Art Nouveau Figurative Sculptures

Louis Chalon (1866-1940) A Gilt and patinated Symbolist Art Nouveau Bronze Sculpture of an Egyptian Nymph Incredible emotion when standing in front of this beauty, not only the impre...

We are art nouveau lovers as one might be able to see looking at our inventory. Lamps are always at the top of our "want list". We found a beauty here. She is gracefully standing in a leafy plant base as she holds ups a stem with leaves. The quality casting and rich warm patina all are present. The artist Jean Baptiste Germain...

This fabulous bronze peacock was made at Franz Bergman's Vienna foundry and bears the name of sculptor Bruno Zach. The highly detailed sculpture is beautifully cast and features cold painted polychrome decoration. The peacock's crested head is turned slightly to the left and its magnificent fanned tail feathers - also known as a train - are realistically rendered and arch forward as they rise. The train has splayed feathers at both ends that rest flat on the display surface, preventing instability. The feathers have been finished with white shafts and greenish-gold vanes while the ornamental black eyespots are accented with metallic rose and copper colored paint. It should be noted that the back of the bird's train is also highly detailed lending visual interest if viewed from the front or the rear. The peacock's head and body are painted in a silvery color while the painted decoration on the head includes large white masks and black eyes that are ringed in orange. The bird's angled beak is finished in yellow and has well defined upper and lower sections. The peacock's wings are positioned parallel to its body and extend back beyond the train. The outside of each wing is accented in mottled copper and black paint while the rear portions bear a series of painted copper and black stripes. The bird's thin legs are finished in gray and have black spurs at the back. Its long toes terminate in sharp black talons. The peacock is in very good condition with no replacements or repairs. As an antique, the piece shows signs of age including minor areas of paint loss that are noted for accuracy. It stands 8" at the tallest point of the train and is 11.5" as measured across the widest points of the train. The piece is 3.25" at its deepest point. The back of the train bears a partially legible Bergman amphora-shaped foundry mark with a B at the center. It is also signed 'Zach' in cast at the underside of one section of tail feathers for sculptor Bruno Zach who had a history of collaborating with Bergman to edit and cast some of his works. The peacock weighs 3lbs 2oz. This lovely antique Vienna Bronze peacock sculpture...

Lovely Lifesize Bronze of a Female Nude This Sculpture was Bought from a Residence in Scotland and was in their Garden for Many Years Lovely Patina

A set of Jugendstil cold-painted bronze sculptures of Buddha and a gilt Priestess by Franz Bergmann, Austria By: Franz Bergmann, Nam Greb Material: bronze, copper, tin, metal, paint...

Jugendstil cold-painted bronze sculpture of a woman holding a palm leaf by Franz Bergmann, Austria By: Franz Bergmann, Nam Greb Material: bronze, copper, tin, metal, paint Technique...

Rudolf Marcuse - The Swordsman Germany (Berlin) bronze, marble circa 1910 Dimensions: H x W x D: 24 x 19 x 6 cm Description: Bronze figure standing on a two-tiered base made of bl...

Annibale De Lotto large bronze sculpture Boy with Crab 1910 Italy Venice.

Large bronze dancer with a brown patina, on a green marble base: she bears the name of Pompeian Dancer on a cartouche. She plays delicately with her veil, balanced on one foot, on a ...

An excellent early 20th Century Austrian bronze study of an Arab warrior mounted on his horse with very fine cold painted colours and hand finished surface detail, signed with the B...

A charming antique Viennese bronze sculpture of a young Dutch boy pulling in a fishing net by Peter Tereszczuk dating from circa 1910. The f...

A stunning antique early 20th-century Austrian Art Nouveau bronze portrait figurine / sculpture depicting the renowned golfer Harry Vardon, titled "Joueur au Golf". This piece is dat...

This is a circa 1940's second casting of the iconic bronze by Frederick Remington, entitled "Bronco Buster"; originally cast by the Roman Bronze Works Foundry in upstate New York bet...

Lladro Figurine Jockey with Lass #5036 Race Horse Derby Day Lady w/ Parasol 1979. Circa Late 20th Century. Measurements: 17.5" H x 15" W x 7.5" D.

Late 19th Century Jugendstil bronze sculpture of a dancing Satyr/Faun signed by G. Roth, Germany By: G. Roth Material: bronze, copper, tin, metal Technique: cast, molded, patinated,...

A German Expressionist bronze sculpture "Polospielers" (Polo Players). Signed and marked 'Fred Voelckerling, 1919' on the base. In very good condition, normal wear and patina. Dimensions: 45x28x36.5 cm The aesthetic composition is depicting two polo players on horseback, in full competition. The horses' movement has a special elegance and sobriety, and the finish is of remarkable sensitivity, the anatomical elements are distinguished, without the stylization becoming of a trivial naturalism. The polo players are caught in a moment of maximum tension, struggling to keep both the horses in check and the clubs in play. The whole ensemble exudes the emotion of movement and competition, being a perfect example for the expressionist sculpture. Alfred (Fred) Hans Voelckerling (1872-1945) was a German artist who worked as both a sculptor and a painter. He has created many works of art that have been exhibited in different countries. His works are very impressive and often show people or animals in different situations. Voelckerling's art is well known and admired by many people around the world. After graduating from the Dresden school for arts and crafts where he worked in the studio of Robert Diez...

