Slim Aarons Morocco

American photographer Slim Aarons captured the 20th century’s international jet set — U.S. socialites, European royalty, Hollywood stars — at play in sun-kissed locales like Monaco, Saint-Tropez and Palm Beach, as well as other luxurious settings around the globe.

Committed to eschewing makeup and artificial lighting, Aarons created images that are at once candid and polished, combining the relaxed posture of his subjects, who trusted him to document their lives, with the visual sharpness of a seasoned art director. Having gotten his start taking pictures for the U.S. military magazine Yank during World War II, he contributed over the course of his career to Life, Town and Country and Holiday magazines and published several books.

Aarons was born in Manhattan in 1916. He joined the army at 18, shooting military maneuvers at West Point before serving as a combat photographer, for which he was awarded a Purple Heart. After the war, he moved to California and began snapping socialites and movie stars. In the 1950s, he opened a bureau for Life magazine in Rome, where he took pictures capturing the postwar scene. Aarons was always able to win the trust of his elite subjects, who saw him as close to a peer, rather than a paparazzo. In a 2002 interview with The Independent, he remarked, ''I knew everyone. They would invite me to one of their parties because they knew I wouldn't hurt them. I was one of them.'' This access allowed Aarons to document the rich and famous with their guard down, reading newspapers and magazines, talking on the phone, relaxing by the pool, and chatting with friends. The 1957 photograph The Kings of Hollywood, for example, which won him wide acclaim, shows Clark Gable, Van Heflin, Gary Cooper and Jimmy Stewart laughing together as they celebrate New Year’s Eve.

Many of Aarons’s best-known images involve games and sports. In the 1972 Poolside Backgammon, two young women play the board game of the title against the backdrop of a majestic Acapulco estate. In 1958’s Cannes Watersports, a couple attempts to glide across the Golfe de la Napoule on Jet Skis, one expertly and one hanging on for dear life. And in Penthouse Pool, shot in Athens in 1961, a young woman wearing a yellow bathing cap smiles coyly at the camera, surrounded by friends and brightly colored seat cushions, with the Acropolis faintly visible in the background. Among Aarons’s books are 1974’s A Wonderful Time: An Intimate Portrait of the Good Life, and its 2003 sequel, Once Upon a Time. His final book, A Place in the Sun, was published in 2005, one year before his death.

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Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world. 

Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history. 

By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.

Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.

Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.

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Since the introduction of photography in the 19th century, it has been used to show the earth’s diverse landscapes. Modern and contemporary landscape photography continues to capture scenes of landscapes from around the world while becoming much more exploratory.

Historically, artists have played a key role in landscape preservation. Early 20th-century landscape photography provided a powerful argument for the establishment of the U.S. National Park Service a century ago, and iconic national park shots by Ansel Adams and Eliot Porter captured the public’s imagination and fueled conservation efforts.

The world of landscape photography has grown far more experimental in the last several decades, bolstered by innovative techniques and creative talents. Abstract landscape photography is often a thought-provoking exploration of bold, bleeding colors. To understand just how abstract these images can be, look no further than Jean-François Rauzier's outstanding landscape compositions.

A simpler style is offered by minimalist landscape photography and its subdued tones. These pieces tend to imbue their surroundings with a sense of serenity, making them an excellent addition to bedrooms and quiet living rooms. And like any other works of art that you’ve brought into your home, there are many ways to arrange photography in a space. Small areas, for example, are ideal for displaying more petite pieces. These can also be positioned in a cluster as a gallery wall. You can stand framed landscape photography on an easel, a mantelpiece, floating shelves or on the floor leaning against a wall.

Browse exquisite landscape photography on 1stDibs today and find an eye-catching image to complement any home or collection.