced with the highest standards of quality in mind. The Danish brand collaborates with today’s top design talent and over time partnered with celebrated mid-century modernists such as Hans Wegner, Arne Vodder, Jens Risom — a leading figure in Scandinavian design and Knoll’s first designer — and Nanna Ditzel, whose Hanging Egg chair for Sika was a favorite for flashy fashion shoots of the 1960s.

Fredericia was founded in 1911 by N.P. Ravnsø as the Fredericia Chair Factory. In 1930, with the idea of creating a range of durable furniture made in the traditional styles of the era, Fredericia secured a license to manufacture pieces for German company Thonet.

In 1955 Danish businessman Andreas Graversen acquired Fredericia. Graversen had previously established what would become a long-lived partnership with notable furniture designer Børge Mogensen, a former teaching assistant to pioneering architect and designer Kaare Klint. Graversen sought to introduce modern flourishes to traditional Scandinavian furniture design at Fredericia — and owing to his business savvy and vision, coupled with Mogensen's artistic sensibilities and deep understanding of organic materials, the company successfully debuted various furnishings designed in the Scandinavian modern style that are still coveted today.

Fredericia brought Mogensen's iconic Spanish chair to market in 1958. With its solid European oak frame, wide armrests and suspended saddle leather seat and backrest, this signature piece solidified Fredericia's standing in Denmark — and around the world — as a premier furniture company. Mogensen designed many renowned pieces during his career at Fredericia, including the practical, rustic Hunting chair.

After Mogensen's death in 1972, Fredericia continued to flourish as a manufacturer. The company continues to work with legendary designers — witness its impossibly innovative Stingray rocking chair, designed by Thomas Pedersen, for example — and in 2020 acquired the Erik Jørgensen furniture company. Fredericia is now owned by Graversen's son, Thomas Graversen.

On 1stDibs, explore a range of vintage Fredericia seating, storage pieces and tables.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.