Art Nouveau Vases and Vessels

Beautiful antique Murano hand blown Millefiori Murrina flower mosaic Italian art glass decorative flower vase. Documented to the Fratelli Toso company, circa 1910-1930. Created in a ...

Attributed to Lucien Levy Dhurmer for Clement Massier. Original Massier sticker on the back. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insu...

100-year old Swedish Art Nouveau vase handmade by artist Edgar Böckman in the 1920s. Warm grey, rose, magenta colored lustre glaze covering the slender shape with large organic decor...

This exquisite vase belongs to Loetz's prestigious Papillon collection and is identified as the 7724 form. Renowned for its captivating color palette, this piece showcases a striking...

Austrian Jugendstil, floral glass bowl, manufactured by Johann Loetz Witwe, red, green, orange, gold, circa 1902, "Cytisus Maigruen" decoration, bohemian glass The "Cytisus" decoration, also known as "golden rain", is one of the most beautiful decor variations produced by the Johann Loetz Witwe glassworks. As with other decorations, Cytisus was also inspired by the secessionist taste in art in Vienna around 1900. The Beethoven frieze by Gustav Klimt in the Vienna Secession can be cited as an example of this type of artistic design. The bowl captivates with its calyx shape, where form and decoration seem to harmonize. The rare color combination of "Maigruen" (May green...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

Glass vase manufactured by Johann Loetz Witwe Tricolore decoration tin metal mounting designed by Bitter & Gobbers ca. 1900 Austrian Jugendstil gilt mould-blown reduced and iridescen...

Montjoye vase, thistle design, iridescent glass, 1900, Art Nouveau. Vase with thistle decoration, Vase Montjoye, iridescent glass, 1900, Art Nouveau period. H: 45.5cm, W: 19cm, D: 12cm

Tiffany Studios 10.5" pine needles pattern Fernery jardinière planter in bronze. Interior copper insert has some dents. No cracks or chips to the glass. Produced between 1899-1918. V...

Beautiful vase in swirl Titania glass and overlay silver, This is a rare antique vase.

Large Tiffany Studios Gold Favrile trumpet vase, 1908 Marks: 32565C L.C. Tiffany-Favrile, (applied paper label) Dimensions: Height: 16.5 inches (41....

Val Saint-Lambert is a prestigious Belgian glassworks company founded in 1826 in Seraing, near Liège. Known for its high-quality crystal products, the company gained fame for produci...

Stunning Loetz glass vase by Koloman Moser for E. Bakalowits made in Klostermuehle/ Bohemia, circa 1899. This rare Bohemian glass vase was designed by none other than world-famous Au...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This monumental vase features a winter landscape at the edge of a forest. A stunning example of this artist's wor...

Striking Art Nouveau jug was designed by Richard Teschner in 1906 for Lötz Witwe, Klostermühle. It was made in mould-blown technique in opal or alabaster white glass with uranium green glass applications. Comb and long moustache are green, and eyes and pupils are made of yellow and red glass. The jug can be identified by multiple veritable online and printed resources; it was manufactured in clear and opal glass with both uranium green and clear green applications; some resources have the opal one listed as model no. 4506, but we haven't seen any mentions of uranium glass anywhere, making this piece rather rare and unusual. This piece will work very well in any style of interior or would make a great gift for an art and design enthusiast. The jug is in good antique condition with light, age-appropriate signs on wear on the bottom. Both sides of moustache have sharp ends; upon close examination of pictures of Merman jugs that were listed as "in perfect condition" and had the same sharp ends, we came to a conclusion that the sharp ends must be created as a part of manufacturing process during the application of long, thin strands of stretched glass...

Stile Liberty Portrait Vase by Galileo Chini.

1930's French art glass vase with ormolu mounts circa 1930. Elegant hand blown art glass of reds and whites, profusely decorated with ormolu mounts to the rim, top and base.   Decor...

Pair of Early 20th Century Painted Glass Vases Origin: France Style: Art Nouveau Material: Glass Add a touch of elegance to your space with this set of two early XXth century Art N...

