18th Century Decorative Objects

Exquisite 18th Century Burr Yew Tea Caddy with Star Inlay and Brass Accents, circa 1770. England This exceptional burr yew tea caddy is a stunning example of Georgian craftsmanship,...

This important antique vase was crafted in France, circa 1780. Octagonal in shape with gadrooned body style and a tall neck, the elegant potiche features a hand painted medallion dep...

A very fine Louis XVI ormolu clock set, by Ferdinand Berthoud, Paris, circa 1770 This clock set is presented in gilt Bronze and Bleu Turqin and...

A Korean ceramic porcelain bowl covered in a white glaze with a hint of bluish green circa 18th century, possibly earlier, of the Joseon Dynasty. The deep bowl was hand-thrown on the...

Late 18th Century french glazed porcelain apothecary/pharmacy jar with lid - 'BUTYR: CACAO' By: Charles-Antoine Acloque Material: ceramic, porcelain, paint, enamel Technique: molded...

Hallmarked in Sheffield in 1790 by John Parsons & Co., this handsome pair of George III period, Antique Sterling Silver Candlesticks, are in the neoclassical style, with bright cut e...

Magnificent Pair of Gilt Bronze Candlesticks in French Rococo (Louis XV), c. 1760–70 An exceptional pair of antique gilt bronze candlesticks, crafted in France during the second hal...

Beautiful small marble mortar full with small fossils. France, circa 1750-1850 Weathered. H:9,5cm W:20,5cm D:20,5cm

This is an elegant pair of antique English George III Old Sheffield Plate candlesticks, in the Adam taste,  circa 1775 in date. The candlesticks are of Corinthian design and have de...

A fine pair of flat cut boat shaped bowls with vandyke rims.

Pair of 18th-Century Italian Baroque Neapolitan Crèche Figures of Merchant Men in Leather A rare and expressive pair of 18th-century Italian Baroque crèche figures, likely originati...

Carved from a single log, this 18th-century Swedish wooden horse is a rare surviving example of early Scandinavian craftsmanship. Featuring hand-pegged joinery and a primitive, scu...

A very nicely made 18th century Qianlong Amsterdam Bont porcelain bowl with a fantastic underglaze blue scene of a landscape Take a look at Amsterdams Bont porcelain from China. A relatively unknown niche of Chinese porcelain from ca 1680-1740 that was partly decorated in Europe. Because mainstream Chinese collectors have yet to discover the historical significance of these wares they are relatively easy to find in Holland. While also being highly interesting and of often super quality and with an amazing array of decorations. Amsterdams Bont is a name given to porcelain partly decorated in the Netherlands (most likely in cities like Delft, Haarlem, Makkum). Because Amsterdam was at this moment in time the trade centre of the western world and also of the porcelain trade a lot of this over enamelling was probably commissioned by Amsterdam merchants, to reap higher profits on otherwise boring Chinese wares. The name Amsterdam Bont probably derives from the fact that these type of decorated ware was sold by Amsterdam Merchants. Amsterdam Bont consists of either blanc or under glaze blue decorated Chinese porcelain of basic quality, that was later enhanced with red and sometimes other colours in the Netherlands. It must not be mistaken for other type of Chinese & Japanese blanc wares decorated in Europe. Those we simply call European Decorated Chinese porcelain...

Decorative 18th century wooden Phoenix bird with polychrome lacquer. From Henan Province, China. Untouched original condition. Measures: Height bird 21...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Delft blue and white “Schosse” urn-shape tobacco jar with lid, Netherlands, circa 1780. Decorated with coastal scene and seated “Amerindian” figure. Simple low brass lid with excelle...

A Burmese hand carved stone sculpture from the 17th or 18th century, depicting a man's head and mounted on a custom wooden base. Hand carved from stone in Burma during the 17th or 18th century, this sculpture, featuring a man's head and showcasing a serene attitude, was intended for a temple. The eyes and the shape of the head are typically Burmese. The head presents a headband and lying ears, which suggest the character is an important one. Mounted on a red lacquered wooden base, this antique Burmese hand carved stone head sculpture...

This 18th-century gilt bronze & Egitto Serpentino urn is modeled after the opulent design of one of the last gilders of the Versailles Court, Pierre Gouthière. An identical urn is he...

Swedish Gustavian 18th century silver beaker by Erik Ernander (Worked ca. 1755 in Uppsala, Sweden), Origin: Sweden, stamped: artist's stamp, Swedish triple crown...

The long neck bottle of classic form was heavily potted with coarse clay with high iron content. The flask, circa 18th century Edo period, was purposed for sake storage but also substituted as a flower vase during tea ceremony. The surface is covered in glossy black glaze and contrasts strikingly with white ash glaze around the shoulder. The white, fired with straw, displays a splashing feather effect and fine crackles, blending in with the black artistically. This type of Karatsu ware...

