European Collectibles and Curiosities

The Road from Ipswich com Suffolk to Norwich and thence to cromer on the sea coast com Norfolk. By John Ogilby, Esq, His Majesties Cosmographer. Containing...

"Roterodami". Seutter (1678-1757) was an important German 18th century map maker. Bird's eye view of the city above with full details, neoclassi...

Bronze mortar with garlands, flowers and putti - Tuscany , second half of 17th century. Measures: height 10 diameter : 13 cm Artisans and healers used mortars for grinding food...

Cross of caravaca xvii century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 14x6 cm. Good condition.

A scarce French Provincial Louis XV (1715-1774) / Louis XVI (1774-1792) Period mixed wood religious oratory (prie-dieu / altar) Hand-crafted in France in the 18th century, with later 19th century elements, likely originating in the south of France / Mediterranean region, featuring pegged solid wooden construction of warm, rich fruitwood, chesnut, oak, and maple. Having a slant-front bureau with tall raised back decorated with three Renaissance Revival style high relief panels, the center depicting religious scene comprising Jesus and winged Saint, the side panels with foliate floral fruit pendant carvings, flanked by classical turned baluster-form columns, surmounted with highly stylized hand carved and turned finials. Over a slant-front with star parquetry, the hinged drop-front opens to reveal a distressed leather writing desk / lectern / pulpit on which the holy books can be laid open and allows to shelter the books, which were considered precious goods at that time. The lower sacristy cabinet has a pair of slide-out supports flanking a paneled cupboard door decorated with a large stepped base Christian cross parquetry inlay, affixed with later decorative forged iron faux escutcheon overtop. The door opening with key to a single fixed shelf on which holy items...

1 Volume. Aeschylus, The Tragedies. First Edition. Bound in full brown calf with the covers displaying a modern Cambridge-style paneled design, toned and s...

An Attractive 18th century Georgian, Mahoghany Miniature chest, having two short and three long drawers with original turned wooden knobs, raised on original shaped bracket feet. Almost certainly made by an apprentice looking to showcase his skills to a prospective employer at an established cabinet making workshop, this georgian miniature chest of drawers has real charm and character to it. Normally antique miniature furniture...

Beautiful and meaningful religious art. If only the best quality and condition is good enough for you then this stunning and practical size corpus of Christ could be gracing your wall soon. Both the perfect anatomy and the amazing details in this antique corpus...

The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54. From Standard in Co...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...

The Road from Kings Lyn Co Norfolk to Harwich Co Essex. By John Ogilby His Majesties Cosmographer. Containing 76 miles, 1 furlong. From Lyn to Swaffam, to Stanford, to Thetford, To Icksworth, to Stowmarket, to Ipswich and to Harwich including ye Ferry, No 75, inscribed in pencil 1698 Hand colored and floated in the original black and gold frame, c1961. Some creasing commensurate with age. The back of the frame inscribed May 1961. Provenance : Private Collection, acquired c1961, along with No 74 Ipswich to Norwich & No 54 London to Yarmouth. All in the original black and gold frames. Sheet width 45cm., 17 ¾”., height 34.5cm., 13 ½“ Frame width 50cm 19 ¾”., height 40cm., 15 ¾” Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

If you've got the mortar, I have the pestle! There are so many mortars out there, and so few pestles. It's nice to have both. Here is your opportunity to marry this large scale pestl...

The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25. Continuing 308 miles, 3 furlongs. London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair. Sheet width 48cm., 19 ”., height 38cm., 15 “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2" Full Sheet Length 58cm., 22 3/4" Height 38cm., 15" Frame Length 66cm., 26"., Height 56cm., 22" In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15. Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair. Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

Map of Lancashire by John Cary engraver published 1st Jan 1793 by J Cary Engraver & Mapseller Strand in original black and gold classic map frame

A fine example of a mid-17th century steel halberd with pole arm, with a diamond shape thrusting point, axe blade with shallow concave cutting edge featuring ...

The continuation of the road from London to Barwick beginning at York and extending to Chester in ye Street. Plate ye 4th continuing 76 ½ miles. No 8. York to Burrowbridge, to Top...

