Art Nouveau Figurative Sculptures

A special musical design object for lovers of music and transforming technology. This is a handcrafted model of the first gramophone, elaborately crafted and true to detail despite ...

A stunning antique early 20th-century Austrian Art Nouveau bronze portrait figurine / sculpture depicting the renowned golfer Harry Vardon, titled "Joueur au Golf". This piece is dat...

Art Nouveau ceramic centerpiece, twelve geese designed in a circle to form a bowl. White earthenware painted in color and glazed. Designed by Michael MÖRTL (1878 - 1939) around 190...

Annibale De Lotto large bronze sculpture Boy with Crab 1910 Italy Venice.

Rudolf Marcuse - The Swordsman Germany (Berlin) bronze, marble circa 1910 Dimensions: H x W x D: 24 x 19 x 6 cm Description: Bronze figure standing on a two-tiered base made of bl...

Lovely Lifesize Bronze of a Female Nude This Sculpture was Bought from a Residence in Scotland and was in their Garden for Many Years Lovely Patina

Jugendstil cold-painted bronze sculpture of a woman holding a palm leaf by Franz Bergmann, Austria By: Franz Bergmann, Nam Greb Material: bronze, copper, tin, metal, paint Technique...

A charming antique Viennese bronze sculpture of a young Dutch boy pulling in a fishing net by Peter Tereszczuk dating from circa 1910. The f...

Executed by Michael Powolny for the Wienerberger Keramikwerkstätten, ceramic and stoneware, ochre colored, body holding a dish in her outstretched arms standing above a three-tired C...

FRANZ VON STUCK (German, 1863-1928) There is a tension between the Apollonian and Dionysian in Stuck’s work. Nietzsche’s contemporary and a kindred spirit, Stuck valiantly searched f...

Lladro Figurine Jockey with Lass #5036 Race Horse Derby Day Lady w/ Parasol 1979. Circa Late 20th Century. Measurements: 17.5" H x 15" W x 7.5" D.

19th century diana the huntress bronze bas relief wall plaque. Diana with raised bow and hunting dog near her side. We have specialized in the sale of...

Large bronze dancer with a brown patina, on a green marble base: she bears the name of Pompeian Dancer on a cartouche. She plays delicately with her veil, balanced on one foot, on a ...

Large beautiful figurative sculpture by Danish artist Jens Jacob Bregnø in jugend style. The sculpture is made of raw sandstone and is signed by the ...

A beautiful pair of monumental biscuit porcelain figures made by renowned Royal Dux Bohemia, depicting a girl and boy, each one at a well. Stamped with the pink, triangular Royal Du...

A classic very decorative bronze statue by an unknown Maker depicting Emperor Wilhelm II. from Prussia Germany. Born January 1859 in Berlin; † 4. Juni 1941 in Doorn, Netherlands - he...

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

This is a highly collectible Bibendum Michelin Man bronze car mascot, Hood Ornament, Mascotte voiture. It´s approximate 4 inch tall depiction of ...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

Boleslaw Biegas was one of a large number of Polish artists working in fin-de-siecle Paris. There he found a more kindred artistic environment in which...

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

A vibrant pendant light from the 1920s; ruddy-red to amber, Venetian glass grape bunches with detailed green and pink leaves. The grapes are hanging from a green, patinated brass "vi...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

This is a superb, attributed Adrien Gaudez sculpture titled " Acteon" which in Greek is Actaeon the mythical Theban hero showing him poised to throw a spear at prey. The definition ...

A stunning French Art Nouveau pair of large vases with female figures of the era, signed by the Parisian Sculptor F. Citti, Paris 1900-1910. Measures: Height 19 in (48 cm) Width...

