Van Cleef Yellow Gold Cabochon Blue Sapphire

Find the exact van cleef yellow gold cabochon blue sapphire you’re shopping for in the variety available on 1stDibs. Each design created in this style — which was crafted with great care and often made from gold, yellow gold and 18k gold — can elevate any look. If you’re looking for a van cleef yellow gold cabochon blue sapphire from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 20th Century. There have been many well-made iterations of the classic van cleef yellow gold cabochon blue sapphire over the years, but those made by Van Cleef & Arpels and David Webb are often thought to be among the most beautiful. Today, if you’re looking for a cabochon version of this piece and are unable to find the perfect match, our selection also includes round cut alternatives. There aren’t many items for men if you’re seeking a van cleef yellow gold cabochon blue sapphire, as most of the options available are for women and unisex.

Prices for a van cleef yellow gold cabochon blue sapphire can differ depending upon size, time period and other attributes — at 1stDibs, these accessories begin at $4,179 and can go as high as $44,450, while this accessory, on average, fetches $28,575.

One of the world’s foremost jewelry houses, Van Cleef & Arpels is particularly noted for a focus on technical virtuosity, craftsmanship and artistry, evident since its beginning. Rather than create earrings, bracelets, necklaces and other adornments primarily for the aim of displaying of wealth and opulence, Van Cleef & Arpels sought to produce jewelry that projected the wearer’s taste and style.

The company was formed a year after the 1895 marriage of Alfred Van Cleef, the son of a gem cutter, to Estelle Arpels, daughter of precious-stones dealer Salomon Arpels. Ten years later, Van Cleef & Arpels opened its first boutique on the Place Vendôme in Paris, setting the march on a square now crowded with dealers in bijouterie. (The company still occupies the New York flagship store opened in 1939 at Fifth Avenue and 57th Street.)

Born from a union of expertise in both jewelry making and gem selection, Van Cleef & Arpels distinguished itself with both the consistency of the color and clarity of its stones and the creativity of its designs. In doing so, the house would win a roster of dedicated, fashion-conscious clients that included the Duchess of Windsor, Marlene Dietrich, Barbara Hutton, Jacqueline Onassis and Elizabeth Taylor. In 1933, Van Cleef & Arpels patented its trademark Mystery Setting — a technique by which gems are fitted into an intricate matrix of slots and “drawers” that keep the setting hidden. Another signal innovation was the Zip necklace, introduced in 1951, which can be worn either around the neck or, with the zipper closed, as a bracelet.

But as much as to the firm’s craftsmanship, clients have been drawn by the insouciance and playfulness of Van Cleef & Arpels designers, as well as their attunement to the cultural climate. After the discovery of Tutankhamun’s tomb in 1922, the company produced several lavish pieces featuring hieroglyphics and other Egyptian motifs to go along with the geometric Art Deco jewelry of that decade and the next. Following World War II, as symbols of freedom and rebirth, the firm focused on naturalistic forms such as birds, flowers, fruit and flying insects. High society’s 1960s fascination with the Near East and India prompted such pieces as the best-selling Alhambra necklace, popularized by Princess Grace.

Lately, attention among collectors and connoisseurs has centered on Van Cleef & Arpels’s quality of workmanship as much as its glamour. The firm was the subject of a 2012 show at the Cooper-Hewitt, Smithsonian Design Museum, as well as exhibitions at the Bowers Museum in Santa Ana, California, in 2013 and at the Musée des Arts Décoratifs in Paris in 2014.

Find an exquisite collection of Van Cleef & Arpels jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

On 1stDibs, shop the bright blue gems that star in sapphire rings, sapphire necklaces and other vintage and antique sapphire jewelry. 

Sapphires — the stone of choice for Napoleon, Princess Diana and Elizabeth Taylor — have been a favorite of aristocrats and the well-to-do since the time of the Ancient Greeks.

Picture a sapphire. If the stone you conjure is a deep cornflower blue, you’re seeing only part of the picture. Although blue Kashmirs are considered the most valuable, sapphires come in every color except red. No matter the hue, this very special gem is rich in history and beloved by royals (FYI, Princess Diana and Kate Middleton share an 11-carat sapphire engagement ring), so September babies are in very noble company.

America’s version of royalty — old money and celebrities — have also shown a predilection for the blue stones. In 1940, John D. Rockefeller Jr. had Cartier mount a 62-carat sapphire he had bought from an Indian maharajah in a brooch for his first wife, Abby Aldrich Rockefeller; in 2001, the piece sold for a then-record of $3,031,000 at Christie’s New York.

The grand dame of jewelry, Elizabeth Taylor had a passion for the gems that her lovers were happy to indulge. Second husband Michael Wilding gave her an engagement ring set with a cabochon sapphire, while Richard Burton famously presented her with a BVLGARI sautoir set with diamonds and sapphires, including at its center a cabochon Burmese weighing 52.72 carats. One of the star lots in the sale of Taylor’s jewels at the Christie’s New York in 2011, it sold for $5,906,500.

You don’t have to have blue blood or a bulging bank account, however, to get an eyeful of this much-coveted gem. A number of outstanding examples reside in public collections.

The Smithsonian Museum of Natural History owns the 423-carat Logan sapphire, a gift from the Guggenheim family, and the Hall sapphire and diamond necklace, designed by Harry Winston and featuring 36 fine, well-matched cushion-cut Sri Lankan sapphires weighing a combined 195 carats. Also in the collection is the Bismarck sapphire necklace, designed by Cartier and sporting a central sapphire weighing 98.6 carats, which Mona Von Bismarck donated to the museum.

Sapphires are composed of corundum. Their color derives from trace elements, such as iron, titanium, chromium, copper or magnesium. When the trace element produces a ruby hue, the stone is called, what else, a ruby. (which is, as mentioned above, why sapphires cannot be red by definition).

The allure of large gemstones endures throughout the periods characterized as vintage, and sapphire features frequently in vintage engagement rings. (On 1stDibs, a range of buying guides can be found for those in the market for antique engagement rings, vintage engagement rings or Art Deco engagement rings.)  

Find an exquisite collection of vintage and antique sapphire jewelry on 1stDibs.