Raoul Larche (1860-1912) Monumental Inwell vide pouch. 'L'Idée, Allégorie sur un Rocher' A Gilt-Bronze Inkwell, circa 1900 Figural Centerpiece, Inkwell and vide pouch. Gilt-bronze H...

Representation of a pretty young lady in a softly falling dress, caressing her body as she stretches backwards, lying on a bearskin-covered divan. When the hinged belt is opened, the...

Large beautiful figurative sculpture by Danish artist Jens Jacob Bregnø in jugend style. The sculpture is made of raw sandstone and is signed by the ...

Executed by Michael Powolny for the Wienerberger Keramikwerkstätten, ceramic and stoneware, ochre colored, body holding a dish in her outstretched arms standing above a three-tired C...

A stunning antique French art nouveau bronze sculpture of the personification of night (La Nuit) (woman sitting on a moon with a star crown) by Henri Louis Levasseur (1853-1934), sig...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

This is a highly collectible Bibendum Michelin Man bronze car mascot, Hood Ornament, Mascotte voiture. It´s approximate 4 inch tall depiction of ...

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

A highly coveted Franz Bergmann Vienna Cold Painted Bronze Figure of an Arab Snake Charmer on an alluring carpet of alluring colors and patt...

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

A stunning sculpture of a cherub holding a cornucopia, after Auguste Moreau. French, early 20th century. At 35" high, this is a beautifully substantial bronze in excellent condition....

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

Offering here an antique bronze figure of a nude maiden, signed Berndorf. Berndorf was a German foundry started in the mid-19th century. The figure is richly patinated in a warm brow...

This famous statue always brings a smile, as a young boy with hands in pockets is whistling and is titled "Mousse Siffleur". Nicely cast, and signed by the Polish artist Victor Szcze...

A stunning French Art Nouveau pair of large vases with female figures of the era, signed by the Parisian Sculptor F. Citti, Paris 1900-1910. Measures: Height 19 in (48 cm) Width...

Genuine tall alabaster sculpture by Guglielmo PUGI (1858-1941), Florence, Italy, 1880s. Young girl with tambourine, perhaps a gypsy. On its base. Direct carving. With base - Height...

A fine antique German Art Nouveau figurine. Entitled the Grape Bearer: By Rudolf Marcuse for Rosenthal Porcelain. Model no. 477. Modeled as a half-nude young woman seated on a pl...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

An eye catching late 19th Century French cameo glass vase decorated with raised deep burgundy trees against a blue mountainous landscape against a variegating yellow field. Exhibitin...

A stunning antique continental, probably French, glazed art pottery bust of a child in the manner of renowned French sculptor Jean Marie Camus (1877-1...

19th century diana the huntress bronze bas relief wall plaque. Diana with raised bow and hunting dog near her side.

Thia antique mantel or table clock was made by the well known Italian born sculptor Archimede de Ranieri, who did much of his work in France and made this in approximately 1900 in th...

Agathon Leonard's Jeu de l’echarpe recalls the poses of the legendary eighteenth-century muse, Emma Hamilton. Beloved by society artists George Romney and Elisabeth Vigee-Lebrun, pai...

Boleslaw Biegas was one of a large number of Polish artists working in fin-de-siecle Paris. There he found a more kindred artistic environment in which...

Raoul Larche (1860-1912) Monumental Inwell vide pouch. 'L'Idée, Allégorie sur un Rocher' A Gilt-Bronze Inkwell, circa 1900 Figural Centerpiece, Inkwell and vide pouch. Gilt-bronze H...

A stylish Danish porcelain Mother & Child sculptural figure designed by Kai Nielsen (1882-1924) for Bing & Grondhal and dating from the early 20th century. The figure portraying a na...

For the art nouveau lover, this is certainly worth one to ponder, for all others, here is fine example art nouveau. The two color patina makes this very desirable. Her beautiful gold...

"Sitting Kewpie" or "The Thinker", Car Mascot Hood Ornament, 1910´s. Made of silvered bronze, mounted over a green and white mrble base. Can de used as a desk paperweight. Originally appearing in the form of magazine illustrations between 1905 and 1909, Kewpie dolls...

For the art nouveau lover, or anyone who loves beauty, here is a life size bronze beautifully cast young maiden finished in a warm rich patina. The young woman's countenance is so l...

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

Important lost wax cast bronze sculpture with dark patina depicting Dionysus as a child. The god holds his characteristic attributes in his hands: a laurel branch in his left hand, s...

A classic very decorative bronze statue by an unknown Maker depicting Emperor Wilhelm II. from Prussia Germany. Born January 1859 in Berlin; † 4. Juni 1941 in Doorn, Netherlands - he...

