Charcoal Figurative Drawings and Watercolors

Nude Female Torso Charcoal on paper, c. 1920 Stamped and initialed in pencil "Asa Cheffetz/A.D.C" Estate signature by wife, A.D.C. Exhibited: Museum of F...

Portrait is a charcoal drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, June...

"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...

Daniel Ludwig is an American figurative artist who lives and works in Brooklyn, NY and Berkley. His original piece of artwork pictured above is called 'Back View' and this work of ar...

Charcoal on paper, signed by the artist (upper right), and RA visitor L. Alma Tadema, RA., and dated (lower left), 76cm x 57cm, (64cm x 88cm framed). Olivier studied at the Royal Academy Schools from 1881, where this extraordinary display of drafting took place. Olivier exhibited extensively, including the Royal Academy starting in 1883, and the Paris Salon. He exhibited at the Fine Art Society in the 1880s and at the Grafton Galleries in 1908. An official war artist in the Great War, his work is included in the collection of the Imperial War Museum. It is also contained in many regional art galleries. Drawings of the nude, called academic studies...

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

Paper paint charcoal collage fabric These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio...

Boxers, Ballerinas and Bible Stories “ are a suite of drawings wherein one model plays a series of interactive roles with his or her self. Contemporary graphic novels and the Pop cul...

In this collection, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...

The Mother and Child is an original Drawing in charcoal on ivory-colored paper realized by An anonymous artist in the early 20th century. Monogrammed on the lower right. Good condi...

This large scale charcoal on paper is from the artist's series "These fragile truths". This body of work explores the limitations and aesthetics of human memory through portraitu...

This large scale charcoal on paper is from the artist's series "These fragile truths". This body of work explores the limitations and aesthetics of human memory through portraiture...

This large scale charcoal on paper is from the artist's series "These fragile truths". This body of work explores the limitations and aesthetics of human memory through portraiture...

Figures is a Charcoal Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 19...

Portrait of Arab is an interesting drawing realized by the French artist Jean Louis Plumet. It is in very good conditions, except for some tiny stains and a fold on the lower part of...

The Tiger is original drawing in charcoal on paper realized by an unknown artist in mid-20th Century. Good conditions. The artwork is depicted through quick deft strokes in interes...

"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language. I let them stand alone in their purest fo...

'Talia in Fruitvale' , head study of a young woman in a hat in mainly yellow and red, is created with mixed media on paper, including stabilo pencil, gouache, ink, dry point pigment,...

Portrait is an original charcoal drawing on paper, realized by an anonymous artist in the Mid-20th Century. Good conditions with some foxing. The artwork is represented through de...

Irene Hölzer-Weineck was born in Prague in 1888 and later worked as a painter primarily in Vienna. After artistic training with the Czech painter Vojtech Hynais, Hölzer-Weineck studi...

Nude is an original Charcoal and Watercolour Drawing realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper. Hand-signed by the artist with pencil. Mino ...

Charcoal with red and white conté crayon on Rives BFK paper Signed and dated, recto This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt ...

Rosanna Gaddoni (Italian artist) Anima Mundi 65 x 50 cm ( framed in wood frame with museum glass) Measurement with included frame: 80 x 65 x 3 cm Charcoal on Paper The Italian artis...

Landscape is a beautiful original drawing on paper realized by Robert Santerne between the 1930s and 1940s. Stamped on the rear "Atelier R.Santerne" Aged conditions with repaired r...

While charcoal is naturally a loose drawing medium, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures the fine details with exacting clarity. In his drawing "Pritzlaff - 1903", the subject, a male with a glazed look, is wielding an ax and pointing a finger at the viewer. This drawing is framed in a simple black frame. The artist has signed with his initials and year on the front and signed his full name on the back of the piece. David Becker Pritzlaff - 1903 vine charcoal on paper 32h x 24w in 81.28h x 60.96w cm DB0027 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously te...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

'Ode to Mineko Iwasaki (1970s Japanese Geisha)' is an original charcoal drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful ...

FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...

