Table Lamps

A desk lamp for Lightolier that has been rewired for use in the United States. Often attributed to Maurizio Tempestini.

A pair of walnut and ceramic table lamps designed by Jane & Gordon Martz. Produced by Marshall Studios, Veedersburg, Indiana, c. 1955. Bases are sculpted walnut, with ceramic inlays...

A solid teak cube / square table lamp designed and produced in Sweden, c. 1950s. Sold without lampshade. Measurements listed are of lamp only. For reference Shade : 4 x 8.25 ...

Pair of antique Chinese (Early 20th Century) round table lamps made from orange, luster porcelain vases with gold floral designs, mounted on brown wooden bases with patinated brass h...

Pair of English Regency style (1960s) large beige tole & gilt decorated hurricane form table lamps with a shaped glass center between a square base & a top section having a pineapple...

A brass and rattan table lamp designed and produced by Svend Aage Holm Sørensen, Denmark, 1950s. Sold with lampshades. Stated dimension...

Hand-painted wooden base table lamp with matching shade adorned with different shades of blue, gold, and black. Cressida Bell is a British designer spec...

Pair of hand-painted column table lamps with a blue base color adorned with gold and black circular patterns. Cressida Bell is a British designer specia...

Giant Urn Lampbase with Matching Shade Hand-painted giant urn lamp base with matching shade adorned with different shades of purple, dark blue, and yellow. Cressida Bell...

The Bay table lamp is a breathtaking masterpiece by Ettore Sottsass for Memphis (1983). Fabricated from tiers of colored perspex plastic & colored and w...

The “technicity” of the metal element combined with the blown glass diffuser gives tread an “industrial” style. An object reminiscent of vintage electrical equipment for its particul...

A pine table lamp designed and produced in Sweden, c. 1970s.

Gabriella Crespi rare 'Fungo' table lamp from the Rising Sun Series with lacquered bamboo strips and polished brass details on dome shade atop elegant flared brass base, Italy, 1970s...

A brass table lamp attributed to Böhlmarks, Sweden, 1940s. .

A large teak and brass table lamp designed and produced in Sweden, 1960s. Dimensions of Lamp (inches): 24.5” H x 4.75” Diameter Dimensions of Shade (inches): 9” Top Diameter x 12” B...

A pair of pine table lamps designed and produced in Sweden, c. 1970s. Dimensions of Lamp (inches): 13.5” H x 6.5” Diameter Dimensions of Shade (inches): 8” Top Diameter x 10” Bottom...

Brutalist Ceramic Lamp France circa 1970 15”dia x 59.5”h

This elegant pair of table lamps was produced by AB Stilarmatur Tranås in Sweden in the 1960s. Made of teak wood, the circular bases have an inte...

A pair of wooden table lamps designed and produced in the United States, 1960s. Sold without lampshade. Dimensions of lamp (inches) :...

The European Art Deco movement of the 1930s was a beacon of innovation and style, and one of its timeless creations was this copper and wood table lamp. This exquisite piece of funct...

Marvelous glass table lamp by La Murrina. Big round shape with amazing bubble texture, the use of glass laden with bits of metal adds a vibrant character to the light. Please note th...

Table lamp, anonymous, Denmark, 1960s. Brass. H: 61 cm Base diameter: 21.5 cm Shade diameter: 31 cm

Table lamp by Paavo Tynell for Taito Oy A rare table lamp made in the 1940s for "Taito," Finland. The lamp has a brass base, wood stem, and a pleated silk shade...

This is lamp is a wonderful example of the creativity of the House of Gucci a real powerhouse for design in the 1970s. A beautifully carved wooden horse bust that rests in a brass ov...

Of ovoid form; mounted on a turned giltwood base. Note: Height to Top of Vase: 12.5 inches

The elegant and delicate look of the blown glass finds a new dimension in Jube. Two glass units placed side by side, so perfectly assembled, that they look like a unique piece. A sin...

Mid-Century (1970s) Italian table lamp composed of pencil reed in a tapered circular form with extended brass stem and light switch socket, resting on a flattened bottom with an inse...

A table lamp designed and produced by Aneta. In solid pine. With makers label. Condition: Good Wear consistent with age and use. Dimensions of Lamp (inches): 12” H x 7.75” Diamete...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Solid walnut table lamp, hand-carved with asymmetrical windowed shapes, certainly by a master woodworker; signature on the base is unidentified. Size is of the base only. No shade in...

