17th Century More Furniture and Collectibles

An extensive biography of the life of Louis XIII king of France who ruled from 1610-1643. This volume is the first edition of Howell's work and retains its original full calf...

17th century Portuguese Tile Panel Representing "The Musician " Restored Measures: 43cm x 28cm Amazing unique art work.

Giovanni Pietro Olina. UCCELLIERA; Overo discorso della natura e proprietà di diversi uccelli e in particolare di que' che cantano, con il modo di prendergli, conoscergli, allevargli...

Very nice carved oak Christ figure with a strong expression. Beautiful weathered , France circa 1600-1700. Weathered, and losses. Measurement with the base

17th Century portuguese tile panel. Representing "The Saint". Restored. Measures: 28cm x 28cm. Amazing unique art work.

Antique map titled 'Basse Partie de la Basse Saxe ou sont les Duchés de Sleswick, Holsace, Meckelenbourg et Lauvenbourg (..)'. Original old map of northern Germany, including Schlesw...

Beautifully detailed map of Switzerland and surrounding regions in present-day France, Germany, and Italy. This map features two decorative cartouches: the larger is flanked by two p...

17th Century English carved oak corbel “The Green Man”. Rare antique decorative architectural ornament of the enigmatic Green Man. Images and carvings ca...

Antique map titled 'Pascaarte vande Noorderzee Custen van America (..)'. Sea chart of Hudson Bay and Arctic Canada. Compass roses, loxodromic lines, and ships decorate the oceans and...

The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54. From Standard in Co...

Cross of caravaca xvii century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 14x6 cm. Good condition.

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...

17th century Polychrome wooden Niche with Angels and Pilasters.

The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25. Continuing 308 miles, 3 furlongs. London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair. Sheet width 48cm., 19 ”., height 38cm., 15 “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2" Full Sheet Length 58cm., 22 3/4" Height 38cm., 15" Frame Length 66cm., 26"., Height 56cm., 22" In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The Road from Kings Lyn Co Norfolk to Harwich Co Essex. By John Ogilby His Majesties Cosmographer. Containing 76 miles, 1 furlong. From Lyn to Swaffam, to Stanford, to Thetford, To Icksworth, to Stowmarket, to Ipswich and to Harwich including ye Ferry, No 75, inscribed in pencil 1698 Hand colored and floated in the original black and gold frame, c1961. Some creasing commensurate with age. The back of the frame inscribed May 1961. Provenance : Private Collection, acquired c1961, along with No 74 Ipswich to Norwich & No 54 London to Yarmouth. All in the original black and gold frames. Sheet width 45cm., 17 ¾”., height 34.5cm., 13 ½“ Frame width 50cm 19 ¾”., height 40cm., 15 ¾” Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15. Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair. Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

A fashinating 17th century Italian Virgin with Child, an hand-made rectangular shaped relief devotional plaque in polychrome glazed terracotta depicting a Madonna with Child, dating ...

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century Following models by Guido Reni (Bologna, 1575-1642). Has faults. Oil on copper that shows the Virgin Mary seated on clouds...

CROSS OF CARAVACA XVII CENTURY BEAUTIFUL CARAVACA CROSS FROM THE 17TH CENTURY IN BRONZE. MEASURES: 12.5X5.5 CM. IN GOOD CONDITION good condition

Rare antique Italian kneeler, Mid-17th Century Louis XIV. Made of solid walnut with relief decoration carved into the wood. In the part dedicated to the knees there is a compartment. Of great value all the hand forged iron part of the escutcheons and fantastic large antique keys...

17th century violin possibly Italian. Dendrochronology says some of the timber is 17th century. There is good voulme, resonance and and tone. We would be happy to send you a recordin...

Untitled antique print with two views of Cairo, Egypt. 78: Palace of Sultan Gori. 79. Tower and aqueduct. This print originates from 'Reizen van Cornelis de Bruyn, door de vermaardst...

Calvary XVIIth century, religious 17th Century Calvary, religious Ancient Calvary from the 17th century carved in boxwood Boxwood is characterized by its hardness and difficult pruning. It has traces of polychromy and gold. Measure: 65x45...

Extremely old box that is covered with leather and metal decorations. Rare find. France, circa 1600-1700 Weathered and some losses.

Cross-shaped chest clock. Silver. 17th century. It presents restorations. Portable clock in the shape of a cross with an openwork exterior showing Christian figurative scenes and the movement inside, a dial with a golden band with Roman numerals for the hours, a single needle and an engraved decoration around it, also with a religious theme; on the back, the back of the movement can be seen, with a delicate decoration, also openwork and based on plant motifs reminiscent of classicism, and a band on the case of the piece with simplified plant elements. Outside, we find ourselves on one side with Christ crucified, flanked by the Virgin Mary and Saint John, and the figures are surrounded by a delicate composition based on vegetable scrolls, with an angel's head at the foot of the piece. The other side shows the Resurrection of Jesus, with Christ emerging from the empty tomb...

Elegant bronze mortar from the 17 century from Italy dated 1630. Really rare mortar due to his big size. In very good condition and beautiful patina.

