Alvar Aalto, a Vintage Pair "Golden Bell" Pendants, Louis Poulsen, 1960s
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Alvar Aalto, a Vintage Pair "Golden Bell" Pendants, Louis Poulsen, 1960s
About the Item
- Creator:Alvar Aalto (Designer),Louis Poulsen (Manufacturer)
- Dimensions:Height: 7.49 in (19 cm)Diameter: 7.09 in (18 cm)
- Sold As:Set of 2
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1960
- Condition:Rewired: These are rewired and in good working order. Original porcelain sockets were re-used. Wear consistent with age and use. These pendants are circa 60 years old and have some scratches on the surface. No dents or cracks. These pendants do not come with original ceiling domes, we do provide a pair of new brass domes so you do not have to search for matching ones.
- Seller Location:EL Waalre, NL
- Reference Number:1stDibs: LU5141220448142
Alvar Aalto
An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism to a prominent place in the global arena. In both his buildings and in his vintage furniture — which ranges from chairs, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.
Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furnishings.
Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the Paimio armchair, developed in 1930 as part of his overall design of a Finnish tuberculosis sanatorium. Comfortable, yet light enough to be easily moved by patients, the chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under at the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had enormous influence on Charles and Ray Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.
Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with his wife, Aino Aalto, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating Savoy vase, so-called for the luxe Helsinki restaurant for which the piece was designed.
Artek also produced Aalto pendants and other lighting designs, many of which — such as the Angel’s Wing floor lamp and the Beehive pendant — incorporate a signature Aalto detail: shades made of concentric enameled-metal rings graduated down in diameter. The effect of the technique is essential Alvar Aalto: at once precise, simple, and somehow poetic.
Find a collection of vintage Alvar Aalto stools, vases, dining tables and other furniture on 1stDibs.
Louis Poulsen
Louis Poulsen is world-renowned as an innovator in modern Danish lighting, but this wasn’t the goal from the start. Founded in 1874 by Ludvig R. Poulsen as a wine importer, the business went through several incarnations before its first pendant lights came to fruition. Through its designs, the company helped establish the foundations of good lighting — function, comfort and ambience — that are now standard in modern furniture design.
In 1924, Danish architect Poul Henningsen partnered with Louis Poulsen & Co., then an electrical supply company, to create what’s now known as the Paris lamp. This design, which incorporated three layers of curved metal disks, created ambience with its indirect light instead of glare. Shown at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris — the exhibition that brought Art Deco design to worldwide attention — the Paris lamp was awarded a gold medal. This led to Poulsen and Henningsen working together on several lighting pieces, including the popular PH pendant light with its concentric shades for the Forum Building in Copenhagen. These high-profile projects helped make Louis Poulsen a go-to purveyor of innovative lighting design.
One of the company’s most well-known lamps is Henningsen’s PH Artichoke lamp (1958), with its 72 copper leaves artfully placed to conceal the light bulb, prevent glare and promote a warm, alluring glow in any room. Another is the steel and die-cast zinc AJ lamp (1960), which Arne Jacobsen designed with an adjustable angled shade for his commission for the SAS Royal Hotel in Copenhagen. The company has also worked with notables such as Verner Panton and Alfred Homann as well as, more recently, Louise Campbell and Oki Sato.
In 2010, the company was awarded the American Institute of Architects’ Honors in Collaborative Achievement Award; it was the first lighting manufacturer to receive this honor. In 2018, the company was acquired by an investment subsidiary of Investindustrial VI L.P. Still headquartered in Denmark, the brand continues to produce its high-end lighting for both indoor and outdoor use, manufacturing both classic icons as well as new designs. “We design to shape light,” states Louis Poulsen. In doing so, they have also shaped culture.
Find a range of new and vintage Louis Poulsen floor lamps, table lamps and other lighting and furniture on 1stDibs.
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