Rococo Serveware, Ceramics, Silver and Glass

Large 19th Century Italian Ceramic Serving Platter. Platter in Faenza Garofano Blue Carnation pattern features flora in colors of blue, green, brown on a white background. Solid whit...

Origin: Delft Date: Second half of the 18th century Workshop unknown A genuine blue and white tobacco jar for the storage of snuff tobacco. The brand name: F Rappe, is painted in ...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Meissen stunning item of very interesting appearance: Wife of tailor riding on goat Model 155 Measures: Height 7.28 inches (18.5 cm) Width 6.29 inches (16.0 cm) Depth 2.75 inches (7.0 cm) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (glazed bottom) model number 155 / former's number 144 / painter's number 56 First quality  Dating: 19th century / made circa 1860-1870 Material: porcelain, glossy finish, multicolored painted Technique: handmade porcelain Style: Rococo Modelled by: Johann Friedrich Eberlein (1695 - 1749) He was sculptor at Meissen manufactory as from the year 1735. Eberlein worked together with Johann Joachim Kändler (1706 - 1775) who has been active on behalf of Meissen manufactory since the year 1731: Both sculptors created together with Johann Gottlieb Ehder the most famous Swan Service, consisting of more than 2200 pieces (1737 - 1742). Most of Eberlein's own models show antique gods...

Arthur Court plated aluminum centerpiece serving bowl with butterfly decoration. Dimensions: 16”L x 9”W x 6”H

Delft 1760 – 1800 Workshop: De Vergulde Bloempot (The Gilded Flowerpot) A rare blue and white tobacco jar for the storage of tobacco with an original brass lid. The jar is decorated...

Rococo style Rosenthal Germany Series Sanssouci Caffe/tea cup with sauces and dessert plate Plate d 17,5 cm Sauce 13,5 cm Cup d 9 cm h 5 cm Finest Porcelain has nice deep ivory col...

Meissen, Germany. Antique lidded tureen hand-painted with polychrome flowers. Branch-shaped handles. Approximately 1800. In good condition with several chips on the raised flowers an...

Rare antique Meissen miniature figure after Johann Joachim Kändler in hand painted porcelain. Girl with flowers. Dated 1850-1880. Model number 2869. ...

A magnificent floral reticulated fruit platter. The platter is perforated and reticulated around the edges.

Hallmarked in Birmingham in 1929 by Elkington & Co., this large and ornate, Sterling Silver Condiment Set, comprises a sugar caster, 2 pepper pots 2 salt cellars and a mustard pot wi...

Denmark, silver cutlery. Tea spoon. Measures 12 cm. Marked. In very good condition. 12 pieces in stock.

An elegant 19th century French hallmarked sterling silver chocolate pot with embossed decoration. The pot is decorated with a band around the top. There is embossed decoration on top...

These two beautiful and antique hand painted multi-colored porcelain dishes date back to 1700. Each plate has shaped rims with molded and trimmed relief, the white porcelain backgro...

Maiolica tureen Pasquale Rubati Manufacture Milan, circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 6.69 in x 11,02 x 8.26 (17 x 28 x ...

A fine quality French sterling silver creamer bearing the makers mark Aucoc. This most elegant pot has smooth surface and is intricately decorated. Additionally, there is an elegant beaked spout and a wooden handle. Maitre Andre Aucoc...

Maiolica flower pot “a mezzaluna” with support feet decorated with little bunches of flowers Pasquale Rubati Factory Milan, circa 1770 5.5 in X ...

A rare and exquisite pair of Rococo porcelain vases crafted by the renowned Derby porcelain manufactory in England, circa 1755–1765. These remarkable pieces showcase the playful asym...

Coffee assortment with “barbotine” decoration Manufacture of Pasquale Rubati or Felice Clerici Milan, 1770- 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). ...

Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...

Origin: Delft Date: Second half of the 18th century Workshop unknown A genuine blue and white tobacco jar for the storage of tobacco with an original brass lid. The jar is inscrib...

A very amusing figure group modelled by Johann Peter Melchior (1742-1825) in hard-paste porcelain painted in various colours. Composed of five pl...

Serve any beverage of your choice with elegance with this silver-plated decanter beverage pitcher jug drink cask by the Standard Silver Company of Toronto Canada. The ten-cup set comes with a stand, pitcher, and slop cup. The inside has a porcelain lining for hot or cold beverages. In 1893, the Standard Silver Company of Toronto started as the successor to the Acme Silver Company. But in 1912, they became part of the International Silver Company headquartered in Meriden, Conn. in the USA. Thus made sometime between 1893 - 1912. The slop cup for spills and leavings is from Wallace Silversmith from Wallington, CT, USA, successors to Wallace and Sons also in Wallington, CT. It is not original to the set but fits the stand well. It is stamped " Wallace 992" indicating it is after 1956. The pitcher is designed to simulate a barrel. The rococo trim...

