Early 19th Century Sterling Silver

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

This exceptional 6-piece sterling silver tea and coffee service by the renowned Goldsmiths & Silversmiths Company of 112 Regent Street, London, showcases the fine artistry and crafts...

Description Pair of sterling silver George III legume dishes and lid, Paul Storr, London, 1800. Domed lid and a finely crafted circular ring socket. Fine engraving lines along the ed...

Georgian (George III) Period, sterling silver-mounted etched mother-of-pearl octagonal snuff box with hinged lid, London, year-hallmarked for 1803. The iridescent mother-of-pearl lid...

Antique Victorian Quality Solid Silver Grape or Wick Scissors, having fantastic ornate shaped handles with grape vine decoration. Maker probably Francis ...

Set of five antique Georgian sterling silver .925 cups / tumblers featuring plated interiors, a decorative band around the top, and stamped with an intricate h...

Beautiful American coin silver 3 -piece tea and coffee service in the manner of Thomas Whartenby Pennsylvania, Circa 1816-1818. Thomas Whartenby and Peter Bumm were independently su...

A Magnificent English Silver Soup Tureen by Garrard’s, London, 1827 Bearing the Arms of Henry Paget, 1st Marquess of Anglesey, Hero of the Battle of Waterloo. This splendid Regency-...

George Reid Sterling Silver Bread Basket Here we have a wonderful Early Victorian Sterling Silver Mounted Cut Glass Travelling Inkwell. The inkwell is oblong with a hobnail cut bod...

French Neoclassical Silver Oil Lamp. Antique French sterling silver oil lamp of neoclassical form with leaf and bead detailing on raised pedes...

Double handle sterling silver English cup, circa 1813. Unknown maker mark.

From the Victorian Era, a English hand-made Sterling Silver Asparagus master serving tongs. London, circa 1838, In The Fiddle Pattern, with beautifully ornate hand-pierced blades, o...

A magnificent, fine and impressive pair of antique George IV English cast sterling silver candlesticks made by Robert Garrard II; an addition of our ornamental silverware collection ...

A magnificent, fine and impressive, rare antique George IV English sterling silver soup tureen assayed in York; an addition to our dining silverware collection. This magnificent antique George IV English sterling silver soup tureen has an oval rounded form. The lower portion of the body is encompassed with impressive chased fluted decoration in a subtle swirl design. The decoration to the body incorporates an impressive scrolling leaf bordered cartouche to either side, each displaying an exceptional contemporary bright cut engraved marital coat of arms* depicting on the dexter a chevron between three crosses paty and the sinister a quadrangular castle. The coat of arms is surmounted with a bright cut engraved crest displaying a tent adorned or lined charged in the interior with a cross paty of the third. The plain waisted upper portion is encompassed with a Fine and impressive applied gadroon decorated border to the flared rim. This antique soup tureen...

An exceptional, fine and impressive pair of antique George III English sterling silver sauce tureens with ladles; an addition to our Georgian silverware collection. These exceptional antique George III sterling silver sauce tureens have a plain rectangular rounded form. The body of each tureen is plain and embellished with an applied gadroon decorated border to the lower portion and upper rim. These impressive silver tureens retain the original hallmarked push fit covers ornamented with further applied gadroon decoration to the upper plateau in addition to the base of the impressive reed decorated handle enveloped with leaf designs to the terminals. The surface of each cover is embellished with a contemporary bright cut engraved crest depicting a falcon holding a partridge between her feet and encompassed with the belted motto 'Qui potest capere capiat', Let him who can take, take. Each Georgian tureen is fitted with two fine and original ring loop handles above an impressive lion mask ornamentation. Each tureen is supported by four impressive shaped legs with paw feet. These sauce tureens are presented with fine and impressive associated chester made, antique sterling silver sauce ladles crafted in the Hanoverian rat tail pattern by Herbert Edward Barker & Frank Ernest Barker of Barker Brothers. These antique Georgian sauce tureens are exceptional provincial examples. This crest and motto pertains to the Glege or Gleke family. An alternative pattern of sauce ladles can be supplied upon request. Condition These antique silver tureens...

This is a very good, sterling silver mug or Christening Mug made in the late Georgian, George IVth Regency period, by Joseph Angell 1st of London, in 1825. The mug is handmade and...

