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Audrey Hepburn Dances, 1953
By Mark Shaw
Located in New York, NY
15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Dances, 1953
By Mark Shaw
Located in New York, NY
32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Dances, 1953
By Mark Shaw
Located in New York, NY
" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Breakfast, 1953
By Mark Shaw
Located in New York, NY
" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Breakfast, 1953
By Mark Shaw
Located in New York, NY
" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Breakfast, 1953
By Mark Shaw
Located in New York, NY
13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Peeking, 1953
By Mark Shaw
Located in New York, NY
LIFE. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Peeking, 1953
By Mark Shaw
Located in New York, NY
LIFE. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Peeking, 1953
By Mark Shaw
Located in New York, NY
LIFE. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Looks Back, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Turns, audrey_07 -- Photographed by Mark Shaw in 1953, this image is an outtake from
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Looks Back, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Turns, audrey_07 -- Photographed by Mark Shaw in 1953, this image is an outtake from
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Looks Back, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Turns, audrey_07 -- Photographed by Mark Shaw in 1953, this image is an outtake from
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Inside Convertible, 1953
By Mark Shaw
Located in New York, NY
December 7, 1953 issue of LIFE. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Inside Convertible, 1953
By Mark Shaw
Located in New York, NY
December 7, 1953 issue of LIFE. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Inside Convertible, 1953
By Mark Shaw
Located in New York, NY
December 7, 1953 issue of LIFE. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Washes Car, 1953
By Mark Shaw
Located in New York, NY
). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Washes Car, 1953
By Mark Shaw
Located in New York, NY
). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Washes Car, 1953
By Mark Shaw
Located in New York, NY
). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Bicycle, Riding, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c20_24 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Bicycle, Riding, 1953
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Bicycle, Riding, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c20_24 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Doorway, 1953
By Mark Shaw
Located in New York, NY
of LIFE. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Doorway, 1953
By Mark Shaw
Located in New York, NY
of LIFE. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Doorway, 1953
By Mark Shaw
Located in New York, NY
of LIFE. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Bicycle, Smiling, 1953
By Mark Shaw
Located in New York, NY
to and from the set. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn at Apartment Gate, 1953
By Mark Shaw
Located in New York, NY
size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Car Writing, 1953
By Mark Shaw
Located in New York, NY
). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Car Writing, 1953
By Mark Shaw
Located in New York, NY
). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Car Writing, 1953
By Mark Shaw
Located in New York, NY
). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Stands in Ballgown, 1953
By Mark Shaw
Located in New York, NY
size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Stands in Ballgown, 1953
By Mark Shaw
Located in New York, NY
size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Stands in Ballgown, 1953
By Mark Shaw
Located in New York, NY
size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Bicycle, Smiling, 1953
By Mark Shaw
Located in New York, NY
to and from the set. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Bicycle, Smiling, 1953
By Mark Shaw
Located in New York, NY
to and from the set. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Bicycle, Looks Left, 1953
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Bicycle, Looks Left, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c20_23 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Bicycle, Looks Left, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c20_23 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Front, 1953
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Striped Sweater, 1954
By Mark Shaw
Located in New York, NY
" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Side, 1953
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Staring, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn 54_0309a_e – Audrey Hepburn was photographed for the June 1954 issue of Mademoiselle
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn White Shirt Portrait, 1954
By Mark Shaw
Located in New York, NY
36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn and William Holden, Laughing
By Mark Shaw
Located in New York, NY
" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper
Category

Mid-20th Century Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Close, 1953
By Mark Shaw
Located in New York, NY
1953. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Turns, 1953
By Mark Shaw
Located in New York, NY
size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Striped Sweater, 1954
By Mark Shaw
Located in New York, NY
" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Striped Sweater, 1954
By Mark Shaw
Located in New York, NY
" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Close, 1953
By Mark Shaw
Located in New York, NY
1953. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Turns, 1953
By Mark Shaw
Located in New York, NY
size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Turns, 1953
By Mark Shaw
Located in New York, NY
size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Close, 1953
By Mark Shaw
Located in New York, NY
1953. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in
Category

1950s Modern Photography

Materials

Giclée

Audrey Hepburn and William Holden, Laughing
By Mark Shaw
Located in New York, NY
" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper
Category

Mid-20th Century Modern Black and White Photography

Materials

Giclée

Audrey Hepburn at Apartment Gate, 1953
By Mark Shaw
Located in New York, NY
" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper
Category

1950s Modern Photography

Materials

Giclée

Audrey Hepburn and William Holden, Laughing
By Mark Shaw
Located in New York, NY
22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag
Category

Mid-20th Century Modern Black and White Photography

Materials

Giclée

Audrey Hepburn at Apartment Gate, 1953
By Mark Shaw
Located in New York, NY
size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is
Category

1950s Modern Black and White Photography

Materials

Giclée

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Mark Shaw Hepburn For Sale on 1stDibs

On 1stDibs, you can find the most appropriate mark shaw hepburn for your needs in our varied inventory. Making the right choice when shopping for a mark shaw hepburn may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 21st Century. On 1stDibs, the right mark shaw hepburn is waiting for you and the choices span a range of colors that includes gray and black. These artworks were handmade with extraordinary care, with artists most often working in digital print, giclée print and inkjet print. If space is limited, you can find a small mark shaw hepburn measuring 11 high and 11 wide, while our inventory also includes works up to 63 across to better suit those in the market for a large mark shaw hepburn.

How Much is a Mark Shaw Hepburn?

The average selling price for a mark shaw hepburn we offer is $1,500, while they’re typically $800 on the low end and $6,600 for the highest priced.

A Close Look at Modern Art

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

Finding the Right black-white-photography for You

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.