This table lamp is completely unmarked but is presumed to have been made in Europe in approximately 1910 in the Art Nouveau period and style. The figural base of the lamp is a young ...

Extremely decorative, fully sculptural representation of an Art Nouveau beauty in a softly falling robe, tilted forward to throw a golden ball, with the left forearm holding the back...

Exquisite Large Meissen Art Nouveau Porcelain Group: Representation of a mounted warrior with a painted face, wearing only a small loincloth and moccasins on his feet, and crowned wi...

An exquisite original Art Deco period, stylized bronze sculpture of a woman with wavy hair in a medium brown patina. The stamped signature and the date "Antes 1922" is prominently di...

French Fireside Hunting Dog Statue A handsome piece made in patinated iron and standing on a plinth, the dog is fully 3 Dimensional and looks great from all sides He is in very good...

Stunning and important Kayserzinn pewter inkwell, designed by Hugo Leven. Who, in this day and age, would ask a top quality sculptor to design and execute a stunning sculpture with ...

A vibrant pendant light from the 1920s; ruddy-red to amber, Venetian glass grape bunches with detailed green and pink leaves. The grapes are hanging from a green, patinated brass "vi...

Gorgeous pair of vintage antique bisque porcelain Figures by Hutschenreuther, Germany, circa 1910s. Tallest measures approximate 4 1/2" high a...

A superb stunning and very large Art Nouveau Gilt Bronze Dore figural lamp of a lady with flora and foliage decoration and with three branch light fittings. Circa 1900. Signed Henri Ple...

Pierrot under the Moon sculpture, France, ca.1900. Polychrome plaster and mirror. Pierrot sits on a stone balustrade and plays the mandolin under the moon. The moon is represented b...

Erotic / nude women bronze sculpture table bell push - Austria 1900´s Talk about hard to find items! This impossible to believe bell push is the only erotic bell push we have ever s...

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

Spectacular bronze relief that represents the Greek motif of Leda and the swan, according to which Zeus descended from Olympus in the form of a swan towards Leda, while this queen wa...

Rudolf Marcuse - The Swordsman Germany (Berlin) bronze, marble circa 1910 Dimensions: H x W x D: 24 x 19 x 6 cm Description: Bronze figure standing on a two-tiered base made of bl...

Liberty sculpture in Bronze and marble. French-Austrian sculptor, Friedrich Solomon Beer (1846-1912)

This provocative, desk-size bronze statuette of a semi-nude oriental dancer in a sensuous, rather candid pose rendered in the best Art Nouveau traditions of the world-famous Viennese foundry of Franz Xavier Bergman...

This fabulous bronze peacock was made at Franz Bergman's Vienna foundry and bears the name of sculptor Bruno Zach. The highly detailed sculpture is beautifully cast and features cold painted polychrome decoration. The peacock's crested head is turned slightly to the left and its magnificent fanned tail feathers - also known as a train - are realistically rendered and arch forward as they rise. The train has splayed feathers at both ends that rest flat on the display surface, preventing instability. The feathers have been finished with white shafts and greenish-gold vanes while the ornamental black eyespots are accented with metallic rose and copper colored paint. It should be noted that the back of the bird's train is also highly detailed lending visual interest if viewed from the front or the rear. The peacock's head and body are painted in a silvery color while the painted decoration on the head includes large white masks and black eyes that are ringed in orange. The bird's angled beak is finished in yellow and has well defined upper and lower sections. The peacock's wings are positioned parallel to its body and extend back beyond the train. The outside of each wing is accented in mottled copper and black paint while the rear portions bear a series of painted copper and black stripes. The bird's thin legs are finished in gray and have black spurs at the back. Its long toes terminate in sharp black talons. The peacock is in very good condition with no replacements or repairs. As an antique, the piece shows signs of age including minor areas of paint loss that are noted for accuracy. It stands 8" at the tallest point of the train and is 11.5" as measured across the widest points of the train. The piece is 3.25" at its deepest point. The back of the train bears a partially legible Bergman amphora-shaped foundry mark with a B at the center. It is also signed 'Zach' in cast at the underside of one section of tail feathers for sculptor Bruno Zach who had a history of collaborating with Bergman to edit and cast some of his works. The peacock weighs 3lbs 2oz. This lovely antique Vienna Bronze peacock sculpture...

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

Art Nouveau silvered Pewter Candelabra a pair Pair of Art Nouveau silvered pewter candelabra / candleholder with female figure surrounded by 6 arms for six candles (probably WMF) ...

Art Nouveau Meissen porcelain figure from the time the model was created: Child with brunette hair, dressed in typical children's clothing from around 1900 - apron and long-sleeved s...

Pâte de verre vide-poche by Amalric Walter. Born in Sèvres on May 19, 1870, Walter first worked at the Manufacture nationale de Sèvres, near Paris, where he decorated and glazed ear...

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

A late 19th century Art Nouveau bronze sculpture by Èdouard Drouot (1859-1945). A partially nude woman holding a star fish in her outstretched arm, riding the crest of a wave with gu...