Jules-Émile Saintin 1829-1894 French L’Heure du goûter! (Snack Time!) Signed "Jules-Émile Saintin" (lower right) Charcoal and white chalk on paper A tender moment unfolds as a young girl leans over her bowl of soup, savoring her midday snack with focus and delight. Her spoon rests beside a slice of bread on the polished tabletop, while a cup, perhaps filled with tea or chocolate, and a second piece of bread complete the simple yet cozy scene. Nearby, her stuffed toy lies temporarily forgotten atop a shawl, hinting at the world of play just briefly paused. The setting is intricately detailed. The dining room showcases a marble fireplace adorned with a clock, fine porcelain and delicate cups. Saintin’s composition captures the quiet grace of the moment as well as the interplay of light and texture, skillfully rendered using only charcoal and white chalk. His ability to infuse luminosity into a monochrome drawing speaks to his refined technique and observational sensitivity. This work resonates with Saintin’s charming studies of children during his American period, such as A Little Girl Dozing Over Her Drawing (possibly a portrait of Jennie Walters), now in the Walters Art Museum in Baltimore. Born in 1829 in Lemé, Saintin began painting at age 11 and was admitted to the Académie des Beaux-Arts in Paris by 16. Trained under Martin Drölling and Édouard Picot, he became an accomplished portraitist and debuted at the Salon des Artistes Français in 1848, earning several medals. In 1853, he moved to New York to work in a photography studio, soon dedicating himself fully to painting. He exhibited regularly at the National Academy of Design—becoming a member in 1858—and gained a strong reputation for his portraits of American elites, as well as for his depictions of landscapes and Native American clothing...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on Japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-311 Hand-signed by author

Charcoal on paper, 56cm x 38cm, (79cm x 60cm framed). Provenance: The Artist’s sister. From the mid-1940s to the early 1950s Colquhoun was considered one of the leading artists of his generation. Along with that of Robert MacBryde, another artist and Colquhoun’s partner, his work was regularly shown at the Lefevre Gallery in London. This early work is likely to be a drawing from when Colquhoun was at the Glasgow School of Art in the 1930s. Known as the ‘Two Roberts’, Colquhoun and MacBryde met at the Glasgow School of Art in 1932 and lived together until Colquhoun’s death in 1962. The pair also exhibited in several group shows at the Lefevre Gallery, including one in February 1946, alongside Ben Nicholson, Graham Sutherland, Bacon and Freud. Works were bought by the Arts Council, the British Council, the Contemporary Art Society and the Imperial War Museum. Major art patrons added their work to their collections, including Sir Kenneth Clark...

Estate of Paul Roche, the Artist's partner. Unsigned. Duncan Grant was a British artist, designer and prominent member of the Bloomsbury Group. His father...

Charcoal with red and white conté crayon on Rives BFK paper Signed and dated, recto This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt ...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal /watercolour/ink on artists paper, double sided Size: 9.5 height) x 7.5 (width) Stamped Verso ...

Title: Expressive Charcoal Drawing of a Reclining Female Nude By Minty Ramsey Signed: Verso Size: 23.5 x 16.5 inches (height x width) Medium: Charcoal drawing on paper Condition: The...

This striking charcoal portrait captures the essence of an African American woman with a unique black and white afro. The monochromatic medium emphasize...

Sunil Das - Head, Ink & Watercolour on paper - 11 x 17.25 inches (unframed size) Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Ex...

"Performance I & II" are thoughtful and dynamic charcoal drawings on paper by Patsy McArthur. They are monotone, black and white, and show a woman wearing a fashionable striped skirt...

Untitled (Jazz Scene) is an original Charcoal & pastel drawing on paper by British artist Charlie Mackesy. Mackesy's clever work and style here give us a glimpse into this intimate &...

Scottish artist Patsy McArthur explores the grace and power of human movement in her naturalistic drawings and paintings. Her latest works, including small ink studies, charcoal and ...

Broken Fist, 2016 Charcoal on paper 30 x 40 cm Signed and dated Kanarelis presents a journey towards the truth, a truth bound to a genuine subjective point of view of the familiar a...

ADOLPHE BORIE (American, 1877-1934) Standing Female Nude Wash & charcoal on gray laid paper, 12 x 9 inches Framed: 16 x 13 inches Estate stamp lower right Born in Philadelphia, Adol...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...

Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 13 (height) x 10 (width) Stamped Verso Condition: Good Pr...

Lester Johnson untitled charcoal, conte crayon, and spray enamel on board from 1972. Framed.

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Est...

By the fountain. Paper, charcoal, 25x40 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

La Promenade by Georges Manzana Pissarro (1871-1961) Charcoal and pastel on paper 49.5 x 63.5 cm (19 ⅜ x 25 inches) Signed lower left, Manzana Executed circa 1920 This work is accom...

Jean Durand, (French 1894-1977) Academic Study (Centaur), c.1930s, Charcoal on paper, studio stamp (lower right), 32cm x 48cm (63cm x 46cm framed.) The picture is framed behind museu...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 9.75 (height) x 9 (width) Stamped Verso Condition: Good P...

Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W. Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor. In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art. Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating. In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...

Martin Friedman (1896-1981). Two Nude Figures, ca. 1960. Charcoal on paper, image measures 17 x 22.5 inches; 24 x 30 in original custom chestnut frame ...

Medium: Charcoal, Pastel Dimensions: 40.00" x 30.00" Signature: Signed Lower Left Les Misérables

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1964 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: E...