Bowls and Baskets

An impressive George II hand cut full led Irish Crystal Pedestal “Kettle Drum” Bowl of circular outline and unusually large proportions. Made by the Old Waterford Glass Company, County Tipperary in Ireland. Late Eighteenth, early Nineteenth Century. The heavy gauge circular wavy cut rim with a band of richly cut diamond and chevron cut pattern. The lower bowl area with scale cut detailing, raised on a single ring socle stem above a square thick spreading pedestal, underneath with “lemon squeeze” foot detail. Condition: Good untouched condition with no losses, except for one tight short crack, see two images which clearly show this imperfection, wonderful age wear underneath base. Typically unmarked as Georgian pieces were not. *Stunning and rare example of a piece of Irish Georgian History. The asking price reflects the imperfection. Wonderful rare “grey” tint to crystal, so typical of Eighteenth-Century Irish pieces. Diameter: (top rim, an impressive) 9” (23cm). Height: 8.25" (21cm). Depth: (square base) 3.5" (9cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping. The history of Irish Hand Cut Crystal goes back to the late 17th century. George Ravenscroft started the tradition in 1676. The glassmaker added lead oxide to the silicates that make up the molten glass. The process achieved a softness that allowed the glass to be blown and carved while remaining hard and clear as it cooled. The first crystal factory in Ireland opened in County Tyrone in 1771. The Creation of Waterford Crystal The Waterford Crystal we know today back in 1783 with George and William Penrose. Their vision was to “create the finest quality crystal for drinking vessels and decorative objects of beauty for the home.” The Penrose brothers sought the expertise of renowned glassmaker John Hill in 1785. Hill that began the process of polishing the glass to give the unique Waterford Crystal shine now known the world over. Hill left Waterford in 1788 after a major disagreement with the Penrose brothers. Waterford cut glass...

Nice Edo period bowl with lotus flowers and old cramm restorarion. very cool! Additional information: Material: Porcelain & Pottery Category: Imari Re...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Sharing with you this very nice edo period, 1680-1700, example. With a central scene of a landscape. The rim beautifully painted. Unmarked at base Arita ware, also known as Arita-y...

An incredible 18th century early American ash burl bowl from New England, possibly New York, with a heavy lip, spiral-cut ribbed sides, and an unbel...

Hallmarked in Sheffield in 1905 by Fenton Brothers Ltd., this handsome, Edwardian, Antique Sterling Silver Bowl, features Art Nouveau influenced detailing. The bowl measures 4"(10cm)...

Earthenware dish with a flat rim. Decorated in different shades of blue on a white tin glaze Additional information: Material: Porcelain & Pottery Region of Origin: Europe Period: 1...

This exquisite Art Nouveau pewter bowl by Kayserzinn, designed by Hugo Leven, showcases the fluid, organic aesthetics of the Jugendstil movement. Crafted circa early 20th century, th...

This exceptional Dutch Delft blue and white charger was crafted by the De Klaauw (The Claw) factory circa 1780. The entire surface is richly decorated in vibrant cobalt blue. The cen...

A 18th Century Swedish Measure Box dated 1784 & Owner marked AHB BAS Measures, spatial measures, of wood for dry goods such as grain. Also called target vessel. The dimension is cu...

A wonderful 17th century French Arte Populaire Padelle - Copper Pan. A Padelle is a large copper vessel used in large wood burning ovens to make nut oils. Wonderfully crafted in ve...

A very nicely decorated plate with central. scene of a flower. Additional information: Material: Porcelain & Pottery Type: Plates Color: Blue & White Region of Origin: China Period:...

This 18th century blue and white Delft plate was hand painted circa 1780. The lively scene in the center features flowers, flower buds, and a polka-dotted vase. The border is decorat...

This delicate 18th-century Wedgwood creamware bowl features a hand-painted songbird at its center. It is a masterpiece of craftsmanship. The bowl is made from fine, pale, cream-color...

Excellent original Viennese Art Nouveau centerpiece around 1900: A wide, round, trumpet-shaped silver pedestal, curved at the bottom, tapering upwards, on four lion's paw feet with f...

This 18th-century French porcelain dish was hand-painted circa 1785. Crafted at the renowned Locré manufactory, also known as Porcelaine de La Courtille, in Paris the bowl is decorated with gorgeous handpainted purple roses, complementing green leaves, and small gilded flower sprigs, The border continues the same pattern. The enameled flowers create a striking visual contrast against the fine white porcelain. The small gilded sprigs add an elegant shimmer. Craftsmanship: Jean-Baptiste Locré founded this celebrated porcelain workshop in 1771. Locré porcelain...

