Manolo End Table

Kenneth Cobonpue is a multi-award winning furniture designer and manufacturer from Cebu, Philippines. His passage to design began in 1987 while studying industrial design at Pratt Institute in New York.

While completing his studies, Cobonpue apprenticed for a leather and wood workshop near Florence, Italy. He went on to study furniture marketing and production at the Export-Akademie Baden-Württemberg in Reutlingen, Germany, under a private and state scholarship program, and subsequently worked in Bielefeld and Munich.

Cobonpue returned home to Cebu in 1996 to manage Interior Crafts of the Islands, Inc., a furniture design and manufacturing company founded by his mother, Betty Cobonpue, in 1972. Discovering that modern design could have a new face using natural fibers and materials, Cobonpue created pieces of functional art, offering an alternative to the Western definition of modern design. Today, the KENNETHCOBONPUE brand has become known globally for its unique designs and extensive roster of clientele, which includes Hollywood celebrities and royalty.

With his masterful way of integrating nature, traditional craft and innovative technologies in his work, designer and creative director Cobonpue has earned international awards and recognition for his creative, organic and expressive pieces. Working closely with some of the world’s leading designers — from household names to emerging talents — Cobonpue has been pushing the envelope for design in the Philippines and sharing his vision with a global audience.

Awards to Cobonpue’s credit include five Japan Good Design Awards, the grand prize at the Singapore International Design Competition, the DFA Design for Asia Award from the Hong Kong Design Centre, the American Society of Interior Design Top Pick selection and the French Coup de Coeur award. Several of Cobonpue’s designs were selected for several editions of the International Design Yearbook published in London and New York. Phaidon’s book, & Fork, underscores Cobonpue’s position as a leader of a new movement incorporating new technologies in crafts. In 2007, TIME magazine called him “rattan’s first virtuoso.” Cobonpue was named the Designer of the Year in the first edition of Maison&Objet Asia held in March 2014 in Singapore.

Cobonpue reveals new work each year in the design shows from Milan to New York, and he speaks regularly about Southeast Asian design all over the world. He has also appeared in European television and in countless international magazines and newspapers around the world. Various Cobonpue designs have also appeared in full-length feature films and television, such as Oceans 13 and CSI.

Find a collection of Kenneth Cobonpue furniture today on 1stDibs.

(Biography provided by Galerie Philia)

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Beyond just providing additional tabletop space for your living room, an attractive vintage end table can help you organize as well as display books and decorative objects.

The term “end table” is frequently used interchangeably with “coffee table,” and while these two furnishings have much in common, each offers their own distinctive benefits in your space.

Your end table is likely going to stand as tall as the arms of your sofa, and its depth will match the seating. These attributes allow for tucking the table neatly at the end of your sofa in order to provide an elevated surface between your seating and the wall. End tables are accent pieces — they’re a close cousin to side tables, but side tables, not unlike the show-stealing low-profile coffee table, are intended to be positioned prominently and have more to do with the flow and design of a room than an end table, which does a great job but does it out of the way of everything else.

End tables with a drawer or a shelf can easily stow away books or television remotes. Living-room end tables frequently assist with lighting, specifically as they’re often positioned adjacent to a wall. Their height and compact tabletop render them ideal for table lamps and plants, particularly if parked near a window.

And given their practicality, there is no shortage of simple, streamlined end tables from mid-century modern favorites such as Baker Furniture Company, Dunbar and Knoll that will serve your clutter-clearing minimalist efforts or wide-open loft space well. But over the years, furniture designers have taken to venturesome experimentation, crafting tables from fallen trees, introducing organic shapes and playing with sculptural forms, so much so that your understated end table might eventually become the centerpiece of a room, no matter where you choose to place it. One-of-a-kind contemporary designs prove that there are endless options for what an end table can be, while furniture makers working in the Art Deco style have proven that end tables can be stacked, staggered and nested at will, creating all kinds of variations on this popular home accent.

Find an extraordinary variety of antique, new and vintage end tables on 1stDibs today.