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Loving Heart Brooch By Paloma Picasso

Tiffany & Co. 18 Karat Gold Paloma Picasso Loving Heart Brooch or Pin
By Paloma Picasso for Tiffany & Co.
Located in Philadelphia, PA
A very fine Tiffany & Co. Loving Heart brooch by Paloma Picasso. In 18K gold. Marked to the
Category

20th Century American Modern Brooches

Materials

Gold, 18k Gold

Tiffany & Co Paloma Picasso Loving Heart Diamond Yellow Gold Brooch
By Paloma Picasso for Tiffany & Co.
Located in New York, NY
An 18k yellow gold Loving heart brooch, designed by Paloma Picasso for Tiffany & Co, adorned with
Category

20th Century Spanish Brooches

Materials

Diamond, Yellow Gold

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Elevate your jewelry collection with the Tiffany & Co. Kiss by Paloma Picasso Large X Brooch Pin in 18K Yellow Gold, a captivating and iconic piece that captures the essence of love ...
Category

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Paloma Picasso for Tiffany & Co. for sale on 1stDibs

When thinking about the colorful gemstones and flashy forms that so frequently characterized 1980s jewelry, it is impossible not to conjure images of the expressive confections that Paloma Picasso created for legendary American luxury house Tiffany & Co. For iconic work such as the Loving Heart ring and the Love & Kisses brooch, Picasso mined what she admired about urban street art in New York City’s grungy subways and brought it to fine jewelry-making on a global stage.

The daughter of artists Pablo Picasso and Françoise Gilot, Paloma was destined for creative success. She was determined to succeed on her own, however, and didn’t rely on her parents' renown. Picasso graduated from the Université de Paris in Nanterre, where she studied jewelry design and costuming. She spent a short period in the late 1960s as a fashion designer and a jewelry stylist for a Parisian theater company, an experience that essentially ignited Picasso’s career. Critics took notice, and her friend and French fashion designer Yves Saint-Laurent commissioned her to make costume jewelry for his runway collections.

Picasso designed a collection of necklaces and bracelets for the Greek jewelry firm Zolotas in the early 1970s, and her success with Saint-Laurent led to an important connection between Picasso and Tiffany & Co. design director John Loring. Picasso jumped at Loring’s request to present a table setting at a 1979 Tiffany & Co. exhibition, and within a single year, Loring commissioned her to design jewelry for the brand. Her first proper collection, Paloma's Graffiti, is her best-known work for the company.

Paloma had joined the illustrious ranks of Elsa Peretti and Angela Cummings — both revered jewelry designers who’d signed contracts with Tiffany just before her. Her Graffiti collection, which initially comprised a range of both slender and bubble-letter-like scribbles, X’s, O’s and other figures in 18-karat gold and palladium, was an extraordinary debut for her. Finding inspiration in Keith Haring’s Pop art as well as the street art that covered Manhattan subway cars of the era, Picasso introduced a graphic quality to her inaugural Tiffany line.

“In the ‘70s, people were starting to tag subways and walls, which had everyone outraged,” Picasso explained of the concepts behind her vibrant rings, earrings and necklaces. “I wanted to look at graffiti differently and try to make something positive out of it.”

Picasso would later draw on nature for her sterling silver-and-pearl Olive Leaf accessories at Tiffany and frequently created gold necklaces and bracelets that were set with a striking mix of colorful semi-precious stones.

Throughout her career, Picasso has garnered acclaim from many institutions such as the Fashion Group International and was presented with an award in 1988 by the Hispanic Designers Council. She has been recognized the National Museum of Women in the Arts, and her work is held in the collections of the Smithsonian National Museum of Natural History and the Field Museum in Chicago.

Find vintage Paloma Picasso Tiffany & Co. brooches, bracelets and other jewelry on 1stDibs.

Why Gold Shines in Jewelry Craftsmanship

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

Finding the Right Brooches for You

Vintage brooches, which refer to decorative jewelry traditionally pinned to garments and used to fasten pieces of clothing together where needed, have seen increasing popularity in recent years.

While jewelry trends come and go, brooches are indeed back on the radar thanks to fashion houses like GucciVersaceDior and Saint Laurent, all of which feature fun pinnable designs in their current collections. Whether a dazzlingly naturalistic Art Nouveau dragonfly, a whimsical David Webb animal, a gem-studded bloom or a streamlined abstract design, these jewels add color and sparkle to your look and a spring to your step. 

Given their long history, brooches have expectedly taken on a variety of different shapes and forms over time, with jewelers turning to assorted methods of ornamentation for these accessories, including enameling and the integration of pearls and gemstones. Cameo brooches that originated during the Victorian age are characterized by a shell carved in raised relief that feature portraits of a woman’s profile, while 19th-century micromosaic brooches, comprising innumerable individually placed glass fragments, sometimes feature miniature depictions of a pastoral scene in daily Roman life.

At one time, brooches were symbols of wealth, made primarily from the finest metals and showcasing exquisite precious gemstones. Today, these jewels are inclusive and universal, and you don’t have to travel very far to find an admirer of brooches. They can be richly geometric in form, such as the ornate diamond pins dating from the Art Deco era, or designer-specific, such as the celebrated naturalistic works created by Tiffany & Co., the milk glass and gold confections crafted by Trifari or handmade vintage Chanel brooches of silk or laminated sheer fabric. Chanel, of course, has never abandoned this style, producing gorgeously baroque CC examples since the 1980s.

Brooches are versatile and adaptable. These decorative accessories can be worn in your hair, on hats, scarves and on the lower point of V-neck clothing. Pin a dazzling brooch to the lapel of your blazer-and-tee combo or add a cluster of smaller pins to your overcoat. And while brooches have their place in “mourning jewelry,” in that a mourning brooch is representative of your connection to a lost loved one, they’re widely seen as romantic and symbolic of love, so much so that a hardcore brooch enthusiast might advocate for brooches to be worn over the heart.

Today, find a wide variety of antique and vintage brooches for sale on 1stDibs, including gold brooches, sapphire brooches and more.