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Italian Lithographs Rome

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Porto di Ripetta, Rome, Italy. Lithograph
By Philippe Benoist
Located in Melbourne, Victoria
'Porto di Ripetta. Veduta presa dalla scala della Chiesa di S. Rocco' Tinted lithograph by
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Cortile del Palazzo di Venezia, Rome, Italy. Lithograph
By Philippe Benoist
Located in Melbourne, Victoria
. The Palazzo di Venezia (formerly Palace of St. Mark) is a palazzo in central Rome, Italy, just north
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

La Via Sacra, Rome, Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
Colosseo' Tinted lithograph by Eugene Cicero after Felix Benoist (1813-1881), with figures by Bayot. From
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Galerie Chiaramonti, Vatican, Rome, Italy. Classical sculpture. Lithograph, 1870
By Philippe Benoist
Located in Melbourne, Victoria
' Tinted lithograph by Philippe Benoist (1813-1881). Titled in French and Italian. From a French series
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Cripta di S Cornelio, Rome Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
lithograph by Sabatier after Felix Benoist (1813-1881), with figures by Bayot. From a French series titled
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Basilica di San Paolo, Rome, Italy. Tinted lithograph, Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Basilica di San Paolo fuori delle mura' Tinted lithograph by Philippe Benoist (1813-1881). From
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Cistine Chapel, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Old Ruins In Rome - Lithograph by Anonymous 19th Century Italian Artist
Located in Roma, IT
Old Ruins In Rome is an original lithograph realized by Anonymous artist in 1849. The print is
Category

1870s Modern Figurative Prints

Materials

Lithograph

Portico D' Ottavia e Pescheria, Rome Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'Portico D' Ottavia e Pescheria' Tinted lithograph by Eugene Ciceri after Felix Benoist (1813
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Basilica di St Maria Maggiore, Rome, Italy. Tinted lithograph, Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Basilica di St Maria Maggiore. Veduta della facciata principale' Tinted lithograph by Philippe
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Basilica di Santa Croce-in-Gerusalemme, Rome, Italy. Lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
lithograph by Eugene Cicero after Felix Benoist (1813-1881), with figures by Bayot. From a French series
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Loggia of Raphael, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Loggia di Raffaello, in Vaticano' Tinted lithograph by Philippe Benoist (1813-1881). From a
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Palazzo e Giardini del Vaticano, Rome Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
gardens of the Vatican, taken from the Cupola of St Peter's, Tinted lithograph by Philippe Benoist after
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Piazza e Basilica de Santi Apostoli, Rome, Italy. Lithograph, Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Piazza e Basilica de Santi Apostoli. Palazzi Odescalchi e Colonna' Tinted lithograph by Philippe
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Piazza di Monte Cavallo, Rome, Italy. Tinted lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Piazza di Monte Cavallo e Palazzo pontificio del Quirinale' Tinted lithograph by Philippe
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Chiesa di St Maria-Sopra-Minerva, Rome, Italy. Lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
Rome, Italy. Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Palace of the Caesars, Palatine Hill, Rome, Italy. Late C19th tinted lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Veduta Generale del Palazzo de Cesari sul Palatino, presa del Monte Aventino' Tinted lithograph
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Via Condotti, Street Scene Rome Italy
Located in Carmel, CA
A beautiful capture of a Roman street scene. Image is flush to the paper. Edition 1/19 Outer dimension 23.5 x 33"
Category

1990s Black and White Photography

Materials

Lithograph

1948 Original poster by David Klein for TWA and its trips to Rome Italy
By David Klein
Located in PARIS, FR
Original poster by David Klein for TWA and its trips to Rome. A TWA Lockheed Super Constellation
Category

1940s Prints and Multiples

Materials

Paper, Linen, Lithograph

Arch of Janus, Rome, Italy. Lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Arco di Giano Quadrifonte' Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Piazza Colonna, Rome, Italy. Lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
the center of the Rione of Colonna in the historic heart of Rome, Italy. It is named for the marble
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Capitoline Museum, Rome, Italy. Classical sculpture. Tinted lithograph, 1870
By Philippe Benoist
Located in Melbourne, Victoria
'Musee du Capitole - Salon de Clement XII' Capitoline Museum, Rome, Italy. Tinted lithograph by
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Fontana dell' Acqua Felice & Santa Maria della Vittoria, Rome, Italy. Lithograph
By Philippe Benoist
Located in Melbourne, Victoria
monumental fountain located in the Quirinale District of Rome, Italy. It marked the terminus of the Acqua
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Rome, General View from the Cupola of St Peter's, Italy. Tinted lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Roma, Veduta generale presa della Cupola di San Pietro' Tinted lithograph by Philippe Benoist
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

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Italian Lithographs Rome For Sale on 1stDibs

Find the exact italian lithographs rome you’re shopping for in the variety available on 1stDibs. Adding a italian lithographs rome to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of beige, gray and more. There have been many interesting italian lithographs rome examples over the years, but those made by Philippe Benoist are often thought to be among the most thought-provoking. These artworks were handmade with extraordinary care, with artists most often working in lithograph. A large italian lithographs rome can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 13.59 high and 13.59 wide — and may be better suited to a more modest living area.

How Much is an Italian Lithographs Rome?

The price for a italian lithographs rome in our collection starts at $240 and tops out at $2,275 with the average selling for $240.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.