This excuitie antique Art Nouveau porcelain masterpiece vase is a true marvel of craftsmanship. It features an exceptionally intricate hand-painted digitalis pattern, showcasing the ...

Large Royal Dux cup crafted in porcelain biscuit. The biscuit is partially enameled, and highlighted with polychrome accents. The cup features two nymphs climbing a shell on waves. O...

Established in 1853 by Miklós Zsolnay, Zsolnay began as a small business producing basic stoneware and earthenware. Ten years later Miklós’ son, Vilmos, joined the company and led it...

Daum Freres, Nancy, France, late 19th century large pitcher. An exquisite Art Nouveau glass vase/pitcher by Daum Nancy, roughened acid etched surface with gilt and white enameled mis...

A fine pair of Loetz type art glass vases. Attributed to the Kralik Glassworks. Similar to the Loetz Nautilus Pattern. Both with applied bands of rigaree to sides. The rigaree ha...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

A stunning and rare tall gold iridescent pinched glass vase by Loetz. The iridescent color with strong gold undertone with a polished pontil and ruffled edge top. 9.5 inches tall 5...

A very attractive French Art Nouveau ceramic pot, with dimpled globular form vase, marked by Rambervillers, with a partly iridescent medallic glaze in turquoise and purple tones, typical of Alphonse Cytere...

Monumental Vase Sign: Le Verre Francais ( Ombelles Flowers ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made ...

Beautiful bamboo vase by Emilio Robba for the Daum Maison, France 2000s. Signed by the artist and manufacture. In very good condition, in its original box, the box has some wear. Dimensions in cm ( H x L x l ) : 6.8 x 21 x 6 Secure shipping The collaboration between Emilio Robba and the prestigious glassworks Daum is an exquisite fusion of two distinct artistic worlds, uniting the delicacy of nature captured by Robba and Daum's legendary expertise in crafting exceptional glass pieces. Emilio Robba, renowned for his talent in capturing natural beauty through his floral creations, brings his refined aesthetic and artistic sensitivity to this unique collaboration. His ability to transform nature into timeless works of art finds new expression in the medium of glass. On the other hand, the glassworks Daum, with decades of experience and unmatched craftsmanship, breathes life into Emilio Robba's floral visions with unparalleled precision and mastery. Each piece created in collaboration reveals a perfect harmony between the delicacy of botanical forms and the crystalline transparency of glass. Together, Emilio Robba and Daum transcend the boundaries of traditional floral art...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Weller Art Deco Pottery Peach Vase Beautiful hand-painted ceramic vase from the 1930's in peach color with an ivory flower motif. Wonderful ad...

Austrian Jugendstil Patinated Bronze Vase designed by Gustav Gurschner manufactured by K.K. Kunst-Erzgiesserei circa 1912 Signed Gustav Gurschner is among the most famous Austrian ...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Perfume Bottle “Rosace Figurines” made in frosted glass with grey patina by René Lalique in 1912. Acid-stamped signature on bottom. Perfect condition. Superb patina. Height: 11 cm ...

A blue oil slick finished hand blown glass vase in the manner of Loetz. The ruffled top with dimpled sides, 6 inches tall.

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Austrian Jugendstil, floral glass vase, manufactured by Johann Loetz Witwe, red, green, orange, gold, circa 1902, "Cytisus Neuroth" decoration, bohemian glass, Austria The "Cytisu...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

This french Vase is a very nice, early object of the Art Nouveau / Jugendstil era. The glass body is made of orange glass with a beautifully cut top. The entire bolbous body is ove...

Conch shell glass vase handmade by Johann Loetz Witwe Austria/Bohemia Jugendstil circa 1902 "Candia Papillon" Decoration. The extravagant Candia Papillon decor lends a special brilliance to the shell shape of this collectible. The iridescent quality of this decoration not only encompasses the outside of the intricately applied silver crumbled dots, but extends into the interior of the glass shell. A characteristic of this scroll vase...

Centerplaces, Orivit, German Orivit Orivit The company was founded in 1894 as "Rheinische Broncegieserei fur Kleinplastiken" in Koln-Ehrenfeld, Germany. "Orivit" was initially a trad...

