Sculptures

Super Large Antique Italian Rococo Carved Wood "Supra Porte'. This monumental 18th Century ornament is 2 meters wide! Beautiful A-symmetrically carved Pinewood and Basswood with C-Sc...

France / 1550 / statue Saint Eligius / Antique / reliques Religious statue of Saint Eligius from the 16th century in full wood found in France. This very rare find has a beautiful ...

19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)

18th Century Meissen Porcelain, Pair of Turkish figures holding sweetmeat / table salt bowl. These sweetmeat figures were made around 1745, the original models being done by J F Eber...

Large base of molded hexagonal pilaster in burgundy stone carved with vines, grapes and rosettes in high relief. Burgundy, 15th century 28 x 63 x 30 cm Provenance : collection De...

18th century Italian gilded and hand-painted processional finial with baroque pearls and adventurine and mounted on honey calcite. The piece was originally part of a processional pol...

18th century Italian gilded and hand-painted processional finial with baroque pearls and mounted on malachite. The piece was originally part of a processional pole from a historical ...

Step back in time with this stunning hand-chased cast bronze figurine, reminiscent of the beautiful Rococo era. Sculpture depicting a beautiful young lady in a garden by a fountain, ...

Nineteenth century tin-glazed continental polychrome faience horse, circa1880. Dubious markings (Roos, APK, etc) to the base. 23 cm long, 26 cm high, 10 cm wide.

A pair of Meissen bouquetiere figures Circa 1765, both with 'Christie's East' dealer stamps. Modelled by J.J. Kändler holding oval two-handled baskets, the tops pierced for flowers, ...

Samson, Edme Et Cie (Founded 1845), 20th century. A two piece grouping of porcelain figures depicting Mars & Venus. Modeled after the Meissen originals. "Samson began his career b...

This is a sublimely made porcelain figure of the female "Ranelagh Dancer", made by Derby between 1759 and 1769, which was the Rococo era. The figure would originally have had a male ...

Very rare, 19th century statuette of Victor Hugo's famous novel character. If you are a collector of rare novel and/or famous movie characters then this 19th century sculpture of Quasimodo, better known as the Hunchback of Notre Dame...

Pair of Derby Figures depicting 'Welch Tailor and his Wife on Goats' circa 1800. These Derby figures were originally copied from the Meissen originals ( sculptor J J Kaendler). Th...

This is a charming Derby figure of a shepherdess with a garlanded lamb, made in or shortly after 1760. The figure is one half of a set called the "Garland...

18th Century Meissen Porcelain Figure, Rhesus Monkey and child, model 1464, circa 1750 . Modelled by J.J. Kändler. Monkey, with outstretched hand holding fruit, and child chained ...

18th Century Meissen Porcelain Figures, Turkish / Persian Lady & Gentleman. circa 1755 Both designed by Johann Joachim Kaendler, Rare and early examples of both models.

Head of a crowned Virgin Île-de-France, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) - Private Collection Tuscany, Italy (19...

Cast bronze life size gothic skeleton / bone praying hands sculpture, titled on base Eternal Hope and signed Park '92. In the style of Blackman Cruz Workshop.

18th Century Meissen Porcelain Figure, Piedmontese bagpiper. Modelled by J.J. Kändler after an engraving by Jacques Dumont, wearing a black hat with brown feather, fur-lined white...

18th Century Meissen Porcelain Figurines, Pair of Gardeners. Model 1584. A couple of gardeners, designed by Johann Joachim Kaendler, with flowers and vegetable basket, sitting / s...

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

18th century Italian brown and gilded cross adorned with smoky quartz crystals and druzy petrified wood. The smoky quartz crystals are from Madagascar and druzy petrified wood from t...

Sculptural 18th century Italian crucifix with selenite in matrix and adorned with gem beading around the cross. The selenite in matrix creates the sunrays around the crucifix. The pi...

Early 17th century carved limewood figure of st michael circa 1640. Beautiful floor standing figure of the st michael the dragon slayer, also known as archangel michael.  Michael ha...

Wooden angel should be French 1700/800s Not perfect condition, missing and broken Thank you

SMALL Antique French Cast Iron Cemetery Cross Crucifix Child Angel Garden Chapel. Direct from France, a beautiful antique French cast-iron cemetery cross, in a SMALL SIZE with fabul...

18th century Italian hand-carved gold leaf angel with fossil agate coral wings and mounted aragonite. The hand-carved angel was once part of a decorative, angelic depiction in a ...

18th century Italian "Florence fragment" with a fossil coral head on a fossil coral cluster base. This fragment is from a church in Florence. It was found ...

18th century Italian "Florence fragment" vase with an elestial quartz point, chalcedony rosettes, and ecphora shells on a petrified wood base. The elestial quartz has an additional c...

Sculptural 'Sacred Heart' - 18th century Italian gilded angel mounted on a polished red hematoid quartz heart and adorned with a natural-forming baroque pearl.The piece is inspired by "The Sacred Heart" in Catholic art history which symbolizes God's unconditional love for mankind. Hematoid Quartz is a quartz crystal that contains Hematite inclusions. It is polished and sculpted into a heart and adorned with the Italian gilt putto and baroque pearl. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian putto...

Sculptural 18th century Italian hand-carved angel wing mounted on white aragonite and adorned with faden crystals, crystal quartz, and baroque pearls. The hand-carved angel wing was ...

18th century Italian "Florence fragment" with a fossil coral head on a rock coral base with miniature fossil shells. This fragment is from a church in Florence. It was found and sav...

Pair of 18th century Italian hand-carved and painted angel wings on titanium plated quartz crystal clusters with natural-forming baroque pearls. The hand-carved multi-colored angel wings are originally from a historical church in Venice, Italy. These are particularly rare and exquisite due to their unique coloring. The ecclesiastical artifacts are mounted onto a base of titanium plated quartz and adorned with coordinating baroque pearls. The minerals display...

