Clocks

Beautiful antique English grandfather clock, mahogany, 19th century. English floor clock, oak with thread inlay, hand painted dial...

An elegant tall-case Gustavian clock having an imposing bonnet with an three-finial arched cornice on a sinuous bombe body with shaped door and narrow waist over a curved plinth, all...

Pragotron PPH 413 is a type of indoor secondary clock. Was produced during the 1970s in former Czechoslovakia. Clock face with white plastic numerals is made from aluminum. Diameter ...

This rare French set features a bronze clock with statue and two matching candelabras. The bases are a luxurious creamy white marble in a Doric column mo...

Beautiful brass carriage clock made by R&C Paris having decorated foliate scrolls all around the piece and standing on four winged beast figure feet, also having enamel dial with bla...

You are viewing a collectable antique chronometer by J. Sewill of Liverpool Circa 1880 on this amazing marine antique The chronometer is housed in ...

Double faced ceiling clock designed by Gio Ponti for Enrico Boselli circa 1940. Fully restored ad serviced. Literature: U. La Pietra, Gio Ponti. L'arte si innamora dell'industria, Ri...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Striking mid-20th century wall clock designed in the form of an airplane propeller. Crafted in richly toned wood with a beautiful warm patina, the piece combines functional design wi...

A fine antique French Boulle 8 day mantle clock, Paris, circa 1880. The clock having a cast gilt bronze ormolu finial to the top, modeled as a tazza full of fruit, the case is made o...

ClockClock 24 is both a kinetic sculpture and a functioning wall clock. It has been a signature piece of Humans since 1982 since it was first launched in 2016. The individual clock h...

Regency Mahogany Bracket Clock, William Barrow, Dublin Regency bracket clock housed in a finely figured mahogany brass bound case with chamfer top. Sid...

Late 19th century ormolu and white marble mantel clock by Linke French, Late 19th Century Height 56cm, width 39cm, depth 25cm This impressive mantel clock commands attention with i...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

Art Deco pink marble mantle, desk or chapel clock with bronze details Beautiful design and perfectly working Art Deco clock with a chime. If...

Beautiful, very elegant and ​​heavy 1960s Kienzle wall clock made of bronze and brass. Made in Germany. Very nice, typically minimalist Mid Century Kienzle design. With battery-opera...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Jaeger LeCoultre Gold-plated Atmos clock with round dial and Roman numerals. Ruby jewelled movement signed ‘Jaeger-Le-Coultre’ with oscillating pendu...

Exceptional antique french clock with superb bronze workmanship. Created by hand in the late 19th century, with utmost craftsmanship. The way the bronze figure is made is unreal, if ...

Superb iconic design comes by way of this Art Deco bakelite alarm clock by the French clock makers Japy. Very desirable and rare model bakelite cas...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

In Renaissance style.

Majestic set consisting of a French ormolu clock and two large candelabra. The ormolu watch is made by Samuel Marti. The bronze is attributed to Alfred Em...

Striking 1950 Model 4756 "Steering Wheel" Wall Clock by the George Nelson Design Studio for the Howard Miller clock company. The clock features a minimalist brushed brass open-face d...

An impressive and rare 19th century Meissen Porcelain Musicians clock and Candelabra Garniture set. Comprised of three individual pieces, w...

French Mantel Clock Paris, circa 1870 Black marble with gilt bronze mounts Dimensions: H × W × D: 41 x 23 x 12 cm Description: Case in black marble with richly chased and gilt bro...

Rustic Black Forest (19th Century) walnut carved mantel clock with 1 large bird and several small chicks within a floral environment. (Not working)

Antique Dutch Marquetry Grandfather Clock, Dial and Movement made by Pieter Paulus, Amsterdam, Circa 1720-1740.

Late 19th Century L. Marti et Cie French Napoleon III style Mantel Clock & Garniture Set. The beautifully designed lcock is made from slate with filigree engraving, reuge marble pan...

This is a very rare and unusual Arts and Crafts advertising clock display cabinet. It reads.. Time to Use Cedarine Furniture Polish. This example is as clean and fresh as it gets and...

19th Century J.E Caldwell Victorian 9 Tube Mahogany Tall Case Grandfather Clock Dimensions : 95" Tall X 24" Wide X 17" Deep This grandfather clock was made in the USA in the late 1...

This large double sided railway or factory clock was produced by Pragotron, in former Czechoslovakia during the 1960s. The piece features a grey metal body and a clear glass cover. T...