Author: Caxton, William - Higden, Ranulf (Ranulphus). Title: Polycronicon. (Polychronicon). Publisher: [Westminster]: William Caxton, 1482. De...

An extremely rare, exquisite Grand Tour-inspired architectural model of a Corinthian column England, third quarter of 18th century. Why we like it Exquisitely carved and having acce...

Just purchased more information to follow. In unrestored condition, the sheet can be cleaned.

A Map of Kyle & Carrick Aireshire Thomas Kitchen 1749 In original black and gold frame Just purchased more information to follow MAKER Thomas Kitchin (1718-1784) English engrave...

A general map of Bedfordshire with its hundreds. Measure: 37cm 14 1/2" high A scale of 5 miles. in the original green mount and traditional black and gold frame. charming map with...

Mechelen dolls are rare wooden devotional figurines (mainly walnut was used), which were made by some members of the Guild of Saint Luke. The figures, all individual saints, were made from reference models using highly regulated carving and polychrome techniques. They had to meet several requirements. The shape of the rug had to meet certain criteria and the letter M (from Mechelen) had to be visible in the shape. These devotional or saint figurines...

Crucifix on Calvary, called 'Pestis Christi' or Crucifiix Pestis 'Plague of Christ' or Plague Crucifix). The sculpture is composite, made with heterogeneous materials: wax, wood, papier-mâché. The octagonal base is slightly raised and supports the calvary, symbolized by rocks, from which the crucifix rises, made with intentionally unfinished boards and with marked veins. The depicted Christ is peculiar: he shows scarified skin all over his body. Masterfully crafted in wax. They are the plagues of the plague that Christ, 'Agnus Dei' takes charge of with salvific value, for the salvation of the world. At his feet the ordeal full of symbols: evil (snake) with the apple, the 'Memento mori' of human bones...

A general map of Bedfordshire with its hundreds A scale of 5 miles in the original green mount and traditional black and gold frame. Measures: 36cm 14" high.

Unusual wrought iron pestle, most are bronze like most mortars. This one is at least 17th century, quite possibly dating to the Gothic period. I have owned two iron mortars in my ti...

17th century Portuguese Tile Panel Representing "The Musician " Restored Measures: 43cm x 28cm Amazing unique art work.

Map of Essex by John Cary Engraver London published as the act directs Sept 1st 1787 by J Cary Engraver Map & Printseller no 188 the corner of Arundel Str...

A modern map of Shropshire Drawn from the latest surveys corrected and improved by the best authorities. Artist Joseph Ellis sculptor. Joseph Ellis was an engraver and publisher from Clerkenwell in London and was apprenticed to Richard William Seale in 1749. He is best know to county map collectors for The New English Atlas published in 1765 which was later reissued as Ellis's English Atlas in 1766, 1768 1777, 1786, 1790 and 1796. Maker carington bowles 1724 - 1793. Carington Bowles worked in London as a publisher in partnership with his father John Bowles from about 1752 until 1763. Carington Bowles worked as a publisher in partnership with his father John Bowles from about 1752 until 1763 before taking over his uncle's business. His address was 69 St. Pauls Church Yard, London. He worked with a number of well known cartographers of the day including Emanuel Bowen, Thomas Kitchin, Robert Sayer...

Map of North Wales by Robert Marsden Including Anglesey Charming topography and detail and colouring just purchased more information to follow.

A new map of the southern part of Scotland containing the counties of Stirling, Lanerk, Renfrew, Linlithgow, Edinburgh, Peebles, Haddingtoun, Berwick, Selkirk, Roxburgh, Dumfries, Wigtoun, Kirkudbright & Air Published by Alex Hogg at the Kings Arms...

Rare map of The Islands of Guernsey and Jersey, including Alderney & the Scilly Islands just purchased more information to follow In the original cream mount and gilded frame.