Reed and Barton sterling silver serving set in "Love Disarmed" pattern. Issue date was 1899. Server measures 12.75" x 3" and weighs 251.5 grams. Fork measures 10.75" x 2.78" and weig...

19th century Meissen figurines attributed to Ernst August Leuteritz with two putts holding a masc from which mouths come a little dog and a birdcage. Perfect condition.

Exceptional Meissen porcelain genre group: Young mother seated on a magnificent Louis XVI-style armchair, her left foot set down on a low stool, a boy lying on his stomach on her left thigh, his white shirt slipped up to reveal his bare buttocks, which the mother has probably just struck with the cane in her left hand, to her right a girl in a dress and hat decorated with feathers, clasping her mother's arm so that she can no longer strike the boy. The group is based on an oval pedestal with gold heightened frieze decoration on the sides. Particularly elaborate, detailed design and staffage. This model was based on drawings by Johann Eleazar Zeissig, known as 'Schenau' (1737-1806). Designed by JOHANN CARL SCHÖNHEIT (1730 - 1805) in 1788 started working as an apprentice in the Meissen factory in 1741 and has been in a responsible position since 1768. For more than 20 years, Schönheit was an employee of both J.J. Kändler as well as from M.V. Acier, who entered the Meissen factory in 1762. After Kändler's death in 1775, Schönheit was head of the model department until 1794. Design of the model in 1788 Manufactory: Meissen Germany Dating: made around 1840 Material: white porcelain, glossy finish Technique: handmade porcelain, finest hand painting Dimensions: height: 25,5 cm / 10.03 in width: 18,0 cm / 7.08 in depth: 16,0 cm / 6.29 in Marks: Blue Meissen crossed sword mark Model number: I 66 / former's number 35 / painter Da.. Bibliography: Thomas & Sabine Bergmann, Meissen Artist's - Figures / Erlangen Germany 2014, Model numbers A1 - Z99, page 31...

A 19th Century Meissen Porcelain Group of a Woman Seated with a Bowl of Flowers and a Pet Goat. This finely detailed Meissen group depicts a young woman seated on a naturalistic bas...

This octagonal serving dish, crafted from fine Chinese porcelain, is a beautiful example of traditional craftsmanship from the East India Company. The dish features a striking blue a...

George 111 silver tea caddy, dated 1765, London, Benjamin Mountigue. Very pretty hand chased tea caddy, with a pull off top which has a lion passant...

Maiolica flower pot “a mezzaluna” decorated with tulip Pasquale Rubati Factory Milan, circa 1770. Measures: 4.7 in x 4.7 in x 8.6 in 12 cm x 12...

These delightful porcelain figurines were created in Russia in the 1950s. Included in this set are two models depicting a boy and girl holding skis, and a small figure of a boy playing ice hockey. These three figurines...

Bing and Grondahl porcelain figure. "Pernille" in the comedy masquerade by Ludvig Holberg (1684-1754). Figure no. 8014 ...

These two exquisite Chinese export porcelain teapots showcase intricate polychrome decorations featuring floral motifs in vibrant shades of blue, red, pink, green, and gold. The teapots have an elegant rectangular shape with slightly chamfered edges, enhancing their sophisticated aesthetic. Each piece is adorned with finely painted medallions on both sides, depicting delicate floral compositions encircled by elaborate ornamental borders. The teapots' spouts extend gracefully, exhibiting a slightly angled form that complements their overall design. The handles are uniquely crafted, shaped like intertwined ribbons, adding a distinctive and artistic touch. The lids are topped with small, sculpted finials, harmonizing with the teapots' ornate detailing. Despite their undeniable charm and artistic craftsmanship, these antique porcelain...

Rare antique Meissen miniature figure after Johann Joachim Kändler in hand painted porcelain. Gardener. Dated 1850-1880. Model Number 2869. Measures...

Charming Mid-20th Century Italian Florentine Wooden Tray, hand-painted and gilded. This tray showcases the traditional craftsmanship of Florence, where artisans perfected the art of ...

Italian Rococo-style (19th Century) ruby colored glass chalice with silver base and cover with finial.

Pair of porcelain sugar bowls Meissen, circa 1748-1775 Marked with crossed swords and number “92” of the gilder They measure 5.11 in (13 cm) x 5.11 in ...

Two plates, in Chinese porcelain for export, displaying delicate and elegant decoration, possibly of European origin. They feature a refined floral pattern, hand-painted in vibrant s...

Lovingly designed group of animals: Sitting female pug with jingle collar, looking attentively to the right, between her legs a small puppy looking out. Designer: Johann Joachim...