This individualistic table lamp is a Brutalist piece from the 1960s with a characteristic design that is sure to stand out. The style is similar to that of Franz West with wrought ir...

Aneta Lighting AB was established in 1947, and over the years, the company has collaborated with Swedish designers to create cosy, timeless lamps. Among them was Jan Wickelgren, whos...

Minimal in form from concept to design, this historical lamp emerged from a traditional Italian craftsmanship practice. Using modern, artisanal materials for the design the designers...

Characterized by clean lines, quality woods, soft edges and intuitive functionality, the Swedish Modern lighting models of Boréns Borås are eternally timeless and timely. This specif...

A modernist table lamp. Designed by Bent Karlby for Lyfa. Features a finely tapering rod. Other designers of the period include Paavo Tynell, Alvar Aalto, Kaare Klint, Josef Fran...

This striking Art Deco table lamp was produced in Austria in the late 1930s. The design is marked by the elegant shape of the beech base which has been finished in a vermilion (red/o...

This elegant table lamp was hand made in Sweden in the early 1930s. The design is marked by the base in black lacquered birch wood. The sphere shape with intricate, hand carved deta...

PAIR of similar midcentury American gilt metal Moroccan Style table lamps; the taller in hour glass form and the shorter, barrel-shaped. Both feature cylindrical wood stems, brass sp...

Midcentury Italian ceramic ancient Chinese Western Zhou Dynasty-style ceramic table lamp in Archaistic square form with concave neck and extended brass stem plus a tapered cylindrica...

Mid-Century American ceramic table lamp in globular form tapering toward the top, housing a brass stem with functioning light switch socket plus harp. The orange lava drip glaze enve...

PAIR of Mid-Century (1950s) American iridescent green / blue / purple glass table lamps in spired globular form with towering functional brass light switch...

Mid-Century American (1950s) table lamp in triangular form from the Distinguished Designer Series featuring an extended silver metal stem plus three functioning light switch sockets ...

Mid-Century (1960s) West German ceramic table lamp fired in Fat Lava glaze featuring an extended brass stem with functioning light swit...

Turned teak table lamp in the style of Philipp Lloyd Powell, rewired with a keyed socket and a silk cord. The base only is 20". No shade is included

Mid-Century Italian ceramic tall urn table lamp in ovoid form Hollywood Regency Style with a flattened concave neck and tapered ringed top, turned...

Mid-Century American ceramic cone form table lamp tapered toward the top, housing a brass stem with functioning light switch socket, the body bathed in a thick fat lava-style drip gl...

Pair of striking desk lamps by Hans-Agne Jakobsson, with teak stems and lacquered white shades and bases. Decorative brass details.

PAIR of Mid-Century German ceramic table lamps in abstract organic form with extended brass functioning light switch sockets (one with beaded pulls and new sockets) plus tapered cera...

PAIR of midcentury American cast plaster table lamps in elaborate baluster form, both with extended brass stems and functioning beaded light switch sockets, molded in neoclassic scro...

PAIR of Mid-Century American ceramic table lamps in textured banded barrel form with flattened rounded shoulders tapering toward cylindrical necks which house brass spindle stems, bo...

PAIR of midcentury French (1970s) table lamps with polished petrified wood in irregular oval slices mounted rectangular black lacquered bases. (att: Maison Jansen) (PRICED AS PAIR).

Midcentury Italian hand blown glass table lamp with a cylindrical banded brass nonfunctioning light socket, twisted body comprised of transparent orange and pink stripes and resting ...

Mid-Century Italian handblown green glass table lamp in hourglass form, wired to a brass stem and nonfunctioning cupped light switch socket protruding from the top. The transparent g...

A solid pine table lamp designed and produced in Sweden, c. 1970s. Sold with lampshade. Dimensions of lamp (inches) : 11.125 x 7.0625 x 7.0625 (H x W x D) Dimensions of shade (...

Mid-Century Italian ceramic urn repurposed as a table lamp in footed ovoid form with cylindrical neck topped by a ceramic banded sphere finial and a circular 3-way nonfunctioning whi...

Mid-Century French candlestick table lamp featuring a carved oak twisted stem with embedded nonfunctioning brass light socket and harp, mounted on a graduate...

Mid-Century American stoneware ceramic tall spindle table lamp with a double waisted flared neck tapering to an extended brass stem, harp and functioning...

PAIR of midcentury American ceramic celadon green glazed large table lamps with extended silver metal stems, brass harps and functioning light switch sockets, topped by shaped cerami...