Author:: Balbus, Johannes. Title: Catholicon. (An original leaf). Publisher: Mainz: [Peter Schoeffer], 1469. Description: An Original Catholicon Leaf Printed By Peter Schoeffer. 36.5 cm x 28.5 cm, printed in double columns with 66 lines to the page, rubricated 15 on recto and 38 on verso, printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5 mm.. Condition: Mild toning to edges of leaf, otherwise invery good condition Additional Information.: The first nonreligious book ever printed by the first printer. Below is an interesting translation mentioning Africa from Verso: column 2: 11th item: line 34 - "Heliotrope: A green colored stone having blood red veins. If placed in a silver dish filled with water and exposed to the rays of the sun, the water will turn blood red, and the sun will go dark. It is most brilliant when at the rising and setting of the sun it changes color. It is found in Africa." Aside from a leaf from the Gutenberg bible this is one of the earliest possible obtainable pieces of printing associated with Johann Gutenberg. Provenance: 1) Sir Hans Sloane...

La Terre Sainte, The Holy Land, Tiree Des Memoires De M.De.La Rue. Par N. de Fer. Geographe de Sa Majeste Catoliq et de Monseigneur le Dauphin. Avec Privil du Roi 1703 Detailed map of the Holy Land from Nicholas de Fer's L'Atlas Curieux ou le Monde. East is oriented at the top. MAKER Nicolas de Fer 1646-1720 The French cartographer and engraver, Nicolas de Fer, was a master at creating maps that were works of art. The maps that he published were printed during the Baroque period when the decorative arts were characterized by ornate detail. De Fer’s detailed maps and atlases were valued more for their decorative content than their geographical accuracy. Nicolas de Fer was born in 1646. His father, Antoine de Fer, owned a mapmaking firm. At the age of twelve, Nicolas was apprenticed to a Parisian engraver named Louis Spirinx. The family business was starting to decline when his father died in 1673. Nicolas de Fer’s mother, Genevieve, took over the business after the death of her husband. In 1687 the business was passed on to Nicolas and the profits increased after he took over the firm. Nicolas de Fer was a prolific cartographer who produced atlases and hundreds of single maps. He eventually became the official geographer to King Louis XIV of France and King Philip V...

Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century Following models by Guido Reni (Bologna, 1575-1642). Has faults. Oil on copper that shows the Virgin Mary seated on clouds...

CROSS OF CARAVACA XVII CENTURY BEAUTIFUL CARAVACA CROSS FROM THE 17TH CENTURY IN BRONZE. MEASURES: 12.5X5.5 CM. IN GOOD CONDITION good condition

Extraordinary Late 18th Century Neoclassical Maquette Model of a Palais Facade. Original polychrome, Carved Wood. Private Paris Collection. France Circa 1780.

A stunning specimen of agate distinguishes this diminutive French sewing nécessaire. The segments of beautiful hard stone are perfectly complemented ...

Incredibly old, rare and meaningful, antique giltwood tabernacle door with lamb of god sculpture. This striking and all handcarved, symbolic tabernacle must have originally been part of a church or monastery tabernacle and it is a real work of (religious) art. Most Christians will recognize and know the deeper, symbolic meaning of this sculptural church relic...

A handsome collection of 6 Austrian vellum bound books from the late 17th century. This antique set of six books from Austria, which retain their original vellum bindings, have Latin...

16th century Spanish Bronze Mortar with Letters M on the Sides

Large English 18th Century Queen Anne Period Wooden Mortar And Pestle

Hand carved Santos in original condition. Beautiful old patina.

From John Ogilby's, 'Britannia, an Illustration of the Kingdom of England and Dominion of Wales'. First published in 1675 it remains the greatest advance ...

Pair of reliefs. Carved, polychrome and gilt wood. Castilian school, 16th century. Pair of carved and polychrome wooden reliefs with figurative relig...

A Charming and Relatively rare mid 18th century, Georgian, oak miniature kneehole desk, having seven drawers with original turned brass knobs flanking central cupboard door with geometric inlaid decoration. Often there is debate over miniature furnitures original purpose. Was it was made as an apprentice piece, which is where somebody who is looking for a job in a workshop would create something to showcase their talents, or was it made as a travelling salesman...