Fine organic late 18th century Swedish / Scandinavian folk art root wood bowl in it's original finish, great patination and an skilfully executed brass repair. Ca 1790.

18th century Spanish Conquistador carved wood figure. 18th century Carved and painted wood Spanish Conquistador figure or sculpture. This beautif...

18th century Italian hand-carved candlestick with hand-painted cream tones and distressed silver leaf detailing, darkened with age, with a coordinating fossil sea fan surrounded by u...

This intriguing Chinese zhadou is intricately carved of fine cinnabar lacquer. A work of exceptional artistry, this covered bowl is adorned with an intricately carved floral motif on all surfaces, including the cover and the wide rim. Also known as a cuspidor or spittoon, this rare container would have been used by members of the imperial family and scholar- officials at the court. Carved during the Kangxi period (1662-1722), this charming piece exhibits the high detail and charm associated with items from that period, making it a true treasure, Early 18th century (Kangxi dynasty) Measures: 6 ¼” wide x 3 ¼” high Cinnabar has been revered for its color all over the world. It has been found in the royal burial chambers of the Mayas, in the rituals of India, and in the ruins of ancient Greece and Rome. In China, cinnabar and gold were the two most important elements in alchemy. Mined since the Neolithic Age, cinnabar is the ore of mercury, and as such, it can be incredibly toxic, especially when mining. In fact, during the Roman Empire, miners at Spain’s Almadén mine in Spain were frequently exposed to mercury fumes, and the subsequent, often fatal, sickness was considered an occupational hazard. The most popular known use of cinnabar is in Chinese carved lacquer-ware, a technique that is believed to have originated in the Song Dynasty, in which cinnabar is ground to a powder and added to clear lacquer. As with mining, there was inherent danger of mercury poisoning for those who carved the lacquer, as mercury was also released into the air when artisans ground the pigments. Most antique cinnabar...

An important and rare table clock from the workshop of David Roentgen. The case with an oval stepped plinth top with gilt bronze handle, decoration of the case with ormolu mille raie banding, beaded edges and brass fluted columns to the front flanking the square brass dial, foliate engraved spandrels to the corners, centred by the white enamel Arabic chapter ring, signed Delolme, pierced brass hands, convex glazed bezel, square plated eight-day movement with four back-pinned pillars, verge escapement, silk suspension, rack and count wheel strike, striking the hours and quarters on two bells above, the back plate also signed, glazed side panels. There is only a small series of comparable table clocks from the workshop of David Roentgen known. The present clock seems to be the first example of the cooperation between David Roentgen and the court clockmaker Delolme in Brunswick. The case is meticulously crafted and both case and movement are of superb quality. David Roentgen, called the "most celebrated ébéniste in Europe" by his contemporaries, was a successful entrepreneur who transformed the business founded by his father, Abraham Roentgen...

A scent bottle in pale blue jasperware, with original silver cap with chain, surmounted by a wonderfully wrought squirrel. Note the way the beads hav...

Cast in France during the 1700s, this pair of bronze candlesticks has a lovely patination, giving them a glossy brown color. The highly contoured and curved bases are mirrored by the...

This exceptional and rare George III period tea caddy is a remarkable example of 18th-century craftsmanship. Featuring intricate chinoiserie lacquer decoration, the caddy retains all...

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

A Rococo console clock with the movement crafted by Eric Lindgren Jr. (active 1754–1786, appointed Royal Clockmaker in 1776) in Stockholm. The case featu...

An gilt and lacquered wood Buddha head with displayed on a metal and Lucite stand. stunning presence with its refined features and amazing details. The carving is of exquisite qualit...

A Korean ceramic bowl covered in a white glaze with a hint of bluish green circa 18th century, possibly earlier of the Joseon Dynasty. The deep bowl fea...

An Italian 18th century sculpture of St. Peter of Verona. A magnificent sculpture of St Peter martyr of Verona, created by a member of the Lombard art school in Verona Italy, in the...

A fabulous pair of 18th century Chinese Rose Mandarin covered urns with extraordinary detail and raised decoration.

Mexican chest. New Spain, 18th century. In polychrome wood. Slight paint losses on the lid. Measurements: 7 x 16 x 6.5 cm. Wooden chest from the vicerega...

This is a Japanese Bizen ware. It is called Ko-Bizen. It is estimated to have been made in the Edo period (18th century), and has a very powerful presence. Ko-Bizen refers to Bizen ...

This is a large and bright red and yellow lacquered wooden box, entirely decorated with prints cut and applied with the tecnique called "arte povera" . At the centre of the lid a large country landscape with figures inspired by 18th Century Venetian views that recall the themes of Arcadia. The prints come from the manufacture of Remondini Bassano, that was the most important printers in the Europe at that time. This surprising lacquered box is an elegant piece that can be useful as a jewelry case, perfect to match in any elegant home. One of the distinctive characteristics of Venetian Baroque and Rococo furniture and decorative objects is the skilful use of lacquers. Lacquer is a natural resin that was very rare in the past, imported from the East and used to create smooth and colored surfaces on furniture, ready to be finely decorated with refined floral designs or exotic animals. Venetian artisans became masters in lacquer processing which required time and patience because it was made with many steps. The Venetian style deeply influenced furniture design throughout Europe, but none reached the Venetian level in terms of beauty. The skillful use of lacquer and carvings defined Venice's unique style during the Rococo period, its Golden Age. The piece is in excellent state of maintenance and guaranteed original in every parts. The surface was only cleaned not restored and it is original. The wooden red and yellow lacquered box...