19th Century Bronze Sculpture of Joan of Arc by Adrien Étienne Gaudez, Signed, 61.5 cm Description: This exceptional 19th-century bronze sculpture, titled Jeanne d’Arc portant son étendard (Joan of Arc Carrying Her Standard), is a masterful work by the renowned French sculptor Adrien Étienne Gaudez (1845-1902). Standing at an impressive 61.5 cm (24.2 inches) in height, this piece captures the heroic essence of Joan of Arc, also known as "The Maid of Orléans," in a dynamic and emotive composition. Gaudez depicts Joan of Arc in full armor, her right arm triumphantly raising a banner inscribed with intricate detailing, while her left hand gestures forward, symbolizing leadership and resolve. The flowing drapery of her skirt and the textured standard add a sense of movement, showcasing Gaudez’s meticulous attention to detail—a hallmark of his work often described as "photographic representationism." The sculpture is signed by the artist on the base, which also features a cartouche with the inscription "Jeanne d’Arc, 1894," adding historical context to this piece. Crafted during the late 19th century, a period when Joan of Arc was celebrated as a symbol of French patriotism, this sculpture reflects Gaudez’s skill in blending classical themes with the emerging Art Nouveau style. Gaudez, a pupil of François Jouffroy at the École des Beaux-Arts, was a celebrated sculptor who exhibited at the Paris Salon and won numerous accolades, including gold medals at the Exposition Universelle of 1889 and 1900. His works are held in prestigious collections worldwide, including museums in Valence, Louviers, and Clermont-Ferrand. Condition: The sculpture is in excellent condition for its age, with a rich, dark patina that enhances its intricate details. Minor wear consistent with age and use, including slight rubbing on the banner, which remains securely attached. The base is stable, with no significant damage or repairs noted. Dimensions: - Height: 61.5 cm (24.2 inches) - Base Diameter: 15 cm (5.9 inches) Provenance: Acquired from a private French estate, this piece has been carefully preserved and comes with a certificate of authenticity. Shipping: Global shipping available. The sculpture will be professionally packaged to ensure safe delivery. Please contact us for a shipping quote tailored to your location. Why We Love It: This bronze is a rare opportunity to own a signed work by Adrien Étienne Gaudez, capturing a pivotal historical figure through the lens of 19th-century French artistry. Perfect for collectors of fine sculpture, historical art, or those seeking a statement piece for a sophisticated interior. Keywords: Adrien Étienne Gaudez, Joan of Arc sculpture...

Maurice Bouval (French 1863 - 1916), Patinated Bronze Figure Of An Art Nouveau Woman Bronze on Marble Plinth.

Erotic - Nude Viena Bronze Sculpture / Paperweight. Austria 1900´s. Lovely woman nude paperclip or paperweight. We have specialized in the sale of Art Deco and Art Nouveau and Vinta...

Important 19th century sculpture carved on white Carrara marble. The female figure is dressed in a stunning Art Nouveau costume and rests on a pyramidal-shaped pedestal. Magnificent ...

A superb stunning and very large Art Nouveau Gilt Bronze Dore figural lamp of a lady with flora and foliage decoration and with three branch light fittings. Circa 1900. Signed Henri Ple...

Agathon Leonard's Jeu de l’echarpe recalls the poses of the legendary eighteenth-century muse, Emma Hamilton. Beloved by society artists George Romney and Elisabeth Vigee-Lebrun, pai...

1900s Jugendstil cold-painted bronze sculpture of an oriental woman with a fruit bowl by Franz Bergmann, Austria By: Franz Bergmann Material: bronze, copper, tin, metal, paint Techn...

"Sitting Kewpie" or "The Thinker", Car Mascot Hood Ornament, 1910´s. Made of silvered bronze, mounted over a green and white mrble base. Can de used as a desk paperweight. Originally appearing in the form of magazine illustrations between 1905 and 1909, Kewpie dolls...

A stunning antique French art nouveau bronze sculpture of the personification of night (La Nuit) (woman sitting on a moon with a star crown) by Henri Louis Levasseur (1853-1934), sig...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

Art Nouveau silvered Pewter Candelabra a pair Pair of Art Nouveau silvered pewter candelabra / candleholder with female figure surrounded by 6 arms for six candles (probably WMF) Ea...

This whimsical and sexy bronze (titled Treasure Seeker) was done by the noted Austrian Sculptor of many unusual and sexy and erotic bronzes, Carl Kauba. Signed on the base, and hav...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

A set of Jugendstil cold-painted bronze sculptures of Buddha and a gilt Priestess by Franz Bergmann, Austria By: Franz Bergmann, Nam Greb Material: bronze, copper, tin, metal, paint...