Chinese Export Porcelain Rouge de Fer Large Punch Bowl, Imari, circa 1735-50 This fabulous Chinese Export porcelain large Imari punch bowl is painted on the exterior with underglaze...

Rare antique covered Nantucket Lightship basket by A.D. Williams (1867-1927) circa 1900. Covered Nantucket Lightship baskets are some of the rarest examples and highly sought after by collectors. This one was made on an 10-1/2" diameter mold. Features a turned lid knob, brass hinge, ears, and shaped swing handle. Fantastic dark patina as you would expect from a 100+ year old basket...

Rare antique covered round swing handled Nantucket basket attributed to Charles B Ray circa 1880. Covered 19th C. Nantucket baskets seldom come to ma...

17th century rare Tibetan silver mounted brul covered bowl with coral bottom, the repousse and domed cover inset with Cora and lapis, big 3cm diameter red coral bottom, some tarnish,...

16th Century Spanish Terracotta Vase Hand made marks around the vase.

This is a pottery called Tokoname ware. Tokoname is a kiln located in Aichi Prefecture, Japan (Tokoname Kiln is marked with a red circle on the map). It is said to have originated ar...

A superb Korean celadon bowl with elaborate slip inlays circa 12th century from the Goryeo Dynasties (918 to 1392AD). Despite inspired originally b...

Beautiful pair of weathered white marble mortars from the South of France. The marble is wonderfully worn which gives them their charm and history. Great and rare period pieces. Wea...

18th Century wooden bowl with nice patina. You can see the use of time Fantastic bowl full of Swedish history

Sharing with you this very nicely painted and richly decorated dish with a combination of Iron Red and underglaze blue. Central a beautiful Lotus flower. Of moulded shape. Late Qianl...

This 18th-century porcelain dish was made by the Worcester porcelain factory in England around 1785. It is decorated in underglaze cobalt blue with a classic English interpretation o...

An antique Islamic or Indo-Persian etched footed bowl, made of tinned copper, dating possibly from the 17th to 18th century. Key features include: Constructed from tinned copper ...

A fine antique German porcelain twin handled fruit basket by prolific makers Meissen and dating from the Marcolini period 1774 to 1814. The fruit basket stands raised on four Greek k...

Large and very nice Blue and White Charger/Dish from the Jiajin/Wanli Period. Additional information: Material: Porcelain & Pottery Region of Origin: China Emperor: Wanli (1572-1620...

Amber colored favrile art glass sherbet compote made by Tiffany Studios, circa 1905; signed "L.C.T." and numbered "5037 B" (see image). It is in excellent and all original condition ...

An earthenware bowl supported on a foot ring decorated with elaborate slip paint. The bowl was likely made in Kashan (in nowadays Iran) during 12-14th century, in Khwarazmian Empire,...

Description A very nicely decorated large dish from around 1600-1630. Heavy and larger sized piece with beautiful decoration in red and green Storage box included. Similar piece in ...

Hallmarked in London in 1767 by Robert Albin Cox, this striking, George III, Antique Sterling Silver Basket, features pierced and punched bead decoration to the sides, shaped gadroon...

American antique ceramic glass ornamental aquarium Weller Loranger, early 1900s Ornamental ceramic aquarium and glass bowl. The main ceramic structure represents a kingfisher with ch...

This exquisite 18th-century Dutch Delft or Samadet faience barber's bowl showcases a classic lobed shape with a notched rim, traditionally designed for shaving use. The piece is hand-painted in vibrant green with a central floral motif surrounded by delicate foliate designs, accentuated by a decorative border along the scalloped edge. The tin-glazed ceramic surface exhibits the characteristic craquelure and slight imperfections typical of early Delftware. Originally used in barbershops for lathering and rinsing during shaves, this historical faience bowl is now a highly collectible decorative object, perfect for display in a Delftware collection or as a charming accent in a period interior. A remarkable example of Dutch craftsmanship, this piece captures the elegance and functionality of antique Delftware.

A ceramic stoneware chawan tea bowl made in Korea circa 16-17th century. The chawan is identified as Ko-ido (small ido) due to its size and form. Ido bowls were made since 15th centu...

