Rock Crystal More Furniture and Collectibles

Fine large pair of neoclassical rock crystal obelisks with square base. Very harmonious proportions, exquisite clarity, Fren...

Sculptural 18th century Italian gold leaf wood fragment figure of Christ (Florence) on calcite crystal cluster in matrix. The calcite crystal cluster is from Elmwood Mine, Tennesse...

Antique 19th century Austrian rare and unusual solid silver-gilt and enamel reliquary, pierced and decorated with multicolored enamels, sides set with carved rock crystal panels and ...

A pair of large Art Deco style cut rock crystal and green quartz obelisks.

These four bead chains form a beautiful set, and could be worn as necklaces or used as an ornamental decoration. Remarkably, the beads are just shy of 1000 years old, and were crafte...

A fine and unusual pair of Art Deco hexagon form cut rock crystal obelisks, beautifully hand-cut and hand-polished, Paris.

A pair of monumental, large and highly important Art Deco style cut rock crystal obelisks of are size and proportion.

Traditional hand carved rock crystal

About Since 1986 Dale has been sourcing the most unique fossils and minerals from around the world and through his company has been supplying leading interior designers and collector...

Large modern hand carved and hand polished rock crystal obelisks. Simple traditional form with a long taper point, bevelled edge and square plinth base. Various other sizes are a...

A fine and exquisite example of the designers work. The bag is signed and numbered 0089. Known for his elegant refinement the designer was born in 1939 and passed in 2014. Working in Rome and fully understanding the Mediterranean love of pure refinement his designs express a sublime play of luxury with simplicity. These small clutches are in demand the world over. Examples of his work can be found carried by the best-dressed women from the highest levels of society and in institutional collects such as the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London as well as a long list of other international museums and institutions too numerous to mention. Crafted completely by hand in Italy these are like fine small sculptures with no two being alike. The gems and stones used are examples of the lapidary art...

Scandinavian modern silver necklace on curved link chain and a rock crystal pendant. Designed by Alstrom, Stockholm, Sweden, 1960s. Chain length: 14...

A silver Scandinavian Modern pendant and chain with a geometric hexagonal design within a circle and detailed with six rock crystals. Made by Kultateollisuus KY Turku, Finland, 1972....

Scandinavian Modern silver necklace with highly textured surface and organic shaped openings. A round faceted quartz crystal adds a geometric detail. Designed by Isaac Cohen, Stockho...

Scandinavian modern silver and rock crystal bracelet with rock crystal by silversmith Waldemar Jonsson in Skara, Sweden, 1969. Measures: Diameter: 2.75". Height: 2".

A pair of rock crystal obelisks on square cut step bases.

A Scandinavian Modern silver necklace with a rounded rectangular pendant with a dramatic, mounted citron rock crystal. Designed by Birger Lindgren, 1967, Stockholm Sweden. Pendant: ...

This Arizona wood boasts rich colouration as a result of minerals entering the 235 million year-long fossilisation process. The polished wood is smooth and extremely durable. The pie...

18th century Italian cross adorned with tangerine quartz crystals on a tangerine quartz and crystal cluster base. The crucifix originally came from a church in Tuscany. The crystal quartz points replicate the original sunrays or halo around the cross. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian cross is originally 18th century. The 18th century Italian cross has been preserved and transformed into a figurative, contemporary work of art. With the combination of the precious minerals, the church artifact...

Rock Crystal Obelisk, 11.25" Pair: Add a touch of natural elegance to your decor with this stunning pair of rock crystal obelisks, each standing at a height of 11.25 inches. The obe...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A spectacular large Nepalese stupa, of cast and repousse gilt bronze or copper alloy, 16th/17th century, Nepal. The magnificent stupa of traditional form, featuring a stylized lotus base supporting a large dome. A square structure, called a harmika, sits upon the dome. Each side of the harmika featuring engraved Buddha Eyes, also called Wisdom Eyes. Torana rise above each of the four sides. A tall spire, known as a yasti, rises from the squareharmika. Attached to the yasti are a set of thirteen graduated discs, known as chatras, giving the spire a tapered form. The chatras represent Bhumi, or the foundations that support the path to enlightenment. The spire is topped by another stylized lotus platform with a rising square pillar topped...

A rare enamel, gold and rock crystal figure of Emperor Maximilian I by Reinhold Vasters, Aachen, In the Renaissance style, circa 1870. The g...

Silver jewelry with round brilliant cut rock crystal. Salovaara, Åbo 1973. Neckline of sterling silver. Norway. Kultaseppä Salovaara was founded ...

Versatile set of geode bookends, circa 1990s. Geode bookends can sit in two positions exposing different color options as show in images, beautiful colors.