Prints and Multiples

Camilla Engström Guldflod, 2021 Hand singed and numbered Digital print on 310g Photo Rag paper 80 x 60 cm Edition of 100 plus 10 AP

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

Archival pigment ink prints with silkscreened high-gloss varnish and diamond dust on Innova 315 gsm paper

Donald Sultan (Born 1951) Black Lemon on Yellow, 2018 Color silkscreen with enamel inks and tar-like texture on 2-ply museum board 39 x 39 in. Edition of 40 Signed by artist

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Origina...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

"This our Court infected by their Manners" Print 48×40in Ed. 1/10 by Kate Garner Signed and numbered by the artist. Not framed. Ships in a tube. Kate Garner is an English photographer, fine artist, and singer. Garner has photographed a wide range of musicians and celebrities, including Dr. Dre, Leigh Bowery, JT LeRoy, Angelina Jolie, Cate Blanchett, Anne Hathaway, David Bowie, Cameron Diaz, PJ Harvey, John Galliano, Björk, and Kate Moss. Her work has appeared in the American and British versions of Vogue and Harper’s Bazaar as well as W magazine, Interview, GQ, Vanity Fair, Elle, and The Sunday Times. Kate Garner was expelled from high school at the age of 16 and became a runaway who joined The Children Of God. To escape the grasp of the cult she hitchhiked from London through Eastern Europe to India in 1970, where she lived for a year as a traveler before being located by her parents. She attended art school at Blackpool in the North of England and later moved to London, where she began to both photograph and model for up-and-coming magazines such as The Face and i-D. Kate Garner first came widely into the public eye as one-third of the 1980s avant-garde, new wave pop project Haysi Fantayzee, along with other members Jeremy Healy and Paul Caplin. Emanating from street art scenes such as the Blitz Kids that were cropping up in London in the early 1980s, Haysi’s music combined reggae, country, and electro with political and sociological lyrics couched as nursery rhymes. Catapulted to stardom by their visual sensibilities, Haysi Fantayzee combined their extreme clothes sense – described as combining white Rasta, tribal chieftain, and Dickensian styles – with a quirky musical sound comparable to other new wave musical pop acts of the era, such as Bow Wow Wow...

Paper Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Image Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Offset lithograph poster created by Cecily Brown...

In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.

Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman: The Paintings (Yellow) Year: 1992 Medium: Silkscreen, signed and numbered in pencil Image: 15 x 39 inches Siz...

Signed by artist, Artist's Proof Silkscreen print on paper Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas,...

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

"Un Apres Midi au Champs de Courses" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (11/200) in the lo...

Donald Sultan Yellow Roses, April from Fruit and Flowers II, 1992 Color Screenprint Signed in Pencil, DS and 34/100 Printed by Watanabe Studio, Brooklyn Published by Parasol Press, L...

Crossover II, 2024 is part of the "Another World" series. This unique archival pigment print is printed on Epson Enhanced Matte paper. Image size is 9" x 6.5" on 10" x 7.5" paper s...

'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

Color lithograph, Edition 30 In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...

Artist: Henri Matisse (after) Title: Nu bleu, la grenouille (Blue Nude, The Frog) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 195...

Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brookl...

Joan Miro - Peacock Feathers - Original Lithograph Artist: Joan Miro Dimensions: 9 x 14-/12 inches (sheet), with the usual centerfold, as published in "Joan Miro" by Jacques Prevert ...

Paper Size: 22 x 29.5 inches ( 55.88 x 74.93 cm ) Image Size: 22 x 29.5 inches ( 55.88 x 74.93 cm ) Framed: No Edition 11 of 100 Condition: A-: Near Mint, very light signs of handlin...

Keith Haring Into 84/Keith haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this ser...

From the 30th Anniversary edition printed in 2015. Signed and numbered in ink by Tony Shafrazi. Published by Tony Shafrazi Gallery, New York. An important piece of art history.

Artist: Alex Katz Title: Azaleas on Yellow Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100...

Green Tower, 2020 Woodcut and linocut 25 1/2 x 19 1/2” Edition of 20

Two Polo Players at Intl Match Art Sz: 8"H x 12 1/4"W Frame Sz: 13 1/4"H x 17 1/2'W Joseph Webster Golinkin (September 10, 1896 – September 8, 1977) was an American artist as well...

