Lane Bedroom Furniture Cottage

In its sinuous lines and flamboyant curves inspired by the natural world, antique Art Nouveau furniture reflects a desire for freedom from the stuffy social and artistic strictures of the Victorian era. The Art Nouveau movement developed in the decorative arts in France and Britain in the early 1880s and quickly became a dominant aesthetic style in Western Europe and the United States.

ORIGINS OF ART NOUVEAU FURNITURE DESIGN

• Emerged during the late 19th century
• Popularity of this modernizing style declined in the early 20th century
• Originated in France and Britain but variants materialized elsewhere
• Informed by Rococo, Pre-Raphaelite art, Japanese art (and Japonisme), Arts and Crafts; influenced modernism, Bauhaus

CHARACTERISTICS OF ART NOUVEAU FURNITURE DESIGN

• Sinuous, organic and flowing lines
• Forms that mimic flowers and plant life
• Decorative inlays and ornate carvings of natural-world motifs such as insects and animals 
• Use of hardwoods such as oak, mahogany and rosewood

ART NOUVEAU FURNITURE DESIGNERS TO KNOW

• Charles Rennie Mackintosh
• Louis Majorelle
• Émile Gallé
• Antoni Gaudí
• Tiffany Studios

ANTIQUE ART NOUVEAU FURNITURE ON 1STDIBS

Art Nouveau — which spanned furniture, architecture, jewelry and graphic design — can be easily identified by its lush, flowing forms suggested by flowers and plants, as well as the lissome tendrils of sea life. Although Art Deco and Art Nouveau were both in the forefront of turn-of-the-20th-century design, they are very different styles — Art Deco is marked by bold, geometric shapes while Art Nouveau incorporates dreamlike, floral motifs. The latter’s signature motif is the "whiplash" curve — a deep, narrow, dynamic parabola that appears as an element in everything from chair arms to cabinetry and mirror frames.

The visual vocabulary of Art Nouveau was particularly influenced by the soft colors and abstract images of nature seen in Japanese art prints, which arrived in large numbers in the West after open trade was forced upon Japan in the 1860s. Impressionist artists were moved by the artistic tradition of Japanese woodblock printmaking, and Japonisme — a term used to describe the appetite for Japanese art and culture in Europe at the time — greatly informed Art Nouveau. 

The Art Nouveau style quickly reached a wide audience in Europe via advertising posters, book covers, illustrations and other work by such artists as Aubrey Beardsley, Henri de Toulouse-Lautrec and Alphonse Mucha. While all Art Nouveau designs share common formal elements, different countries and regions produced their own variants.

In Scotland, the architect Charles Rennie Mackintosh developed a singular, restrained look based on scale rather than ornament; a style best known from his narrow chairs with exceedingly tall backs, designed for Glasgow tea rooms. Meanwhile in France, Hector Guimard — whose iconic 1896 entry arches for the Paris Metro are still in use — and Louis Majorelle produced chairs, desks, bed frames and cabinets with sweeping lines and rich veneers. 

The Art Nouveau movement was known as Jugendstil ("Youth Style") in Germany, and in Austria the designers of the Vienna Secession group — notably Koloman Moser, Josef Hoffmann and Joseph Maria Olbrich — produced a relatively austere iteration of the Art Nouveau style, which mixed curving and geometric elements.

Art Nouveau revitalized all of the applied arts. Ceramists such as Ernest Chaplet and Edmond Lachenal created new forms covered in novel and rediscovered glazes that produced thick, foam-like finishes. Bold vases, bowls and lighting designs in acid-etched and marquetry cameo glass by Émile Gallé and the Daum Freres appeared in France, while in New York the glass workshop-cum-laboratory of Louis Comfort Tiffany — the core of what eventually became a multimedia decorative-arts manufactory called Tiffany Studios — brought out buoyant pieces in opalescent favrile glass. 

Jewelry design was revolutionized, as settings, for the first time, were emphasized as much as, or more than, gemstones. A favorite Art Nouveau jewelry motif was insects (think of Tiffany, in his famed Dragonflies glass lampshade).

Like a mayfly, Art Nouveau was short-lived. The sensuous, languorous style fell out of favor early in the 20th century, deemed perhaps too light and insubstantial for European tastes in the aftermath of World War I. But as the designs on 1stDibs demonstrate, Art Nouveau retains its power to fascinate and seduce.

There are ways to tastefully integrate a touch of Art Nouveau into even the most modern interior — browse an extraordinary collection of original antique Art Nouveau furniture on 1stDibs, which includes decorative objects, seating, tables, garden elements and more.

When shopping for antique and vintage wardrobes and armoires for your home, there are several things to keep in mind, not least of which is question number 1:

What is the difference between an armoire and a wardrobe?

The difference between an armoire and a wardrobe is actually simple: An armoire is merely an ornate wardrobe. A wardrobe is a tall, streamlined storage cabinet that usually has some combination of drawers, shelves and hanging rods.

Antique and vintage armoires, on the other hand, are freestanding, heavy wooden structures that typically feature decorative metal hinges and pictorial carvings. Armoires are large cabinets that aren’t outfitted with the varied storage features that wardrobes now commonly have. Armoires often have one or two doors and a hanging bar and allow for quick access. Whether a minimalist mid-century modern wardrobe or grandiose Victorian-era armoire is the right fit for you, both are highly functional furnishings and can be a smart storage solution.

Armoires have been around since medieval times, and initially they may have housed weapons and armor. In their early days, armoires were often adorned with elaborate carvings and lavish paintings, particularly in Renaissance-era France. During the 18th century and later, armoires were widely known as “presses” for hanging clothes, and they were so large that they swallowed up the room where they stood.

In today’s modern homes, an antique armoire can be a striking, architectural work of art amid comparably unadorned furnishings. Whether you’re using your piece in the kitchen for cookware or as a food pantry, in the bedroom for clothes or in the living room as a media console, it will likely become a lovable focal point.

The evolution of the armoire can be seen in today’s corner wardrobes, which may rest on an asymmetrical base to account for corner placement, and even mirrored wardrobes, which feature a mirror affixed to the inside panel of one of the doors for convenience. Contemporary wardrobes commonly feature additional sliding trays and drawers and hanging space for clothing or linens, and the cabinet doors make them ideal for concealing televisions and computer monitors when such devices aren’t in use.

When choosing the right wardrobe or vintage armoire for your home, it’s good to have the following in mind: What are you planning to store in it? How much of what you’re storing will need to be housed in it? It should be big enough to accommodate your needs. What is the size of the room where your wardrobe or armoire will live? A large new piece of furniture in a modest space can easily become a hindrance if you have to navigate your way around it during your daily routine, so be mindful of the area you'll need in order to move freely.

Whether you are looking for an antique walnut armoire or a simple contemporary wardrobe, find the right piece for your home today on 1stDibs.