This fabulous bronze peacock was made at Franz Bergman's Vienna foundry and bears the name of sculptor Bruno Zach. The highly detailed sculpture is beautifully cast and features cold painted polychrome decoration. The peacock's crested head is turned slightly to the left and its magnificent fanned tail feathers - also known as a train - are realistically rendered and arch forward as they rise. The train has splayed feathers at both ends that rest flat on the display surface, preventing instability. The feathers have been finished with white shafts and greenish-gold vanes while the ornamental black eyespots are accented with metallic rose and copper colored paint. It should be noted that the back of the bird's train is also highly detailed lending visual interest if viewed from the front or the rear. The peacock's head and body are painted in a silvery color while the painted decoration on the head includes large white masks and black eyes that are ringed in orange. The bird's angled beak is finished in yellow and has well defined upper and lower sections. The peacock's wings are positioned parallel to its body and extend back beyond the train. The outside of each wing is accented in mottled copper and black paint while the rear portions bear a series of painted copper and black stripes. The bird's thin legs are finished in gray and have black spurs at the back. Its long toes terminate in sharp black talons. The peacock is in very good condition with no replacements or repairs. As an antique, the piece shows signs of age including minor areas of paint loss that are noted for accuracy. It stands 8" at the tallest point of the train and is 11.5" as measured across the widest points of the train. The piece is 3.25" at its deepest point. The back of the train bears a partially legible Bergman amphora-shaped foundry mark with a B at the center. It is also signed 'Zach' in cast at the underside of one section of tail feathers for sculptor Bruno Zach who had a history of collaborating with Bergman to edit and cast some of his works. The peacock weighs 3lbs 2oz. This lovely antique Vienna Bronze peacock sculpture...

Exquisite large and rare Meissen Art Nouveau porcelain group: Triton adorned with water lily wreath on his head, half man, half fish with scaled legs leaning against a high wave and ...

This famous statue always brings a smile, as a young boy with hands in pockets is whistling and is titled "Mousse Siffleur". Nicely cast, and signed by the Polish artist Victor Szcze...

Erotic / nude women bronze sculpture table bell push - Austria 1900´s Talk about hard to find items! This impossible to believe bell push is the only erotic bell push we have ever se...

FRANZ ROSSE German, 1858-1900 "Orientalische Tänzerin mit Schalmei” (1888) Patinated bronze over rouge marble Signed verso "F. Rosse fec. 88" Item # 10...

A fine antique German Art Nouveau figurine. Entitled the Grape Bearer: By Rudolf Marcuse for Rosenthal Porcelain. Model no. 477. Modeled as a half-nude young woman seated on a pl...

A highly coveted Franz Bergmann Vienna Cold Painted Bronze Figure of an Arab Snake Charmer on an alluring carpet of alluring colors and patt...

An eye catching late 19th Century French cameo glass vase decorated with raised deep burgundy trees against a blue mountainous landscape against a variegating yellow field. Exhibitin...

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

A stunning sculpture of a cherub holding a cornucopia, after Auguste Moreau. French, early 20th century. At 35" high, this is a beautifully substantial bronze in excellent condition....

Genuine tall alabaster sculpture by Guglielmo PUGI (1858-1941), Florence, Italy, 1880s. Young girl with tambourine, perhaps a gypsy. On its base. Direct carving. With base - Height...

Bronze Figure of an Art Nouveau young woman. circa 1900. Beautiful European Art Nouveau Bronze Sculpture of a young woman. This beautifully made German style bronze sculpture of a yo...

Exquisite Large Meissen Art Nouveau Porcelain Group: Representation of a mounted warrior with a painted face, wearing only a small loincloth and moccasins on his feet, and crowned wi...

Beautifully patinated, absolutely exquisite Art Nouveau figural bronze coffee table by C. Conndray. This coffee table is a perfect example ...

Antique bronze bust of a smiling child by Jean Antoine Injalbert. Foundry mark Siot Decauville Paris, Numbered. France 1900. Bronze, patinated. Belgian red marble base. Jean Anto...

"Chinoise” Sculpture by Gertrude Vanderbilt Whitney. This sculpture, a self portrait which stylistically mixes Art Nouveau and orientalism, is among her earliest successes. This piec...

Friedrich Goldscheider (1845 - 1897). Bust of Moor. Polychrome terracotta. Marked reserved and numbered reproduction. circa 1890.  

Pierrot under the Moon sculpture, France, ca.1900. Polychrome plaster and mirror. Pierrot sits on a stone balustrade and plays the mandolin under the moon. The moon is represented b...

Joseph d’Aste (1881-1945), Italian born sculptor who lived and worked in France. “Fete au village” (village celebration), gilt bronze on a marble base. S...

A figurative Art Nouveau "Sea Nymph Galatea" bronze table sculpture by Italian artist Eduardo Rossi (1867-1926). Etched signature on base. An elegant composition with curved lines an...