Modern Ceramics

An early ceramic vase in a cylinder form by potter Brother Thomas Bezanson (1929-2007). Unusually tall at 21.75 inches, the vase strikes the viewer with its slender silouette with a ...

A ceramic lidded celadon vessel made by Japanese potter Uichi Shimizu (1926-2004) circa post 1980s. The vessel was known as Mizusashi in Japanese and used as a freshwater container t...

Andre Namenek (American, XX-XXI) Studio Art Pottery ceramic wood-fired covered vessel with a white and blue glaze and two molded handles, signed and dated 1989 to underside. Dealer:...

Louis Mendez (American, 1929-2012), Ceramic Art Pottery Platter with reclining nude female figure, signed to base. Dimensions: 18.75" L x 10.25" W. Provenance: Property from the estate of the artist...

A small elegant glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand built and shows just a slight irr...

Italian modern skyscraper white beige Biscuit ceramic sculpture, 1980s Sculpture with rectangular base in Biscuit ceramic. The sculpture represents a skyscraper, on one side there is...

An early ceramic long-neck vase with a brilliant copper red glaze by Benedictine monk potter Brother Thomas Bezanson (1929-2007). The minimalistic an...

A large ceramic bowl by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The deep form bowl features a robust body of thick wall, s...

Japanese artist. Raku-fired ceramic vase. Glaze in shades of blue and gray. Stamped with monogram at the bottom. A beautiful and decorative vase. Japan, 1930-1950. Year: 1930...

A Shigaraki stoneware jar by Japanese potter Shino Kanzaki (1942-2018). Kanzaki is a world renowned potter in Shigaraki who based his modern work on the ancient tradition of Shigaraki and Iga ware...

A wonderfully, hand-painted, one-of-a-kind studio pottery bowl by Korean-American master potter/artist Sunkoo (Sun Koo) Yuh. Yuh's work is often inspired by Buddhist and Confucian be...

A large ceramic center bowl by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). Meant to be a bespoken center piece., the deep form bowl features a robust body of thick wall, supported by a short round foot ring. The surface showcases an expressive glaze pattern that is the signature style to the artist's work. Free-flowing abstract strokes...

An oribe stoneware square dish with four notched corners and up-turned edges made by Kitaoji Rosanjin (1883-1959) circa 1950s. The Mingei style dish h...

A Japanese stoneware tea pot by Hamada Shoji (Japanese 1894-1978) circa 1960-80s. The teapot is of the classic form and of a strong style of Mingei (folk ...

A glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand built and shows slight irregularity, further ac...

A small elegant glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand b...

A glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand built and shows...

A ceramic bowl with celadon glaze by Japanese potter Ono Kotaro (Japanese, b. 1953). Named "Circular Reef", the fine porcelain bowl features an irregular ed...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of peasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...

An Oribe-Style rectangular dish with a slightly concaved slab body and up-turned irregular edges, made by Kitaoji Rosanjin (1883-1959) circa 1930-50s....

A Japanese storage jar (tsubo) made in the ancient Echizen ware tradition by Fujita Jurouemon VIII. Echizen is one of the six ancient kilns in Japan, directly influenced by the Sue ware...

A large glazed white porcelain vase in the jar-form by Japanese ceramic artist Inoue Manji (Japanese, b. 1929). Minimalistic in form, the vase is pure white with a very subtle blue h...

A spindle form porcelain vase by Brother Thomas Bezanson (1929-2007). As a modern interpretation of "Mei-Ping", a classic form of Chinese vase,...

An impressively large ceramic vase with a bulbous body and a long coiled neck by potter Brother Thomas Bezanson (1929-2007). The minimalist modern form might be distilled from the classic Chinese garlic bottle. The high glossy surface displays a splendid shades of dark purple, copper red, auberge and blue, in a copper flambé pattern called "peacock" glaze that was clearly inspired by ancient Jun Kiln...

An unusual and interesting pair studio pottery pedestal cups hand painted with fish and a crab, possibly Japanese with impressed seal marks and dating fro...

A truly breathtaking work by renowned Japanese born ceramic master Jun Kaneko. Kaneko studied with Peter Voulkos, Paul Soldner, and Jerry Rothman and was exposed to such artist as Ken Price and John...

A very beautiful white to off-white round Japanese pottery vase, late Modern period, circa early-20th century Japan, 1921-1941. Vase has a fluted ci...

A beautiful pair of Modern periwinkle blue Japanese vases with octagonal base, pinched waist, and clover like design at neck/top. Marked underneath/bot...