19th Century Porcelain

This is a bone china porcelain Dish or Stand by New Hall dating to the Georgian Regency period of the early 19th century, circa 1820. The dish is well potted on a low foot. The decoration is bat printed in the manner of Adam Buck...

A stunning antique hand painted French porcelain cabinet plate with a scene of a couple by renowned porcelain maker Sevres and da...

This is a good quality coffee can that we attribute to the Coalport porcelain works, Shropshire, England, made during the John Rose period of the George 111rd years, circa 1805. The coffee can is nominally parallel, tapering slightly to the base, with a simple loop handle, with a slight lower kink and pointed attachments. It has a shallow foot recess with obtuse corner and is unmarked to the base. The pattern is beautifully hand painted in the French Chantilly style with cornflower sprigs in gold gilt and blue with red & green leaf detail to the lower half with an upper border continuous cornflower pattern, all between gold gilt rings with further gilt decoration to the outer handle and gilding around the lower rim. We date this piece to the late George third...

A fine pair of antique French porcelain vases. In the style of Jacob Petit. Each with extensive gilt decoration and painted floral ...

An exceptionally fine quality rare example of an early Bloor period Royal Crown Derby hand painted porcelain Garniture of generous proportions by Thomas Steel. First quarter of the N...

A fine antique porcelain egg shaped flacon or bottle. By the Royal Berlin KPM Porcelain Manufactory (Die Königliche Porzellan-Manufaktur Berlin)...

A significant pair of French Sèvres style porcelain and gilt bronze covered vases. Each vase is of baluster form with a domed cover surmounted by a knop finial, raised on a conformin...

An elegant pair of French porcelain vases, circa 1860, finely decorated with two detailed figures. These vases exhibit excellent craftsmanship and remain in good condition, with norm...

Colorful birds on gilt bronze bases. Bellevue Ave Newport estate.

A delicate and intricately worked antique Dresden Porcelain Fruit Basket and Underplate. The form is rare and a technical tour de force. Few of ...

Designed for the wife of August III, Maria Josepha of Austria (1699 Vienna - 1757 Dresden), Electress of Saxony and Queen of Poland since 1733, here equipped with the ‘Alliance coat ...

This antique figurine was made by the renowned Meissen factory of Germany is approximately 1850 in the period Dresden style. The figurine is done in early paste porcelain and depicts a cherub, or Cupid seated on a stump, holding an arrow with an outstretched hand, and cradling a flaming heart...

Nice « Blanc Bleu » porcelain plate dating from XIX th century. Blue and white porcelain soup plate. White and blue plate with a couple of peacocks flying through plants and flowers. This porcelain is characteristic of the blue family. The arrival of porcelain in Europe was linked to the development of shipping and international trade. Porcelain was very popular in Europe because of its lightness and its durability. The import from China is linked to the lack of mastery of this technique by the Europeans. The French, Dutch and British East India...

A very fine and large 19th century Chinese export famille verte porcelain and French figural ormolu-mounted Chinoiserie style centerpiece jardinière, in the manner of Edward Holmes Baldock (1777-1845). The circular-ovoid porcelain bowl or cachepot, maybe 18th century Jiaqing period (unverified), decorated with a blue and purple ground background with parcel gilt depicting pagodas, trees, mountains and landscape scenes, flanking scrolled handles issuing from the base and ending with a finely chased ormolu pierced acanthus rim. The two ends with a projected mask of Chinese Imperial lions or foo dogs, surmounted and raised on six finely chased ormolu masks of Bacchus satyrs flanked by seashell-like mounts. The Ormolu, circa Paris, 1880. The Porcelain circa 1800 (Maybe 18th century.) Measures: Height: 15 3/4 inches (40 cm.) Overall width: 21 inches (53.4 cm.) Depth: 17 inches (43.2 cm.) Edward Holmes Baldock (1777-1845) was a prominent London furniture dealer to the Royal Family, father of Edward Holmes Baldock. He was first listed in the London trade directories in 1805. That listing had him operating out of No.7 Hanway Street in London, where he was described as selling "china and glass". An updated listing in 1821 described his business as "an antique furniture and ornamental furniture dealer", and in 1826 as a buyer and seller of "china, cabinets, screens, bronzes etc". Between 1832 and 1837 he sold earthenware and glass products to William IV, and upon the ascendancy of Queen Victoria in 1837, sold china until his death in 1845. Baldock was one of the first antique dealers and is similar to the 18th century marchands-merciers Dominique Daguerre and Simon-Philippe. He was the father of Edward Holmes Baldock (1812-1875), a British Conservative Party politician, and of Mary Frances Baldock, wife of the philatelist W. A. S. Westoby. Famille Verte Famille verte (????, Kangxi wucai...

This extremely rare and important set of four Meissen ewers represents the Four Elements: Earth, Air, Water and Fire. Impressive in both size and artistry, they are among the most fa...

