Ceramics

Denmark 'Flamestone' coffee or tea pot, creamer, and sugar by Jens H. Quistgaard for Dansk designs, circa 1958-1964. Features the Flamestone signature slate, almost brown glazed-ear...

This is a set of 3 pieces of black vases made in Sweden during the 1950s. The exceptional large vase from Rörstrand and maker or designer Carl Harry Stålhane, was made in Sweden in t...

A beautiful and unique piece by one of the most talented contemporary ceramic artists in Finland, Heini Riitahuhta, known for her distinctive style and vibrant floral patterns adorni...

This Ceramic Bison by Otto Keramik is a striking and unique piece of ceramic art that epitomizes the design aesthetics of the era. Created by the renowned German pottery studio Otto ...

A lovely bowl of model Argenta 1510 designed by Wilhelm Kåge at Gustavsberg, this bowl is 21.5 cm (8.6") in diameter and about 5 cm (2") high. It has a lovely silver-decor of a drago...

This is a very good Black Basalt Creamer Jug or small pitcher, which we attribute to John Turner of Lane End, Longton, Staffordshire Potteries, circa 1762 to 1806 of the English Geor...

A lovely vase in the serie "Sevilla" designed by Carl-Harry Stålhane at Rörstrand. The vase is 14 cm (5,6") tall and in excellent condition. Carl-Harry Stålhane is one of the top n...

Majolica plate two parakeets with oranges Salins, circa 1890.  

Exceptional French Art Deco Pair of Ceramic Vases by Revernay (Digoin), France, Circa 1920 An exceptional and spectacular pair of French Art Deco ceramic vases by Revernay, produced ...

CERAMIC TISSUE BOX, designed in 2023. Artisanal ceramic tissue box created by skilled artisans in Project 213A's own ceramic workshop. Each piece is unique due to its handmade natu...

Gorgeously glazed in hues of soft brown and ivory, this tall, elegant vase depicting a stylized antelope was hand-glazed by artisans at the famous Rookwood Pottery in Cincinnati at t...

This is an Ironstone pottery, Jug or Pitcher made by the Mason's factory at Lane Delph, Staffordshire, England and is decorated in the Table and Flower Pot Pattern, fully stamped to the base and dating to the earliest period of Mason's Ironstone production, circa 1818. This is a very rare shaped Masons Jug...

Large 19th Century French Blue & White Japon Platter signed Creil Montereau. 13 inches diameter. This service is exposed in Giverny Claude Monet's house.

Georges Jouve was an important ceramist of the 20th century. He was born in 1910 in Fontenay-sous-Bois and his parents were both decorators. At 17 years old, Jouve enrolled at the pr...

English majolica green-glazed 9.13-inch plate, with relief molded geranium plants and blossoms and a shaped rim by the English firm Hope & Carter, Burslem, Stoke-on-Trent, ca. 1870s....

1957 / 2024 based on Untitled Blue Plate (IKB 54) from 1957 earthenware plate with acrylic display box plate diameter: 23 cm or approx. 9" display box: 32 x 30 cm or approx. 12 1/2" ...

We have curated a group of stunning pieces of ceramics made in Sweden during the 1950s. These pieces have been gathered and put together by us, carefully sorted and now ready to be g...

We have gathered a Groupe of 6 pieces, made at Rörstrand during the midcentury. The pieces are designed by Gunnar Nylund and Carl Harry Stålhane. Their slick minimalistic and elegant...

This elegant ceramic vase, created by Sainte-Radegonde in France during the 1920s, embodies the refined aesthetic of the Art Deco period. The vase features stylized platinum and gilt...

Kawa Vase 10 Organic white ceramic vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Va...

Majolica strawberries plate signed Sarreguemines Majolica, circa 1870.  

Early Arista y cuenca tile made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575.

Large French Majolica Bulldog Wall Platter Circa 1890. Diameter / 11.3 inches.

A mid century two tone ceramic teapot. The body is a burnt orange color with white lid, handle , and spout.

French Porcelain Flowers Oyster Plate Limoges, circa 1900. 8.5 inches diameter.