A French set of eleven vellum bound books from the early 18th century. This antique set of six books from France, which were published in Amsterdam, retain their original vellum bindings and will make fabulous decorative objects. Should you choose to use these standing together in a bookcase, side-by-side they measure an approximate run of 1.25 feet, and have an approximate height of 6.75 inches. Note that there is some minor interior moisture damage to some of the books. This collection of French vellum books...

Wall reliquary altar. Carved, polychrome and gilded wood, glass, metal, etc. Spanish school, 17th century. Reliquary altar made of carved, gilded and polychrome wood composed of a part that imitates a curtain of the type usually used to cover altars and other pieces when they are not used, topped by a winged angel head, and a composition organized around a tondo large central stem, from which arise a series of stems ending in scrolls. Some of these stems (eight in total) eventually form a kind of crown of leaves in the center of which are as many circular reliquaries of saints. In this mentioned central tondo there is an Agnus Dei (or Ágnusdei) made of wax. On the visible side there is an image of the Risen Christ (inspired by the one sculpted by Michelangelo Buonarroti around 1520 and found in Santa Maria sopra Minerva in Rome) accompanied by angels with symbols of the Passion and on a pedestal. This image is known to have been used on these pieces before 1598, again in 1619, and again in 1690. These relics (they are blessed by the Pope) get their name because they are printed on the front, above the book with the seven seals , the haloed Paschal Lamb carrying the banner of the Resurrection. In the text around the image, it seems to include a reference to Pope Pius V...

17th century Spanish Talavera pharmacy jar in blue glazed ceramic.

17th Century portuguese tile panel. Representing "The Saint". Restored. Measures: 28cm x 28cm. Amazing unique art work.

Thomas Kitchen (1718 - 1784) : Map of Turkey in Europe & Hungary 1783 Visible sheet within the cream mount 25.5cm., 10" height 20cm., 8" In an ebonised frame length 33cm. 13", height 28cm., 11" Kitchin, Thomas (1718 - 1784) Thomas Kitchin (August 4, 1718 – June 23, 1784) was a London based engraver, cartographer, and publisher. He was born in London to a hat-dyer of the same name. At 14, Kitchin apprenticed under Emanuel Bowen, under whom he mastered the art of engraving. He married Bowen daughter, Sarah Bowen, and later inherited much of his preceptor's prosperous business. Their son, Thomas Bowen Kitchin, also an engraver joined the family business, which thereafter published in Thomas Kitchin and Son. From 1858 or so Kitchin was the engraver to the Duke of York, and from about 1773 acquired the title, 'Royal Hydrographer to King George III.' He is responsible for numerous maps published in the The Star, Gentleman's Magazine, and London Magazine, as well as partnering with, at various times, with Thomas Jefferys, Emmanuel Bowen, Thomas Hinton, Issac Tayor, Andrew Dury, John Rocque, Louis de la Rochette, and Alexander Hogg, among others. Kitchin passed his business on to his son, Thomas Bowen Kitchin, who continued to republish many of his maps well after his death. Kitchin's apprentices included George Rollos...

Although the 18th century, the period of the Enlightenment in France, spawned thinkers who criticised the privileges of the clergy and the truthfulness of certain dogmas, the Roman Catholic faith was very much present in everyday life. Since king Louis XIV had issued the Edict of Fontainebleau in 1685, Protestantism was banned. This Madonna with child illustrates the daily practice of faith. Like many 18th-century Madonna statues...

A wonderful 17th century oil on copper painting from the Catalan region of Spain housed in a beautiful frame of painted wood. The painting depicts a saint or a religious man...

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...

Canaan comonly called the Holy Land or the Land of Promise, being the Possesion of the Israelites & travelled through by Our Lord & Saviour Iesus Christ and his Apostles. Engraven by Richard Palmer for Richard Blome. 1687 Blome, Richard, 1641-1705. London. 283 x 452 mm. Copperplate. Probably from an English Bible...

An 18th century French Louis XVI marquetry secretaire, or secretary desk with bookcase. Beautifully made with book matched veneer of mahogany and fine inlay of walnut and mahogany. I...

17th Century Spanish Talavera pharmacy jar in Blue Glazed ceramic.