George Dergalis Art

Aaron Levy was born in New York City in 1899. After retiring in 1951 from a career as president of E. Milius & Company, a textile company, Levy began a new career as a fine artist. ...

Impressive early American modernist sunset beach scene oil painting. Framed. Oil on canvas. Signed. Image size, 24H by 20L.

'Echoes of the Avant-Garde: Mid-Century Visions III', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation o...

American modernist abstract expressionist oil painting. Oil on board. Housed in a period modernist frame. Image size, 12L x 16H. Attributed to Margaret Crawford.

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

Frameless

TECHNICAL SHEET Title: Gemini Artist: Svetla Georgieva Technique: Mixed media (oil and material) on canvas Dimensions: 21.6 x 18.1 in Framing: Unframed Year: 1989 Style: Abstract Ex...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, patterns, blac...

Breaking Waves By Diane Whalley [2020] Breaking Waves is an original abstract expressionist painting by emerging contemporary artist Diane Whalley. Layers of acrylic paint create de...

This abstract Alaskan glacier landscape, crafted by a talented Alaskan woman artist, is a striking exploration of nature's icy majesty through the lens of abstraction. The painting i...

"Garnet Fields" is a 24x24 oil painting on canvas by artist Paul Woods. Featured is a dark moody high contrast abstracted landscape. Dark silhouetted trees line the high horizon illu...

Edward Avedisian Unsigned, (bears name signed verso in pencil.) Dimensions: 15" X 15" (round tondo) Circa late 1970s This is a mod, brutalist portrait of a man Edward Avedisian (J...