Post Modern Ceramic Objects
Vintage 1980s Austrian Post-Modern Vases
Ceramic
Vintage 1980s Italian Post-Modern Vases
Metal
Mid-20th Century Italian Hollywood Regency Animal Sculptures
Ceramic
Late 20th Century Italian Post-Modern Animal Sculptures
Ceramic
Vintage 1980s Dutch Post-Modern Vases
Ceramic
Vintage 1980s American Expressionist Decorative Bowls
Ceramic
Late 20th Century Portuguese Post-Modern Candlesticks
Ceramic
Late 20th Century Italian Post-Modern Vases
Ceramic
Late 20th Century European Post-Modern Vases
Ceramic, Pottery, Stoneware
1990s Dutch Post-Modern Vases
Ceramic
Vintage 1980s Japanese Post-Modern Vases
Ceramic
1990s American Post-Modern Vases
Ceramic
20th Century American Post-Modern Decorative Bowls
Ceramic
Vintage 1980s American Post-Modern Decorative Bowls
Ceramic
Vintage 1980s French Mid-Century Modern Vases
Ceramic
1990s American Post-Modern Vases
Ceramic
Late 20th Century American Post-Modern Vases
Stoneware
20th Century American Modern Abstract Sculptures
Iron
21st Century and Contemporary American Post-Modern Vases
Ceramic, Paint
Vintage 1980s American Post-Modern Decorative Bowls
Ceramic
1990s American Post-Modern Vases
Ceramic
Mid-20th Century German Mid-Century Modern Vases
Ceramic, Paint
2010s Dutch Post-Modern Figurative Sculptures
Ceramic
Vintage 1980s European Abstract Sculptures
Ceramic
20th Century Japanese Post-Modern Vases
Ceramic
20th Century American Modern Vases
Ceramic, Porcelain
20th Century German Mid-Century Modern Vases
Ceramic
Vintage 1970s Italian Mid-Century Modern Planters, Cachepots and Jardini...
Ceramic
Late 20th Century Post-Modern Abstract Sculptures
Bronze
Vintage 1980s Canadian Post-Modern Vases
Ceramic
20th Century German Modern Vases
Ceramic
20th Century German Modern Vases
Ceramic
2010s Finnish Post-Modern Abstract Sculptures
Ceramic
Late 20th Century Italian Post-Modern Abstract Sculptures
Bronze
2010s Finnish Post-Modern Abstract Sculptures
Other
2010s Finnish Post-Modern Abstract Sculptures
Ceramic, Wood
20th Century German Modern Vases
Ceramic
Vintage 1980s American Post-Modern Vases
Ceramic
Mid-20th Century German Mid-Century Modern Vases
Ceramic
Late 20th Century Italian Post-Modern Vases
Ceramic
Late 20th Century Italian Post-Modern Abstract Sculptures
Bronze
Vintage 1980s Swedish Post-Modern Vases
Ceramic
Late 20th Century American Mid-Century Modern Jars
Ceramic
Late 20th Century American Post-Modern Vases
Ceramic
20th Century American Modern Vases
Ceramic
2010s Finnish Post-Modern Abstract Sculptures
Ceramic
2010s Finnish Post-Modern Abstract Sculptures
Other
20th Century German Modern Vases
Ceramic
Early 2000s Italian Post-Modern Abstract Sculptures
Ceramic
2010s Italian Post-Modern Figurative Sculptures
Ceramic
2010s Italian Post-Modern Abstract Sculptures
Ceramic, Mirror
2010s Italian Post-Modern Abstract Sculptures
Ceramic, Mirror
Late 20th Century Post-Modern Vases
Ceramic
2010s Italian Post-Modern Abstract Sculptures
Ceramic, Mirror
1990s American Post-Modern Vases
Ceramic
Vintage 1970s Italian Post-Modern Decorative Boxes
Ceramic
Vintage 1960s German Mid-Century Modern Vases
Pottery
2010s Brazilian Post-Modern Abstract Sculptures
Clay
2010s Polish Post-Modern Abstract Sculptures
Clay, Porcelain, Stoneware
2010s Polish Post-Modern Abstract Sculptures
Clay, Porcelain, Stoneware
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Post Modern Ceramic Objects For Sale on 1stDibs
How Much are Post Modern Ceramic Objects?
A Close Look at post-modern Furniture
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.