Japanese Vase, made in Japan at the beginning of the 19th century. Mejii Antique Japanese Porcelain Vase, Early 20th Century, Blue and Orange Floral Design, 23 cm Diameter This stunning Japanese porcelain vase dates back to the early 19th century and boasts a captivating blue and orange color palette with subtle touches of red. Featuring intricate floral and vegetal motifs, the design gracefully intertwines across a rich deep blue background, showcasing exceptional craftsmanship. With a diameter of 23 cm and a height of 20 cm, this vase is perfectly sized for display as a centerpiece or part of a curated collection. Its excellent condition preserves its timeless elegance, making it an ideal choice for lovers of antique Japanese art, porcelain decor, or unique design pieces. A rare find for collectors and enthusiasts alike, this vase embodies the aesthetic refinement of early 19th-century Japanese ceramics. Keywords: Japanese porcelain vase, early 19th century, blue and orange vase, floral design, antique Japanese decor...

Royal Vienna Porcelain hand painted (probably by Angelica Kauffmann) sugar box and can with cover. Measures: Height 11cm and 17cm.

A Pair of 19th Century Meissen Porcelain Figures of a Man and Woman in 18th C. Attire. This pair of figures depicts a man and woman in 18th-century pastoral attire, each standing on a gilt-accented rocaille base. The woman wears a cream-colored tricorn hat with a floral accent, a fitted blue bodice with detailed buttons and ruffled cuffs, and a flowing skirt with a delicate purple floral pattern. She holds a white cloth in one hand while raising the other in an expressive gesture. Her finely painted features, softly curled hair, and light blue shoes...

This is a very good quality TRIO of Coffee Cup, Tea Cup and Saucer that we attribute to the Coalport porcelain works, Shropshire, England, made during the George 111rd years, circa 1815. Both cups have the London or Grecian shape with all pieces beautifully boldly hand decorated in a very colourful Imari Chinoiserie pattern, popular at the time. All pieces are unmarked to the base. The pattern is beautifully hand painted in bold colors of burnt orange, green and cobalt blue, all in different shades with an "Imari" style floral pattern, all enhanced with gilded detail to the pattern, upper rim and outer handle. Both cups also have an inner rim border pattern. We date this set to the late George third...

A lovely pair of antique English Minton white porcelain oyster plates. These fine quality oyster plates are a nice large size and have a beautiful shell design and gilt edge. Impress...

An Elaborate 19th century Meissen Porcelain Figure of a Sultana Riding an Elephant. After the model by P.J. Reinicke and J.J. Kändler, the Sultana sitting on the elephants back and h...

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

A Fine and Large Pair of 19th Century Meissen Porcelain Parrots. Each parrot is depicted perched on a detailed tree stump base, with bark and foliage carefully painted to mimic natur...

Set of ten French porcelain plates by Creil et Montereau, dating to the mid-19th century and featuring transfer-printed scenes with hand-coloring. Each plate is framed with a border ...

Description A pair of Japanese Satsuma black-ground vases, Uchida marks, Meiji/Taisho period Of ovoid form with everted rims, painted in gilt with scenes of Mount Fuji against a bl...

A superb and rare H & R Daniel porcelain trio of Second Gadroon shape c.1825. Each piece finely decorated in pattern 4069 with a rich green ground, panels containing alternate birds ...

Excellent Art Nouveau porcelain figurine by August Ringler: Naked winged cupid, loosely covered with a cloth fastened by an embroidered belt, looking down at a winged, flaming heart ...

In the "Dragon in Compartment" pattern.

This is an exquisite Porcelain Coffee can made by the Derby factory, in the reign of George 111 in the early 19th Century, circa 1815 . Straight sided coffee cans were only made for ...

A very large and unusual 19th century French Louis XVI style dore bronze mounted Sevres cobalt blue ground box signed Sarat. This box is truly a masterpiece. Sevres boxes...

This is a stunning and extremely rare dessert service made by John Rose at Coalport probably around the year 1800, shortly after Rose bought up the Caughley factory. It consists of a large centre piece comport, one sauce tureen with cover, two oval dishes, two square dishes, two shell dishes, and eight plates. The service is beautifully decorated in the Neoclassical style. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. John Rose had bought up the local Caughley factory in 1799. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. This service is made of pearlware, which leads us to believe that it might have been made at the old Caughley premises, which had kilns for pearlware - the later Coalport items are not known to be made of pearlware but the shape of the dishes and the sauce comport are clearly a Coalport shape. All items have a beautiful deep orange ground - they were done in different firings as the colour is not entirely consistent, which makes the service very charming. The rims are set off with a beautiful vine pattern in silver, which makes the service even more rare as this was not done often. The items are unmarked, as is usual for that era, except the odd "B", which is probably the gilder's tally mark. CONDITION REPORT The service is in good usable condition with some minor flaws: there is some crazing and wear throughout, which is to be expected of pearlware of this era. The centre piece comport has a slight crack through the side, which is not very visible. One of the plates has a chip on the front of the rim as well as three lines coming off the rim; one has a chip on the underside of the rim; and one has a line coming off the rim. Neither of these stand out and the plates are entirely stable. Antique British china...

A stunning and rare antique Royal Worcester reticulated cup and saucer decorated with beadwork and painted designs by renowned and sought after potter George Owen (British, 1845-1912...

