Asian Art and Furniture

A Chinese Brass Double Fish Shaped Lock with Key, Early 20th Century Provenance: Private Australian Collection. Dimension: Width: 13cm Height: 1cm Depth: 7cm.

This elegant, delicately crafted lantern was made in northern China over a century ago. The simple frame is crafted of a fine hardwood and inset with panes of frosted glass. Lanterns in China have a history that goes back over 1,800 years to the Han dynasty: during the Lantern Festival (which falls on the 15 day of the first lunar month) people hang lanterns...

One Blue and White Dish, Yongzheng Period, Qing Dynasty Painted figures on bridge in landscape Diameter: 11.5cm Height: 2cm Provenance: Made in Imperial China Porcelain from the C...

A striking and large 19th-century Chinese cloisonné and bronze sculpture depicting a peasant riding a donkey. The figure is adorned in a vividly colored robe and hat, both finely det...

Antique 19th century Chinese stacked snack box. Decorated all-over with intricate designs and handle connects to depiction of family under a tree. Heig...

Early 19th century Chinese export lacquer and gilt box with a walking stick from the Qing dynasty, bone walking stick in black lacquered wood box, w...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

Antique Chinese bamboo yellow box with Chinese year mark and creator.

A Pair of Chinese Gilded and Lacquered Cabinets, Qing Dynasty Rectangular, decorated with bat and cloud motif to body, with gilded and relief car...

A Fine hand-carved and Lacquered wood figure of a Luohan Arhat, Buddha' disciple. Seated in royal ease on a standing lion, wearing long flowing robes. China, Kangxi Kingdom 1661-17...

19th Century Pair Qing Dynasty Reverse Painted Mirrors depicting Court Scenes. Featuring Royal Figures and their servants and advisors. All wearing colourful traditional garments. A ...

Antique 19th century Chinese agate bottle with lid with Chi dragons, decorated in the form of a flower diameter 5 cm, high 8 cm.

Beautiful large Chinese enameled porcelain jardiniere with carved wooden stand. Jardiniere features a white background with four round medallions depicting country life scenes. Decor...

An antique stone lion with a charming expression from Shanxi province, China, estimated to be 150–200 years old. Unlike traditional guardian lions ...

A Pair Of Large Cloisonne´ Enamel Double Gourd Bottle Vases Late Qing Dynasty, 19th century The Chinese bottle vases are made of porcelain with an intr...

A matching pair of porcelain plaque from late Qing dynasty nicely framed in giltwood carved as bamboo. The Famille Jaune plaques were likely ...

The finely detailed Chinese soapstone carving from the 20th century portrays a picturesque mountain village nestled in a serene landscape. Crafted with exquisite precision, the carvi...

This fine Chinese urn carving from the early 19th century has been in the late 19th century placed on a carved wood base that has been gilded creating a dramatic foil for the carving...

19th Century Chinese Qing Dynasty Reverse Painted Mirror depicting a Court Scene. Featuring four ladies in traditional garments, including one fishing, along with a bridge to the cen...

This magnificent pair of 19th-century Chinese gilt cloisonné bronze incense burners is a testament to the artistry and craftsmanship of the peri...

A stunning pair of Asian Chinese porcelain vases, adorned with a beautiful floral motif, featuring a vibrant yellow color scheme. These vases are designed in the shape of double gourds, symbolizing good fortune and prosperity in Chinese culture. Crafted with exceptional attention to detail, the porcelain vases showcase intricate hand-painted floral patterns that reflect the rich heritage of Chinese artistry. Delicate blossoms and lush foliage in various shades of pink, red, and green gracefully intertwine across the surface of the vases, creating a captivating visual display. The yellow glaze of the vases adds a touch of warmth and radiance to any space, making them an excellent decorative choice for both traditional and contemporary interiors. The glossy finish enhances the vibrancy of the colors and lends an air of elegance and sophistication to the overall design. Standing at an impressive height, the vases make a striking statement piece. They feature a slender neck that gradually widens into a rounded body, mirroring the shape of a gourd. The double-gourd form symbolizes harmony and abundance, making these vases not only visually appealing but also culturally significant. Whether displayed individually or as a pair, these porcelain vases are sure to become the focal point of any room. They are perfect for showcasing fresh or dried flowers, adding a touch of nature's beauty to your living space. Alternatively, they can be admired as standalone decorative objects, exuding timeless charm and artistic craftsmanship. Each vase has been meticulously crafted by skilled artisans, ensuring exceptional quality and durability. They are in pristine condition, making them a valuable addition to any collection or a thoughtful gift for collectors and enthusiasts of Chinese art. Embrace the allure of Asian Chinese aesthetics with this exquisite pair of floral motif yellow double gourd bottle...