A clay Spanish colonial period jar from the 18th century. This jar is raised on a tripod custom-made metal stand. The finish is of a natural pale color.

A fine Coromandel wood miniature cupboard Sri Lanka, 18th century Measures: H 89.5 x W 60.5 x D 28.8 cm This entire four-door miniature cupboa...

A large monumental pair of late 18th century Italian terra cotta busts of Apollo and Diana on jadeite and gilt bronze mounted pedestals. 77'' H overal...

Polished basalt, decorated with Victoria, Goddess of Victory, in her chariot; possibly after a Roman model such as the wall paintings at Herculaneum. T...

Lovely Chinese Porcelain Bencharong plate with flower petal decoration When Bencharong (Benjarong) is used to refer to porcelain it usually means a type of 18th and 19th centuries C...

18th century continental eglomise painting of St John the Baptist preaching. Eglomise is a method of reverse painting on glass. In a go...

An 18th century Chinese Nanking cargo blue and white and cafe -au-lait porcelain bowl, decorated to the interior with sprays of flowers and leaves, with ...

A British model of a sailing ship, made out of bone. Made by French prisoners of war (POWs), held in British prisons, during the Napoleonic Wars, which took place from 1793 to 1815 a...

An 18th century Meissen porcelain box, Louis XV period. An 18th century Meissen porcelain box, Louis XV period, gilt brass mounting. H: 14cm, W: 9cm, D: 9cm

Two 18th century delft earthenware vases signed VB (Pieter van den Briel 't Fortuyn, 1753-1759) In original condition, no restorations as you can see on the photo's. VB mark : Van ...

The standing eagle with head turned on a circular base.

Spanish colonial pair of wonderfully carved, painted and giltwood angel candleholders. Late 18th century.  

A large vase in black basalt, with restrained neoclassical decoration taken from examples in The Hamilton Collection, now in The British Museum...

Gilt bronze clock resting on 2 goat feet, decorated with laurel leaves and surmounted by a fire pot; Blue enamel pastilles inlays, with a clover leaf. The dial gives a glimpse of th...

An exceptional and most charming true pair of Italian 18th century terra cotta statues. Each statue is raised by a mottled circular base where the elegant and wonderfully executed ma...

A Dutch walnut writing box with brass mounts Early 18th century Measures: H. 20 x W. 47 x D. 28 cm The interior is divided in various compa...

Rare antique base for statue: useful and very elegant. I'm selling it now because I'm closing the business. Sizes fot statue: cm. 33 on base x depth cm. 12/14 . ref. item O/8087.

A Louis XVI kingwood small chest with brass mounts. Opens to a metal lined interior and two velvet working lower drawers. Circa 1700, France.

18th Century Pair English Regency Tole Chestnut Urns Unique Urns purchased in France. See detailed photos.

A rare pair of decalcomania glass vases from Piemonte Italy 18th century. Painted in polychrome with applications in Arte Povera with floral and chinois motifs. The synomania that ...

18th century Italian hand-carved gold leaf angel wing on a crystal quartz cluster with Baroque pearls. The hand-carved gold leaf angel wing is originally from a historic church in Liguria. This piece is particularly rare and exquisite due to its unique shape and size. It is gold leaf and has a bole underlay. The ecclesiastical artifact is mounted on a bed of quartz crystals. The Baroque pearls, tangerine quartz...

Very nice artifact with unusual and beautiful scene of a sea bottom with crab, shells and coral. Some parts are lifted. The underside has a landscape scene with birds. Additional in...

A fine, rare pair of figures in black basalt from the Neale Manufactory. The Neale pottery was founded in 1778 and ran until around 1792. They made very fine wares, and were on good terms with Wedgwood, with whom they combined shipments to the continent. For two similar figures marked for Neale & Co. see Diana Edwards, Black Basalt, Wedgwood and Contemporary Manufacturers, Suffolk, 1994, p. 208, figs. 313 & 314. Cleopatra and Lucretia are two women from different time periods and historical contexts, but are linked by their importance in Roman history, as well as by their tragic ends. Cleopatra was a famous queen of ancient Egypt, who ruled from 51-30 BC. She was the last pharaoh of Egypt and is remembered for her intelligence, beauty, and political savvy. Cleopatra was involved in a romantic relationship with the Roman general and statesman, Julius Caesar, and later with the Roman general and politician, Mark Antony...