Le Francais En Garnison

Formed in the wake of the Jacobin Reign of Terror’s bloody guillotine, the Directoire was established to lead France into order through the leadership of a five-member council of directors. It was brief, lasting only from 1795 to 1799, ending with Napoléon Bonaparte’s coup d’état, and was economically tumultuous. Yet it was an essential bridge between the era of Louis XVI and the elaborate Empire style that followed, with Directoire furniture and decorative arts shaped by a royal passion for classical design and an enthusiasm for postrevolutionary France.

Much of the country’s furniture production had halted during the French Revolution when the furniture guilds system was abolished, but during the Directoire period, the cabinetmakers restarted their businesses, such as François-Honoré-Georges and Jacob-Desmalter who established a new workshop called Jacob-Frères. Pieces made in walnut, elm, mahogany and other inexpensive materials incorporated influences ranging from Egypt to Pompeii, with popular forms including the curule armchair based on an ancient Roman design. The aesthetics of the transitional style were more austere than during the monarchy, with court cabinetmaker Jean-Baptiste Sené, for instance, reimagining his workshop’s neoclassical-style furniture with ungilded surfaces and a reduction of ornamentation.

Symbols referencing the revolutionary tenets of liberty, equality and fraternity were frequently carved into Directoire furnishings, such as the Phrygian cap, clasped hands and the fasces, which is an image of a bound bundle of sticks adopted from the Roman Republic, where it was seen as an emblem of strength through unity.

Elements of the French Directoire style continued through Empire style. Designers Charles Percier and Pierre-François-Léonard Fontaine are credited today as major proponents of both movements. The classically inspired furniture design is represented in pieces such as the boat-shaped daybed and the klismos chair, which endured in French interiors as well as in styles abroad, including American Directoire.

Find a collection of antique ​​Directoire chairs, tables, daybeds, decorative objects and other furniture on 1stDibs.

Prints are works of art produced in multiple editions. Though several copies of a specific artwork can exist, collectors consider antique and vintage prints originals when they have been manually created by the artist or are “impressions” that are part of the artist’s intent for the work.

Modern artists use a range of printmaking techniques to produce different types of prints such as relief, intaglio and planographic. Relief prints are created by cutting away a printing surface to leave only a design. Ink or paint is applied to the raised parts of the surface, and it is used to stamp or press the design onto paper or another surface. Relief prints include woodcuts, linocuts and engravings.

Intaglio prints are the opposite of relief prints in that they are incised into the printing surface. The artist cuts the design into a block, plate or other material and then coats it with ink before wiping off the surface and transferring the design to paper through tremendous pressure. Intaglio prints have plate marks showing the impression of the original block or plate as it was pressed onto the paper.

Artists create planographic prints by drawing a design on a stone or metal plate using a grease crayon. The plate is washed with water, then ink is spread over the plate and it adheres to the grease markings. The image is then stamped on paper to make prints.

All of these printmaking methods have an intricate process, although each can usually transfer only one color of ink. Artists use separate plates or blocks for multiple colors, and together these create one finished work of art.

Find prints ranging from the 18th- and 19th-century bird illustrations by J.C. Sepp to mid-century modern prints, as well as numerous other antique and vintage prints at 1stDibs. Browse the collection today and read about how to arrange wall art in your space.