A stunning bust in terracotta designed by Åke Holm at Höganäs in the mid 20th century. The sculpture is 15 cm tall and in excellent condition. It is signed below. Åke Holm (1900–198...

Our stoneware Juliette Lamp is handcrafted using slab-construction techniques. The lamp’s pattern is created by rolling the surface with textured rolling pins and rods. FINISH - Ca...

One-of-a-kind Splatter Mugs designed by Peter Shire. These functional and sculptural mugs are crafted by Echo Park Pottery in Los Angeles using slab construction and individually han...

This is a good, very early Mason's Ironstone Hydra jug or pitcher in the Basket Japan pattern, made in the English, late Georgian period, circa 1815-1820. This jug is very decorativ...

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 30 cm (12") high including the stand. It´s in excellent condition and it has a lovely glaze. Hedberg worked with several famous artists, among Picasso, Léger and Matisse. It is signed and in very good condition, it has some minor white...

Wonderful bowls on a small foot. Manufactured in the 1950s at Rörstrand, designed by Carl Harry Stålhane. The bowls has a wonderful glaze and it lifts the shape of the bowls to be w...

Acquareccia plate Patanazzi workshop Urbino, last quarter of the 16th century It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm). Weight State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back. This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person. The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher. Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background. This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures. The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”). The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client. Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style. The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work. Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco. Bibliography: Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...

General characteristics: Type of object: Decorative dish or presentation plate. Artist: Jean Lurçat (1892-1966), French artist known for his tapestries, ceramics and posters. Manufa...

A fine Wedgwood jasperware jewelry tray, beautiful neoclassical style item decorated with white antique-style scenes and an elegant laurels...

A handsome vintage Winston Churchill collectible character jug or "Toby jug" decorative mug by the English pottery firm, Royal Doulton.

The atmosphere and the world of Lisa Corti interpreted by Laboratorio Paravicini. The new collection of dishes combines the two brands for a table that makes the imagination travel b...

Set of 5 Kawa Vases 04 & 05 Organic white ceramic vases with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is on...

Wall panel composed of a very rare group of 6 ceramic tiles designed in 1960 by Gio Ponti for Joo Ceramiche Milano, "diamond" model, blue in white aluminum frame. The whole panel mea...

Hand-built shallow vase. Wabi Sabi and minimalist yet striking, perfect for a single dramatic stem or a small bouquet. Available in Golden bronze or matte white on dark clay. Approxi...

A large art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1918. The vase is 27.5 cm tall and in excellent condition except from some minor marks and age-based c...

Every plate from this exquisite set is entirely crafted and painted exclusively by hand in the tradition and quality that have made Paravicini famous all over the world. Made of fine...

Ceramic bowl by Wilhelm Kåge (1889-1960), Argenta, Gustavsberg Porslinsfabrik in Sweden. Art Deco, 1930s. Wear consistent with age and use

French Art Deco ceramic sculpture by Odette Berlot & Yvonne Mussier, France, 1920s. Three tigers. Measures: height: 8.3"(21cm), width : 20.5"(52cm), depth: 3.9"(10cm). Marked "Odyv 1...

'Rimini blu' glazed ceramic vase designed by Aldo Londi for by Bitossi. Italy, 1960s. This eye-catching vase is made of blue glazed ceramic with engraved patterns surrounding the cen...

Tasteful and modern in design, stoneware Argenta egg cup by Wilhelm Kage for Gustavsberg, Sweden. Decorated with applied silver 'Profil' stripes and banding A collectors piece Circa...

Beautiful confit jar with very rare faded green glaze. Confit jars were used primarily in the South of France for the preservation of meats such as duck or goose for dishes such as...

White earthenware ceramic plate with black engobe and glaze. Dated '22.12.52.' (in reverse; lower right); stamped, inscribed and numbered 'Madoura Plein Feu / Empreinte Originale de...

Pair of beautiful earthenware pitchers, France, circa 1800-1850.

Maiolica plate (tondino) Urbino district, Casteldurante or Pesaro, 1533-1555 It measures: diam. 7.48 in (19 cm), foot diam. 2.75 in (7 cm), height 1.0...

