Richard Shultz Chairs

Many of today’s most popular outdoor furniture designs exist thanks to the talents of designer Richard Schultz. His mid-century modern style introduced unimposing pieces to gardens and outdoor spaces. The airy shapes and timeless appeal of his furniture reflect his motto: “Form follows technique.”

Born Moses Richard Schultz in Lafayette, Indiana, in 1926, he displayed an early talent as an engineer, building steam engines in his family’s basement. Although he possessed an engineer’s mind, Schultz struggled with mathematics, and he dropped out of the Iowa State University mechanical engineering program. He joined the U.S. Navy, working as a radio operator. Following his military service, he enrolled at the Institute of Design in Chicago.

After he graduated in 1950, Schultz traveled to Europe, where he spent the summer sketching. When he returned to the United States in 1951, he applied for a position as a designer at the furniture company Knoll Inc. in New York City. It is said that Florence Knoll, wife of the company’s founder Hans Knoll, hired him on the spot based solely on his sketches.

Schultz’s first assignment was to assist designer Harry Bertoia with the Bertoia Wire Collection at Knoll’s factory in Pennsylvania. Schultz’s 715 Chaise Longue, with its adjustable frame and signature solid wheel, complemented Bertoia’s collection. It was acquired in 1963 by the Museum of Modern Art for its collection of contemporary furniture. Another iconic piece Schultz produced around this time was the Petal Table. Its wooden “petal” tabletop and enameled metal base were inspired by the plant Queen Anne’s lace.

In 1966, one of Schultz’s most esteemed collections, the Leisure Collection (reissued in 1992 as the 1966 Collection), was created when Florence Knoll requested some outdoor furniture for her Florida home that could withstand the salty ocean air. Schultz designed a line of aluminum patio coffee tables and lounge chairs that were not only fashionable and comfortable but would not rust.

In 1972, Knoll laid off its designers, including Schultz, and he started his design studio — Richard Schultz Design — out of a Pennsylvania farmhouse. He enjoyed success with another of his influential pieces, the Paradigm office chair, which he sold to furniture manufacturer Stow & Davis in 1978. In 2012, Knoll acquired Richard Schultz Design and re-released many of his classic works.

Schultz died in 2021. He left a legacy as one of the 20th century’s most celebrated outdoor furniture creators.

On 1stDibs, discover a range of vintage Richard Schultz tables, building and garden elements, seating and more.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.