19th Century French Samson Chinese Export Style Armorial Porcelain Plates, Set of Four. Plates feature multi colors of blue, gold, pink on a white backgro...

Antique German KPM Royal Berlin Porcelain Hand-Painted Oyster Plate with six wells. The KPM Royal Berlin factory, renowned for producing fine porcelain since the 18th century, is hi...

A Pair Of Meissen Porcelain Mythological Figural groups, of 'Neptune and Thetis' and 'The Triumphal Procession of Amphitrite'. 'Neptune and Thetis' modelled with the god of the sea ...

Quality Pair of antique Japanese hand painted Imari plates wonderfully hand painted in blue, red, white and gold colours A charming pair in perfect original condition Dimensions:...

This is a plate from China, it has been made late 19th century, very nice colors, black, brown blue. It is a canton plate.  

Set of Early 19th Century English Derby Porcelain Dessert Service. 18 plates, 7 shaped dishes, 1 sauce tureen with lid and underplate.

This lovely Chinese porcelain bowl was hand-painted in Famille Rose shades of deep purple, orange, and green. The outside of this beautiful bowl features a top band of purple diamond patterns inset with panels of blooming peonies and small monochrome orange landscapes. Below the purple band...

A fine hand painted porcelain plate enhanced with fine gold, Napoléon III period, mid 19th century. It is decorated with a very finely hand painted bird (a goldfinch) on top of a bou...

A set of six Chinese Export or Canton porcelain plates in the Rose Medallion style, circa 1820. Dating to the later period of the Qing Dynasty, the plates are hand-enameled in a com...

A superb and stylish Aesthetic Movement Minton porcelain cabinet plate decorated with birds, flowering hawthorn and other designs attributed t...

An incredible and truly monumental 19th century Meissen Porcelain Covered urn emblematic of autumn. This is one of the most incredible and sp...

A fine antique English porcelain cup & saucer. In the Quail pattern. By Chamberlain Worcester. With painted green, blue, and red painte...

A fine antique English porcelain desert plate. By Spode. In the "Pink Ducks" pattern. Depicting a chinoiserie scene of two mandarin d...

A Flight, Barr and Barr Worcester Porcelain Entrée Dish c.1815 - 1820. Formed of three oval shaped sections, the domed lid with Strawberry moulded finial hightened in gold, the inner...

This is a beautiful Spode creamware dessert service made in 1814, which was the Regency era. The service is decorated in a printed and hand-colored Chi...

Service,porcelain tableware with Napoleon Pirkenhammer 1880 Spectacular Pirkenhammer porcelain service for Ginori Italy of the 19th century with the environment of Napoleon The service is for 12 people and is formed by: 82 pieces -2 fruit bowls -1 tureen -12 deep plates -12 small plates...

This is a beautiful saucer dish or deep plate made by Coalport around the year 1815. This plate would have belonged to a large tea service. The plate is decorated with a deep cobalt ...

A Rare and Quite Sought After Pair of Red Meissen Porcelain Double Handled Potpourri Vases with Four Hand painted Mythological Panels. Both vases are marked on the underside with th...

This Japanese porcelain vase is barrel shaped with a yolk handle. It is both finely and intricately hand painted. It pictures groups of scholars with scrolls dressed in elaborate brocade kimonos...

The lid in lobed shape hand painted with flowers, the two handles finely gilded and shaped. Overall gilded on rim. Fast delivery door to door Original art work(s)...

On offer is a very rare teacup and saucer made by Barr Flight & Barr in about 1810. The set has a beautifully soft salmon ground colour, an elegant gilt border motif, and beautiful monochrome sepia landscape...

Antique Herend Porcelain Female Guitarist Figure C1850. 14" x 10 3/4" x 8 3/4". This porcelain figure, crafted by Herend, depicts a female guitarist in a finely detailed d...

A 19th century Meissen Porcelain Model Of Empress Catherine II Of Russia's Favorite Dog (Russisches Windspiel). This delightful 19th-century Meissen porcelain model depicts Empress C...

UPDATE: SOLD 12 dinner plates, 10 soup plates, one well-and-tree platter. Each piece transfer-printed in blue with panels of classical figures and vases, comprising: a soup tureen and cover, a {21" well-and-tree meat platter}, a 21" platter printed with a coat of arms, a 14.75" platter, a 14.5" platter and strainer, two 12.5" platter, three 11.75" platters, two sauce tureens, covers and stands, an open vegetable dish, a lozenge-shaped dish, two shaped square dishes, a lozenge-shaped tazza, {twelve dinner plates, ten soup plates}, five dessert plates and five side plates, some pieces with either printed and impressed Copeland and Garrett...

Antique late 19th Century pair of A Berlin KPM porcelain vases with covers, showcasing exquisite craftsmanship. Marked with a underglaze blue scepter and ...

The combination of sumptuous, lustrous ormolu and finely decorated Sevres style porcelain makes this mantel clock an exceptional piece. Built in France and retailed by the prestigiou...

Saxe porcelain jardinière. Germany, late 19th century.

An elegant Limoges porcelain plate, beautifully executed by the esteemed Paroutaud Frères (B & P), operating in Limoges, France, during the early 20th century. This plate exemplifies...