A museum quality George IV English Sterling Silver Covered Soup Tureen on Stand by Paul Storr, London, Circa 1823 Lid engraved with 'Lion Rampant' herald; also repeated to the should...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Sterling Silver From our Silver collection, we are delighted to offer this extremely rare Erotic Sterling Silver Vinaigrette by Joseph Ash I. The Sil...

A 1809 George III sterling silver salver by William Bennett, showcasing an oblong form with a gadrooned and shell border, adorned with C-scrolls, foliate swags, and an engraved armor...

MARK OF PHILIP RUNDELL, LONDON, 1820, RETAILED BY RUNDELL, BRIDGE AND RUNDELL, BASED ON THE DESIGNS OF JOHN FLAXMAN, MODELLED BY EDWARD HODGES BAILY Ea...

A early 19th century Dutch silver and diamond cut crystal cruet set, 1816 A silver standard with three diamond cut crystal bottles and a sprinkle...

Hallmarked in London in 1807 by Paul Storr, this handsome, George III, Antique Sterling Silver Meat dish cover, features a shaped gadroon border and r...

Description George IV sterling silver presentoire, John Bridge, London 1826. Oval shape, gadroon edges and stylized shells. Heraldic coat of arms on both sides. Motto: Deo est Patrie...

1799-1803 & 1973 date 84-piece set of sterling silver flatware service for 12 "Old English" pattern by William Eley & William Fern, London. Includes, with length and date marks as no...

An impressive Antique George III Solid Silver Oval Meat Platter. This Venison Platter has a classic gadroon pattern border and a sunken well for juices. The platter has a pair of crests...

This is a magnificent antique French sterling silver soup tureen and lid, retailed by Bulgari Rome with hallmarks for the maker Marc Jacquard and circa 1810 in date. This round Silver Serving Tureen has Rococo elements perfectly accenting the elegant body, with bold scroll handles decorated with foliate and floral ornamentation and stands on a pedestal foot with an encircled border. It features an exceptional cast floral and fruit bouquet finial on the lid. The tureen is beautiful in its simplicity and comes with its own vintage luxury case labelled Bulgari. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 28 x width 37 x depth 29 Weight 76 troy oz Dimensions in inches: Height 11.0 x width 14.6 x depth 11.4 Weight 2.36 kg Bulgari The founder of the Bulgari brand is Sotirios Voulgaris who was born in March 1857 and came from the Epirus Village of Paramythia, the largest Aromanian center of silversmithing in the Balkans. He was one of eleven children of his father Georgios Voulgaris (1823–1889) and his Aromanian mother Eleni Stronggaris. In 1881, Sotirios Bulgari moved to Rome and, in 1884, opened his first store on via Sistina 85. In 1888, he married Aromanian Eleni Basio with whom he had six children: Constantine-Georgios (1889–1973), Leonidas-Georgios (1890–1966), Maria-Athena (1891–1976), Sofia (1893–1908), Alexandra (1895–1984) and Spyridon (1897–1932); Leonidas-Georgios is the father of the current chairman of the company, Paolo Bulgari.[9] In 1905, he unveiled the Via Condotti shop that would become the company's flagship.[10] In its early years, Bulgari was known for silver pieces that borrowed elements from Byzantine and Islamic art, combining them with floral motifs. At the time, Paris was the apex of fashion and creativity, and its trends influenced Sotirio's designs for decades: jewels of the early 20s were characterised by platinum Art Deco settings while those of the 30s featured geometric diamond motifs—sometimes set in combination with coloured gemstones. Convertible jewels...

An impressive Antique Solid Silver Coffee Biggin on stand with a burner featuring design elements so iconic in the work of Paul Storr. The Silver Biggin has a magnificent bone handle...

English Sterling flatware service in fitted chest Husk Shell AKA Fiddle Husk flatware set - 91 pieces. This service includes pieces by Mary Chawner c1835 as well as by CJ Vander c...

Hallmarked in Edinburgh in 1801 by McHattie & Fenwick, this handsome, George III, Antique Sterling Silver Wax Jack, is plain in style, with reed detailing. Th...

Italian Neoclassical Silver Coffee Pot. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with parrot l...

Unusual, rare pair of Georgian (George III), sterling silver, scissor-form candle wick snuffers, London, 1804, Thomas Robinson - maker. Decorated w...