Sculptural 18th century Italian hand-carved angel wing mounted on a calcite crystal cluster and adorned with citrine points. The hand-carved angel wing was once part of a heavenly, a...

Sculptural 18th century Italian hand-carved brown and gilt angel wing adorned with citrine and quartz crystals and mounted on a polished hematoid slab. The hand-carved angel wing was...

Sculptural 18th century Italian hand-carved angel wing mounted on aragonite and adorned with tangerine quartz crystals and a baroque pearl. The hand-carved angel wing was once part...

This one of a kind, two piece sculpture hand built and decorated with porcelain flowers and finished with the pure porcelain touch with only glaze inside. Dear You Ceramics...

Sculptural 18th century Italian hand-carved angel wing mounted on a chalcopyrite and adorned with kyanite. The hand-carved angel wing was once part of a heavenly, angelic depiction i...

A refined granite sculpture portraying the head of a young woman, believed to likely represent Saint Joan of Arc, crafted in France during the 1950s. It features a magnificent patina...

Exceptional Meissen porcelain genre group: Young mother seated on a magnificent Louis XVI-style armchair, her left foot set down on a low stool, a boy lying on his stomach on her left thigh, his white shirt slipped up to reveal his bare buttocks, which the mother has probably just struck with the cane in her left hand, to her right a girl in a dress and hat decorated with feathers, clasping her mother's arm so that she can no longer strike the boy. The group is based on an oval pedestal with gold heightened frieze decoration on the sides. Particularly elaborate, detailed design and staffage. This model was based on drawings by Johann Eleazar Zeissig, known as 'Schenau' (1737-1806). Designed by JOHANN CARL SCHÖNHEIT (1730 - 1805) in 1788 started working as an apprentice in the Meissen factory in 1741 and has been in a responsible position since 1768. For more than 20 years, Schönheit was an employee of both J.J. Kändler as well as from M.V. Acier, who entered the Meissen factory in 1762. After Kändler's death in 1775, Schönheit was head of the model department until 1794. Design of the model in 1788 Manufactory: Meissen Germany Dating: made around 1840 Material: white porcelain, glossy finish Technique: handmade porcelain, finest hand painting Dimensions: height: 25,5 cm / 10.03 in width: 18,0 cm / 7.08 in depth: 16,0 cm / 6.29 in Marks: Blue Meissen crossed sword mark Model number: I 66 / former's number 35 / painter Da.. Bibliography: Thomas & Sabine Bergmann, Meissen Artist's - Figures / Erlangen Germany 2014, Model numbers A1 - Z99, page 31...

A very finely modeled French bisque porcelain figural group, incorporating a mix of glazed and natural bisque porcelain. Dating to the late 19th century, this is an excellent example of the work produced by modeler Charles Baury who worked in Paris for the firm of Jean Giles (founded in 1837) until Baury took over the manufactory in 1868 and a few years later moved it to Choisey-le-Roi. A periwinkle embossed maker’s seal cipher “VB” for Vion et Baury is found on the underside. The figures and costume are inspired by the whimsy, beauty and absurdity frequently found in earlier 18th and 19th century Meissen porcelain compositions, and the historical figure, Heinrich, Count von Brühl...

"PAIR OF BIRDS ON TORSO" FRENCH SCULPTURES SEVRES 19th Century pair of Sèvres porcelain sculptures. Resting on relief bronze bases. Marked....

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

SAINT FLORIAN   ORIGIN: SOUTH GERMANY, SWABIA PERIOD: END OF THE 15th CENTURY   Height : 100,5 cm Width : 34 cm Depth : 17 cm 
Polychromed lime wood Good state of conservation   
Sin...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

SAINT WOMAN IN POLYCHROME CARVED WOOD   ORIGIN : ITALY PERIOD : late 13th century   Height : 103 cm Length : 28  cm Width : 16 cm  Remains of polychromy   ...

Sculptural 18th century Italian candlestick base with natural-forming mica and tourmaline. The gilded fragment base was originally part of a candlestick in a historical Italian churc...

Sculptural 18th century Italian fragment base with coordinating pyrite and a baroque pearl on a lucite base. The fragment was originally part of a hand-carved piece in a historical I...

Sculptural 18th century Italian fragment decorated with mica and crystal quartz points on a polished agate base. The 18th century fragment originally came from a candlestick in a his...

18th century Italian fragment with gold mica and baroque pearls on a phantom optical calcite base. The fragment originally came from a historical church in Italy. It is adorned with...

Sculptural 18th century Italian gilded candlestick with pyrite in matrix on a coordinating chalcopyrite mineral base. The gilded fragment was originally part of a candlestick in a ...

Sculptural 18th century Italian base decorated with mica in matrix, and silver leaf shells on an antique metal base decorated with church vestment braid. The 18th century fragment ba...

A striking vase adorned with a multicolored design depicting a dragon and a mermaid, symbolizing the mythical creature's transformation from carp to dragon. The background features a...

Sculptural Sacred Heart - 18th century Italian sunray mounted on a yellow hematoid heart and adorned with yellow crystal quartz points. The piece is inspired by "The Sacred Heart" in...

Antique German porcelain figurine of a young man in fine clothes. Hand-painted in polychrome colors. 19th century. Marked. In good ...

Excellent Meissen porcelain genre group: The father in domestic garb (housecoat over elaborate house clothes, slippers, high cap) sitting on a cushioned bench and busy supervising hi...

Meissen, Germany. Porcelain figurine of a young man in elegant attire. Hand-painted in polychrome colors. 19th century. Marked. In perfect condition. First factory quality. Dimensio...