Very nice ewer, carafe from the early 20th century. The body is made of chased glass while the handle and spout are made of pewter, a very rare element and one o...

This antique vase is unsigned, but presumed to originate from Austria and date to approximately 1900 and done in the period Art Nouveau style. The vase is composed of a pale green ar...

Austrian Jugendstil glass vase Johann Loetz Witwe blue orange gold circa 1902 "Cytisus Neuroth" decoration Art Nouveau Bohemian Glass The "Cytisus" decoration is certainly one of ...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

Nicely glazed Art Nouveau vase designed by Alf Wallander for Rörstrand Sweden. The glaze has a wonderful red/orange shine. The vase have some distress marks allaround from its age.

A very fine 19th century "Royal Vienna" hand painted gilt bronze mounted porcelain covered urn. The 360 degree body finely painted in the Bouguereau style with a maiden playing a Lyre, other maidens in the background, and a cherub picking flowers near a river. The swirly neck and base extremely decorative and rare. The top with a pomegranate finial Austria, Circa 1890 Marked with the under glazed Royal Vienna Beehive...

Jugendstil LOETZ vase; Austria, ca. 1900. Iridescent blown glass. An iridescent blown glass vase from the Austrian manufactory of Loetz, designed by Franz Hofstoetter, with a conical...

Art Nouveau Lavender Dandelion (Taraxacum) Enameled Vase, Attributed to the Mont Joye Glassworks France, Circa 1900s A unique work with the elongated neck and bulbous body resti...

An ocean of sinuous, sweeping lines frozen in motion, this large-scale ceramic Art Nouveau planter by Hector Guimard (executed by Gilardoni et Brault, Choisy-le-Roi), demonstrates in an arresting array of earthen greenish and purplish hues, and is sensational from every angle. The planter is constructed of a central component with two flanking portions in slightly reduced proportions, unified by the complex constellation of swirling lines and undulating surfaces that adorn the entire composition. Artist: Designed by Hector Guimard, executed by Gilardoni et Brault, Choisy-le-Roi Country: France Circa: 1900s Dimensions: 9.25" height, 26.25" width, 11.5" depth Materials: Ceramic Provenance: Lloyd and Barbara Macklowe, New York; Sotheby's New York, Important Art Nouveau from the Collection of Lloyd and Barbara Macklowe, December 2, 1995, lot 562; Marsha Miro, Bloomfield Hills, Michigan; Christie's New York, Masterpieces of Art Deco: The Marsha Miro Collection...

Attributed to Lucien Levy Dhurmer for Clement Massier. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling....

A fine Art Nouveau silver mounted art glass vase. Comprising a Loetz Phaenomen glass body in Candia coloration and an Art Nouveau hand hammered Martel...

Primitive Antique Vase from Royal Copenhagen with Hand-Decorated Underglazed Pattern Vase No. 2315-36 in porcelain with Art Nouveau-style floral decoration. Made by Royal Copenhagen...

Beautiful small Loetz Witwe glass vase out of the famous workshops in Klostermuehle/ Bohemia from around 1902. The artfully formed vase with its...

A D'Argental Cameo Glass Vase, c1925 Additional information: Date : Circa 1920 Origin : Saint-Lous-Les-Bitche, Lorraine, France Bowl Features : The shouldered form tapering to the c...

The cased glass body comprised of a globular shaped base decorated with finely executed hand painted images in enamels of swallows against a striking brilliant yellow ground, rising ...

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Elongated baluster with flared rim and raised foot. Overlay in form of budding and blooming tulips with entwi...

Tiffany Studios Ribbed Decoration Blue Favrile Iridescent Glass Art Nouveau Vase. Ribbed Vase, circa 1910 USA, New York Favrile glass 12.25 inches (31.1 cm) X 4.3 Inch diameter Mark...

Jugendstil vase, Vienna, around 1909 Polished and stove enameled.

Pair of amphoras enamel luster Gualdo Tadino, 1940.

Art Nouveau-Style, sterling silver, pedestal-based vase, Gorham Mfg. Company, Providence, Rhode Island, year-hallmarked for 1923. Hammered in design and chased with flowers. Measures...