This is a very rare offer of a spectacular moulded and pierced chestnut basket, cover and stand, made by Worcester between 1770 and 1775 in their 1st or "Dr Wall" period. The set con...

This is a very good 18th century, First period (Dr. Wall), Worcester porcelain teapot stand, printed in cobalt blue with the "Fisherman" pattern and with a mock oriental or painters ...

Kraak type porcelain bowl. It has polylobed border and it is painted in blue. It features decorations with birds, flowers and ornamental rocks within alternating reserves of tassels that descend from “ruyi”. The interior is delicately decorated with panels of flowers...

A large earthenware bowl with a deep and wide body supported on a foot ring decorated with incision and slip paint circa 11-12th from Iran when ...

An Imposing Hand Painted Chinese Export Porcelain Twin Handle Enameled Soup Tureen or Centerpiece of large proportions and traditional form, made during last quarter of the Eighteent...

Antique Millefiori Bowl with Handle, Fratelli Toso Murano ca. 1900s A great millefiori murrine glass bowl with handle. Manufactured by Vetreria Fratelli Toso, Murano around 1900. Ma...

Hallmarked in London in 1669, this handsome, Charles II period, Antique Sterling Silver Porringer, is of traditional form with chased and engraved detailing. The makers mark T.P is s...

An 18th century baptismal plate in brass with beveled flower decoration to celebrate the birth of the infant or perhaps as in French is called "Plat a offrandes", which means "Plate ...

RARE 18th century hand turned burl wood bowl from the early period of the American Colonies, soon after to be known as the United States of America. This is a wonderful piece of Ame...

Hallmarked in London in 1905 by Charles Stuart Harris, this attractive, Edwardian, Antique Sterling Silver Basket, is wonderfully decor...

A large turned circa 1790 birch burl bowl from New England in fine original condition and having an untouched surface and patina.

This blue and white hand-painted Dutch Delft dish was made in the Netherlands in the 18th century, circa 1780. The composition has excellent movement. The ...

Huge Wicker Railway Parcel Hamper Very strong and attractive piece, in good complete condition, with the original iron locking clasp, hide corners and rope...

Chinese Export Porcelain Large Famille Rose Punch Bowl, Circa 1765-75 A large Chinese export porcelain punch bowl, distinguished by its vibrant famille rose enamel decoration. The e...

Produced in Bristol, England, circa 1760, this handpainted blue and white Delft charger is a visual delight. The center of the charger features a flower garden with songbirds seated ...

Model #13 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on his own aesthetic aspirations, Stellmacher left Amphora when the workshop was at its most prosperous, in 1904. Together with entrepreneur Karl Frank, who provided the financial backing, he founded Ed. Stellmacher & Co. in Turn-Teplitz in 1905. From the outset, Stellmacher worked hard to achieve a major position among other high-end ceramic art producers. He believed the success of the company would depend on his products of “appropriate methods and unerring quality, perfect from both the technical and artistic sides”. Stellmacher based his first collection on artistically progressive products, pieces he believed would be in high demand. The greater part of the designs were either large vases complemented with sculptures of fantastic dragons or natural animals. With this series, Stellmacher continued the themes he had created for Amphora from 1899-1902, however, his naturalistic renderings of animals was even more elaborately precise. He developed a special ceramic material called refined earthenware, which minimized the shrinkage that was common during firing and allowed for greater preservation of details in the original models. Unfortunately, by 1905, contrary to Stellmacher’s plans, there was little to no demand for objects of this type. Very few pieces exist today as very few were originally produced. Even after redirecting the company to produce commercial goods Stellmacher still could not ward off the company’s demise. By 1910 the Stellmacher & Co. fell into bankruptcy and was liquidated. Art Nouveau Dragon...

Antique jardiniere from G&C Interiors Denmark made of porcelain. Beautifully hand painted with various Chinese motifs, children playing and anglers in a setting with trees and a lake...

Made in the Netherlands in the late 17th century, circa 1690, this extraordinary Delft charger is hand-painted in shades of cobalt blue. ...

Sharing with you this very nice edo period example with carved fish design. Storage Box included Unmarked at base Arita ware, also known as Arita-yaki, has its origins in 1616, whe...

A very stylish Austrian brass mounted metal basket attributed to renowned design Josef Hoffmann (Austro-Hungarian, 1870-1956) and believed to have been made in the early establishmen...

This mid-18th-century Bow Porcelain plate features a hand-painted chinoiserie scene with a pair of black storks. One stork wades in the water while the other flies above it. Near the...