Proof-plate of The Pennsylvania Hunt Cup - White Marsh by Paul Desmond Brown from the Derrydale Press book Gentlemen Up published 1930 Print Sz: 13 3/4"H x 7 3/4"W Frame Sz: 20"H x...

International polo match colour plate c1930s Art Sz: 12"H x 10 1/2"W Frame Sz: 17 1/4"H x 15 1/2'W Joseph Webster Golinkin (September 10, 1896 – September 8, 1977) was an American...

Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...

Painted cast vinyl art toy To celebrate the 20th anniversary of the iconic Chum figurine, KAWS released a new set of colors in the summer of 2022. Chum means "a close friend" is not...

Original vintage World War Two Propaganda poster Share Sugar - It's war-scarce its war-necessary - Design features a box of sugar on a yellow background with bold black lettering. Is...

"The Revenge of Solomon Grundy," Irwin Hasen, 2005 Silkscreen on 320 gram Coventry Rag paper Dimensions: 23.5" x 18" Signed by the Artist in pencil Artist's Proof Irwin Hasen (1918-...

Jerusalem artist Ben Simon created pigment prints from iPad drawings. Cloud forms, trees, mountains and the sea are as colorful summer landscapes are expres...

Original vintage recruitment poster - The Infantry Boys' Battalion The Path to Leadership - featuring an image of a young cadet in a uniform...

Jerusalem artist Ben Simon created pigment prints from iPad drawings. Cloud forms, trees, mountains and the sea are as colorful summer landscapes are expres...

Atomic Bardot Yellow by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex ...

Original vintage music advertising poster featuring a colourful and psychedelic photo design using a new solarisation technique by the American photographer Richard Avedon (1923-2004...

Joan Miro - 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) reserved for collaborators, there was also a larger edition of 2000 From "Prints from the Mo...

Laura Moriarty's Talking to Rocks 10 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting ...

Keith Haring International Volunteer Day, 1988 Lithograph 8 1/2 x 11 1/4 inches Numbered edition of 1000 Signed by the artist in lower right corner Framed Bears the embossed seals of...

A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...

Julio Le Parc (b. 1928) "Series 23 No. 12-6" Color serigraph on paper 29 x 29 in (74 x 74 cm). The work is signed by hand and numbered 41/200. With an embossed stamp of the Edition D...

Original vintage travel advertising poster: Australia For Sun and Surf published by the Australian National Travel Association. Great design by the award winning architect and graphi...

BANANAS 2023 From “Golden sexy fruits” project CM 86x120x2,8 Print run 1/6+2PA Digital Photography C-Type Lambda print on Fujichrome Photo paper, plexiglass on alluminium compo dbo...

Laura Moriarty's Talking to Rocks 3 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting l...

I Won’t Eat You [2021] limited_edition Drypoint print Edition number of 30 Image size: H:81 cm x W:113 cm Complete Size of Unframed Work: H:92 cm x W:122 cm x D:0.1cm Sold Unframed ...

The Drugs Don’t Work by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex...

A very good impression of this scarce color screenprint on white wove paper. Signed, dated and numbered 44/75 in pencil. Published by Marlborough Graphics, Inc., New York.

Artist: Jay Rosenblum (Americam, 1933-1989) Title: "Grove #1" *Signed by Rosenblum in pencil lower right Year: 1979 Medium: Original Screenprint on white Stonehenge paper Limited edi...

Artist: Alex Katz Title: Red Dogwood 1 from Flowers portfolio Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed and nu...

Window is a contemporary artwork realized by Leo Guida in 1970s. Mixed colored lithograph. Hand signed and numbered on the lower margin: 2/3 Artist's proof. Original title: Fines...

Alex Katz, born 1927 in New York as the son of Russian-Jewish immigrants, is one of the most important painters of our time, worldwide. Katz studied at the Cooper Union School of Art...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...

Standing Female Nude from the Waist Down is a beautiful colored lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym watercolored and penc...

Artist: Alex Katz Title: Goldenrod Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed and numbered in pencil Sheet: 35...

limited_edition Screen print Edition number 20 Image size: H:28 cm x W:19.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A q...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...

Max Ernst - Elektra Lithograph 1939 Dimensions: 32 x 24 cm Signed in the plate From XXe siècle Unsigned and unumbered as issued