A handmade ceramic footed planter or orchid pot by Raymor. Italy, circa 1950. Signed/numbered. Features a geometric pattern in shades of green, brown and yellow. Measures 6.5 in...

Majolica plate two parakeets on a blue background with oranges Salins, circa 1890.  

Le mani in porcellana della collezione Anatomica, creata da Vito Nesta per il suo brand Grand Tour, sono un oggetto di design intramontabile e di grande valore decorativo. La produzione di queste porcellane è affidata a Fratelli Majello che dal 1867 sono maestri delle lavorazioni di Capodimonte. Ogni mano è decorata con estro e fantasia, ben 20 decori sono infatti disponibili, avendo la possibilità di integrarsi alla perfezione in qualsiasi ambiente, che sia una camera da letto, un mobile ingresso...

This is a very good hand painted Mason's ironstone large Platter or Meat Plate, in the Table and Flowerpot gilded pattern, from their earliest George IIIrd period, circa 1818. The p...

Majolica butterfly plate Josef Steidl Znaim, circa 1890.

"Antique Vintage Stone Mortar – Spanish Manufacture, Circa 1930" Discover the rustic beauty and history of this antique stone mortar, made around 1930 in Spain by an unknown manufac...

Handbuilt organic modern vase made from a groggy clay body covered in a matte black glaze with layers of glossy and crawling black glaze on top. Each vase is made by hand in our Broo...

A beautiful 'sage' green and white English Wedgwood Jasperware matte stoneware vase in the Neoclassical style, England, 1973. Vase has Renaissance/Neoc...

This is a very decorative Chinese Export, porcelain, Rose Medallion dish or plate which we date to the 19th century, Qing dynasty, circa 1875. I...

French Art Deco vase by Joseph Mougin (1876-1961), Nancy, France, 1920s. Model by Joseph Mougin named "Honeycomb". White stoneware. Measures: Height: 13.8"(35cm), diameter: 7.5"(19cm...

Beautiful small confit jar with its characteristic yellow glaze. Confit jars were used primarily in the South of France for the preservation of meats such as duck or goose for dish...

Walrus by Gunnar Nylund Stoneware figurine from Rörstrand. Gunnar Nylund became well known for a vast and diversified production of stoneware animal sculptures, which he designed for...

White earthenware ceramic pitcher with colored engobe and glaze. Stamped ‘Madoura Plein Feu/EditionPicasso’ (underneath). (A.R. 288)

Antique Portuguese Palissy-Ware Pottery Lobster Seafood Plate, Circa 1950.

Beautiful confit jar with very rare faded green glaze. Confit jars were used primarily in the South of France for the preservation of meats such as duck or goose for dishes such as...

Futurist ceramic lidded container, airbrushed by Angelo Simonetti for Galvani. Please watch the video and photos carefully, thank you. Weight: 0.544 Kg NOTE: We offer our customer...

Beautiful vase made from Murano glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Venetian glass (...

Rare ceramic tile designed in 1968 by Ettore Sottsass for Cedit Ceramiche aluminum frame Size with frame 35x35 cm, tile size 15x15 cm, protrusion from the wall 5 cm Very good cond...

Great authentic and rare piece of pottery from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it was an utilitarian type...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

Le mani in porcellana della collezione Anatomica, creata da Vito Nesta per il suo brand Grand Tour, sono un oggetto di design intramontabile e di grande valore decorativo. La produzione di queste porcellane è affidata a Fratelli Majello che dal 1867 sono maestri delle lavorazioni di Capodimonte. Ogni mano è decorata con estro e fantasia, ben 20 decori sono infatti disponibili, avendo la possibilità di integrarsi alla perfezione in qualsiasi ambiente, che sia una camera da letto, un mobile ingresso...

LA CORONA - Vintage Talavera hand painted ceramic bowl - fine quality - featuring an over-all pattern of leaves and flowers in blue and green - signed on the...

Set of Midcentury multi color fish Plates and Platters as Wall Decoration A funny collection of eleven european glazed ceramic, porcelain and...

This is a superb mid 20th century Georgian Revival Stilton cheese keeper, exquisitely crafted with a marbled ceramic finish in the manner of Copeland's Agateware. This vintage truckl...