Vacheron Constantin Ref. 92115, an extremely fine and unique 18K pink gold pocket watch Swiss-made, October 2001, Height 9cm, width 6.5cm, depth 1.5cm Open: height 9cm, width 13cm, d...

An early 19th century Swedish Mora clock with elegant lyre-form case, richly carved crest and floral medallions, and a deeply scalloped skirt base. Retaining its original salmon-hued...

Austria-Hungarian Wall Clock From the Late 19th Century We present you this wall clock from the late 19th century (probably 1870) manufactured in Austria-Hungary. The gravity windin...

Fine quality antique Victorian carved walnut Vienna double weight wall clock, having a quality carved walnut case with reeded turned columns, having all the original finales, fantast...

One of the most unusual and spectacular Art Deco pieces we have ever offered, this large Art Deco clock is composed of fer forgé or wrought iron a...

The Merlin 12 T Clock is a large wall clock. It comes in 125 cm and 155 cm in diameter. Ideal for placing it in large areas. Merlin 12 T wall clock : Wood and Graphite Brass. Each ...

The Froxfield clock in Walnut. A unique limited edition floor clock created by Comitti designer Edmund Barker using selected timbers and contemporary styling. The design is inspired ...

20th c., London, a grandmother clock in a wood case with mixed veneers, with scrolled open pediment top, hinged door opens to brass and silverplate Roman numeral dial, face marked "J...

JP Kroese, Dutch Baroque, Marquetry, Moon Face Dial, Grandfather Clock, 18th C A stunning totally refinished case showcases this spenderd18th century, the brass dial with enameled l...

Circa 1935 Rare Art Deco mantel clock exquisitely made with marble and onyx with surreal dog figurines in contrasting poses. Original patination. Statement piece.

Stunning 1970s sunburst starburst Junghans wall clock. Made of heavy resin, gilded, with a junghans battery operated clockwork. working condition. Will look great on your wall. Nice ...

Period French Empire Bronze Doré and Patinated Clock Depicting Atlas with original gilt edged and velvet lined case. Atlas son of Titan, from Greek mythology is holding the clock on ...

A lovely early French porcelain clock by Samuel Marti. Beautifully styled in the Rococo style with C scrolls and flowing foliage. Delicately decorated with exquisite bouquets of flow...

A Monumental and Exceptional French Ormolu and Turquoise Sevres Porcelain Clock, circa 1875 Immerse yourself in the splendor of 19th-century French artistry with this monumental and...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

This large wall clock was produced by Pragotron in former Czechoslovakia during the 1960s. It features a brown bakelite frame and back, a plastic dial, an aluminium hands and a clear...

Nicolai Canetti for Art time post modern wall clock. Black enamel background with reds and whites. Sweep second hand. Great design and hard to find! Working condition! Produced in Ja...

For sale is a fine quality Victorian ebonised bracket clock by Barraud & Lunds, London. The clock features original ormolu finials and mounts throughout, having gilt spandrels, an engraved silvered dial with Roman numerals, original hands and classical gilded corbels and gilt ormolu feet. The clock face is signed Barraud & Lund, London 5725. The clock facer is flanked by two gilt caryatids. The clock also retains its original gilded side frets The clock runs on a chain driven triple fusee movement with 8 bells...

Mid 19th century Swedish decorative column long case clock circa 1837. Beautiful long case clock from Sweden. Made with a decorative fluted column which forms a demi lune shape. Clo...

Unique antique English grandfather clock, mahogany, 18th century. English floor clock, 18th century, mahogany veneer with root woo...

Outstanding quality antique Victorian French brass striking carriage clock with the original leather travelling case and key, having a quality brass carriage clock with an eight day ...

A fine quality late 19th Century German, Meissen porcelain clock on stand, having wonderful bold traditional colours, the figures representing the four seasons. The clock striking on...

Neos Lorenz du Pasquier & Sowden Postmodern Clock A blue and purple plastic postmodern wall clock with yellow hands and numbers designed by Nathalie du Pasquier and George Sowden for...

American Victorian mantel clock with an ebonized wood case and white enamel & brass clock face flanked by bronze columns topped with a red faux marble...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Art Deco oak cased longcase clock with arched top and mahogany moulding, serpentine shaped base standing on block feet and with glazed trunk door. Silvered dial with Arabic numerals...

Unique maxi Swatch de Jean Michel Folon. Série Limitée Objet très recherché. A encore sa boite d'origine avec la date d'achat Jean-Michel Folon, né le 1ᵉʳ...