This beautiful Chinese export black lacquered pair of shelves is decorated with silver and gold leave images of the story of a Chinese warrior battle....

Antique Chinese Black & Red Lacquered Chinoiserie Altar Storage Chest Decorate your space with this 19th century Chinese elmwood altar storage chest. Its 10 drawers make it perfect ...

The radiating yellow soapstone carving depicts a serene and spiritually evocative scene set in the elevated hills, capturing the essence of Buddhist monks in the 20th century. The so...

A Dehua figure of Buddha, Qing dynasty, early 18th century.    

The bottle shaped body decorated with foliate & geometric motifs within petal shaped panels, rising to a slender tapering neck to a flaring rim, raised overall upon a circular foot.

Large Japanese, Bronze Relief Enameled Vase, Early 20th Century The vase's surface is adorned with intricate relief work that depicts a stunning tableau of flowers and birds. The re...

This wooden pillow from Shanxi takes the form of a traditional Chinese bench, beautifully miniaturized with a gently curved top surface for resting one's head. What is special about ...

This pair of children’s chairs has a back frame in the Southern Official hat style. The seat is made of a solid plank of wood. The aprons are do...

Qing Dynasty oriental lady standing in carved turquoise Elegant figure of a woman carved in turquoise stone, with traditional Chinese clothes and in one ...

This Chinese standing screen has a main panel, and a lower panel flanked by two smaller ones, which were made in the 19th century as fretwork window panels for a house. In the 20th century they were salvaged, assembled, and mounted in a matching hardwood stand as a freestanding screen...

Our charming inkwell features a finely sculpted porcelain foo dog standing on lacquered wooden panel with two silver ink vessels with their original porcelain cups.  Hinge of one wel...

The soapstone carving, with its smooth and polished surface, unfolds a scene of movement and journey across the warm, earthy tones of the stone. The composition centers around a grou...

The soapstone carving, with its smooth and polished mustard yellow surface, serves as a canvas for a scene that exudes life and detail. In the foreground, three villagers are expertl...

In Indian Buddhism, Avalokiteshvara is a male Bodhisattva, however in Chinese Buddhism he takes the form of the female Bodhisattva, Guanyin - ‘The One Who Hears the Cries of the Worl...

Crafted from lengths of split bamboo, this headrest enabled contour comfort, quite luxurious for 19th century, China. Lightweight and low-profile, it was the perfect accessory for a ...

This unusual squat vessel would have been kept near a Kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a Kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This 19th century weight originally used its heft domestically to protect a child. A simple yet ingenious concept, the stone anchored the baby’s swaddling cloth to the bed so the chi...

Given the beauty and thoughtful design of traditional Chinese furniture, it’s no wonder that Qing-dynasty carpenter’s tools were accorded the same att...

This ceramic vessel was handcrafted in the Jiangxi region of China in the spirit of ancient temple jars. The style and glaze is reminiscent of Han dynasty burial vessels designed to ...

Carved from a solid piece of stone, this weight was originally used by a Shoemaker to press down large pieces of leather. Surrounded by intricate scrollwork and peony blossoms, a gua...

French console with black marble top from circa 18th Century. A Louis XV console table with well carved decoration of roccoco scrolls, garlands of flowers and leaves.

Chinese silver censer, circa 1910. Drum-form agate body set in silver gilt mounts with scrollwork and lunettes. Leaf-capped side bracket handles. Upward tapering support and stepped ...

Bamboo wood sculpture depicting a fisherman with oriental features, with a long beard and wearing a headdress, while holding two fish in his hand. The lower part is embellished with an elaborate carved fishing net. The work is of Chinese provenance...

A very impressive large sideboard with everted ends from Shanxi province, China. The through carvings across the front has very lively and protruding carvings of lions (12 in total) ...

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...