Assortment of 12 elements with polychrome and gold decoration Pasquale Rubati Factory Milan, circa 1770- 1790. Two oval trays 10.62 in x 8.58 in (27 x 21.8 cm) Two dishes with perforated brim diameter 10.43 in (26.5 cm) Eight round dishes 9.37 in (23.8 cm) lb 10.14 (kg 4.6) State of conservation: very good, except for light chips with color drops at the edges, a greater one in a round dish. This rare set of dishes has great decorative impact and confirms the undisputed artistic ability of Pasquale Rubati's productions during the period of his greatest success. It also attests to the taste of the great Milanese commissions of the eighteenth century. Pasquale Rubati, a refined painter, opened his own factory in Milan in 1756, in competition with Felice Clerici...

A striking example of American silverplate craftsmanship, this ornate shell-form serving dish was created by the International Silver Company and bears the EGW&S mark (E.G. Webster &...

This is a Meissen porcelain bowl, likely a compote or serving bowl, characterized by its Rococo-style raised relief decoration and hand-painted floral motifs. Origin: Meissen porcel...

Majolica flower pot "crescent" decorated in manganese Pasquale Rubati Factory Milan, c. 1770 4.92 in x 8.66 in x 5,31 in 12.5 cm x 22 cm X 13.5 cm Weight: 2.29 lb (1039 g) State of conservation: intact with slight chipping due to use in relief parts A rare example of a flower pot "a mezzaluna" produced by the manufactory of the refined painter Pasquale Rubati, who opened a factory in Milan in 1756 to compete with Felice Clerici...

Italian Venetian murano (1890) clear glass round centerpiece with fluted bottom raised on a low pedestal base.  

Rare antique Meissen miniature figure after Johann Joachim Kändler in hand painted porcelain. Boy with falcon. Dated 1850-1880. Model Number 286...

Set of 10 cups & saucers "Duke of Gloucester" pattern, by Mottahedeh, late 20th century. Made for Colonial Williamsburg's special Reserve Collection, copyright 1992. Hand painted & g...

An antique English silver George II kettle with original stand and lamp, chased and embossed in the Rococo style. The lid has a flush hinge and the ke...

Pair of exceptional quality antique English “Old Sheffield Plate” three-light rococo style candelabra with central snuffer flame finial which is removable to reveal a center candle. The rococo bobeches are original and removable and the candelabra can be converted to one Five-light Candelabrum or the three light branches can be removed to make a lovely pair of single Candlesticks...

Antique (gilt) vermeil over sterling silver ornate picture frame with red and blue vitreous enamel, Italy, circa 1890. Has hallmark on front. Oval...

Meissen nicest rare scent bottle en miniature Please note: Abundantly painted with Watteau scenes! Manufactory: Meissen Dating: made during first half of 19th century (circa 18...

18th Century Sèvres style blue ground and gilt metal mounted Seaux a bouteille, the blue ground body with two opposing painted oval panels within a gilt lattice work and dot pattern ...

Provenance: The Metropolitan Museum in New York has in its collection a similar Le Nove Porcelain pair of courting figures. Accession Number: 06.381. Factory: ...

Although the Rococo in France (where the style originated) lasted from roughly 1725 to 1760, other countries in Europe produced period art and furniture until the late 18th century. One such country was Italy and in particular, Venice, where this unusual carved walnut centerpiece was hand-carved, circa 1780. A large shell-form bowl with volute leaf embellishments is being held by three putti emerging from an undulating base. The wave pattern is reminiscent of a foaming sea, further indicated by the stylized dolphin tails emerging from the spray. All of the tails are textured with a lozenge-patterned background, protruding as high-relief elements. On the underside, the scalloped tips of the water swing down in three areas, forming well-disguised feet. The carvings of the centerpiece are quite exceptional, given the height and breadth of the piece. A wonderful decorative accessory for any large table, our walnut Venetian centerpiece...

Maiolica flower pot “a mezzaluna” decorated with garlands of flowers Pasquale Rubati Factory Milan, circa 1770 Measures: 4.7 in x 5 in x 8.8 in ...

This early 18th century tin glazed earthenware platter was made by the Hannong ceramics factory in Strasbourg, France. Hannong was founded in 1721 by Charles-François Hannong and rem...

Platter, in Chinese export porcelain, polychrome and gilt decoration "Oriental figures", known as "Mandarin", Qing Dynasty, Guangxu reign (1875-1908). "Mandarin Decoration" is charac...

Antique German porcelain group of Venus with Cupid by Meissen German, c. 1750 Height 20.5cm, width 11cm, depth 12cm This charming Meissen porce...

A highly decorative large plate made of silvered copper. The plate has a motive that is chased into the copper. It depicts a romantic scene with a man courting a woman besides a foun...

Oval-shaped silver tray by Georg Roth & Co. embossed with a Napoleonic scene German, Late 19th Century Height 3cm, width 57.5cm, depth 47.5cm, weight 1.87kg This superb piece of si...

German KPM porcelain plaque of an interior bedroom scene German, late 19th century Dimensions: Frame height 38cm, width 44cm, plaque height 26.5cm, width 31cm This fine porcelai...