A pair of magnificent antique George IV Epergnes with elegant sterling silver classical figures supporting the central cut glass bowl. The rest of the impressive centrepiece is made ...

A beautiful antique George IV solid Silver Coffee Pot featuring a lovely chased design showing stylized floral and scroll patterning with shell...

An Antique George III Sterling Silver swing handled Basket. This Georgian Silver Basket has a round shape and is embellished with a simple elegant chased border and subtle acanthus l...

A large George IV silver sideboard dish, made by Joseph Angell II, 1828 English, early 19th century Diameter 75cm, depth 10cm This magnifice...

An exceptional, fine and impressive set of three antique Georgian English sterling silver salts made by Paul Storr; an addition to our silver cruet and condiment collection. These...

With the Royal Badge of George III. Marked: London, 1808. Maker: Robert and Samuel Hennell.

Description Pair of sterling silver George III legume dishes and lids with sheffield-plated hot water stands, Paul Storr, London, 1817 Rectangular plates with gadroon edges with shel...

Large Georgian (George III) stuffing spoon having a deer armorial, London, year-hallmarked for 1807, John Blake - maker. Measures 12 inches long x 2 inc...

1805 sterling silver stuffing spoon by Eley & Fearn, London. George III period, fiddleback pattern, by William Eley & William Fearn. Monogram "JEW". Good condition. Provenance: Marhs...

Pair Georgian Silver Kings Honseysuckle Salt Spoons 1826 William Chawner. Nice clean, heavy with gilded bowls. Lengths: 4.25 inches. Weight: 50.04 grams.

A pair of magnificent and unusual Antique William IV Sterling Silver Wine Bottle Coasters with a stepped chased floral and foliate design on the exterior of the coasters. The base of coasters is made of turned wood and each coaster has a large silver plaque...

Hallmarked in London in 1827 by Benjamin Preston, this incredible, Antique Sterling Silver Soup Tureen, is a masterpiece of the regency style, with cast and applied feet and handles,...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Fine, large George III period sterling silver barrel shaped tankard by William Fountain, London, 1806. Beautifully engraved with an ornate armorial crest of three fleur de lis and ...

A magnificent, fine and impressive, large antique Georgian English sterling silver soup tureen made by Paul Storr in the Adams style, an addition to our range of collectable dining silverware. This magnificent antique George III sterling silver soup tureen has a plain oval shaped form onto a plain oval spreading pedestal foot to a collet rim, in the classic English Adam style. The surface of this impressive soup tureen is plain and unembellished. The upper rim of the tureen is ornamented with an impressive applied rope twist border accented with a simple leaf design to either side. This antique soup tureen...

Georgian Silver Salt Spoon thread and shell bowl London 1815 William Chawner. Old English thread design with gilded shell bowl, handle engraved with crest of a crescent. Nice solid h...

This sterling silver and intricately engraved cigar case was made in London England in circa 1831, during the reign of King George IV. The top and bottom are both ornately engraved w...

With a racing scene in high relief. Marked: London, 1825, Makers: Emes and Barnard.

Set of four Georgian Chinoiserie decorated master salts by John Edward Terrey & Co., London. They are hallmarked 1825-1829. The inside of each is li...

This exceptional pair of George III antique sterling silver entree dishes were made in London in 1800 by Richard Cooke. The Dishes are rectangular in form, with lobed borders, and te...

Antique pair of silver napkin rings engraved with a pretty design of birds and flowers with engraved monogram to the front and engraved with the date 16...

This antique snuff or tobacco box is hallmarked by an unknown maker, and originates from England and dates to 1820 and done in the period Georgian style....

Pair of Richard Cooke, English sterling silver covered dishes from 1807 (Georgian era) with beautiful crisp repousse floral designs on the lids and bases, adorned with finials. The f...

Head of spice container is designed in an oncoming wave pattern with two ruby colored gemstone eyes. Hinge set at neck for easy opening to refill spices. Decorated with elegant movin...

1824 Scottish sterling silver stuffing or gravy spoon. George IV period by R. Green or R. Grierson, Edinburgh. Tiny flaw on top edge. 3.45 troy oz. 12.75" x 2" x 1 3/8" h.

Exceptional vermeil tureen with its lobed tray. The circular terrine is decorated with a border of chiselled foliage.The grip lid is decorated with foliage patterns. The soup tureen ...