17th century pair of carved and gilded wooden mensulae with birds.

17th Century Italian Baroque Architectural Bases Pair of Carved and Giltwood Elements featuring blue painting details, a pair of antique decorativ...

The continuation of the road from London to Barwick beginning at York and extending to Chester in ye Street. Plate ye 4th continuing 76 ½ miles. No 8. York to Burrowbridge, to Top...

Antique map titled 'The Counti of Warwick (..)'. Map of Warwickshire, England. Includes inset town plans of Warwick and Coventry. This map originates from 'Theatre of Great Britaine'...

Mortar with hand. Bronze. XVII century. Mortar with a circular base, cylindrical body and slightly outwardly flared mouth, decorated with a series of smooth horizontal moldings arranged both in the lower and upper areas and with simple vertical elements (which still maintain slight balustraded shapes) derived from of the ribs that these specimens used to have in the medieval Spanish...

Antique map titled 'Syriae, sive Soriae, Nova et Accurata Descriptio.' Map of Syria and Lebanon, fully engraved with mountain ranges, forests and citi...

Act for Preventing Frauds and Abuses in His Majesty's Customs 1662. Publisher: London : Printed by John Bill and Christopher Barker, printers to the Kings Most Excellent Majesty. First edition: Very good condition for its age other than some wear to spine. Customs act 1662: Ten-line decorated initial on first page. Royal arms on cover title page: approximately 8 x 6.5 cm. Crawford arms 66. See Crawford, J.L.L. Bibliography of royal proclamations of the Tudor and Stuart sovereigns and of others published under authority, 1485-1714, II, page 511. Public General Acts. 1662. 14 Car.II.c.11. "Anno regni Caroli II. Regis Angliae, Scotiae, Franciae, & Hiberniae, decimo quarto. At the Parliament begun at Westminster, the eighth day...

A large French walnut coffer with exceptional hardware. This coffer is made of solid pieces of walnut. This piece would be ideal for a large room, behind a sofa, in a hall or stair landing...

From John Ogilby's, 'Britannia, an Illustration of the Kingdom of England and Dominion of Wales'. First published in 1675 it remains the greatest advance ...

17th century Spanish Talavera pharmacy jar in blue glazed ceramic.

A handsome collection of 6 Austrian vellum bound books from the late 17th century. This antique set of six books from Austria, which retain their original vellum bindings, have Latin...

Incredibly old, rare and meaningful, antique giltwood tabernacle door with lamb of god sculpture. This striking and all handcarved, symbolic tabernacle must have originally been part of a church or monastery tabernacle and it is a real work of (religious) art. Most Christians will recognize and know the deeper, symbolic meaning of this sculptural church relic...

Antique print titled 'Harlingen, Staveren, Sneck'. Views of the cities of Harlingen, Stavoren and Sneek, Friesland, the Netherlands. This print originates from 'Thooneel der Steden e...

Elegant crucifix in bronze from the 17th century - Spain Beautiful turning and good quality Very nice patina and in superb condition.  

One of a kind Baroque Spanish St Michel sculpture. A museum piece !! The artistic imprint shows the typical Castilian traces in the conception and interpretation of the subject. This allows us to frame the attribution to a close circle of the stela left by Gregorio Fernández (1576-1636) in the very recognized Castilian circle. The artist responsible for the creation of this magnificent carving has undoubtedly been trained in the footsteps of Fernández in the Castilian Baroque context. He powerfully remembers the Archangel San Miguel preserved in the reliquary of the Church of San Miguel de Valladolid; belonging to the first third of the seventeenth century. Both carvings show great parallels in the spatial conception, in the configuration of the cloths...

Just purchased more information to follow. In unrestored condition, the sheet can be cleaned.

Canaan comonly called the Holy Land or the Land of Promise, being the Possesion of the Israelites & travelled through by Our Lord & Saviour Iesus Christ and his Apostles. Engraven by Richard Palmer for Richard Blome. 1687 Blome, Richard, 1641-1705. London. 283 x 452 mm. Copperplate. Probably from an English Bible...

Rare and wonderful Saint Anthony church sculpture, European 17th century Baroque. This rare and sizable wall statuette of Franciscan Saint Anthony is another one of our recent great finds. This wonderful church relic...

Wall reliquary altar. Carved, polychrome and gilded wood, glass, metal, etc. Spanish school, 17th century. Reliquary altar made of carved, gilded and polychrome wood composed of a part that imitates a curtain of the type usually used to cover altars and other pieces when they are not used, topped by a winged angel head, and a composition organized around a tondo large central stem, from which arise a series of stems ending in scrolls. Some of these stems (eight in total) eventually form a kind of crown of leaves in the center of which are as many circular reliquaries of saints. In this mentioned central tondo there is an Agnus Dei (or Ágnusdei) made of wax. On the visible side there is an image of the Risen Christ (inspired by the one sculpted by Michelangelo Buonarroti around 1520 and found in Santa Maria sopra Minerva in Rome) accompanied by angels with symbols of the Passion and on a pedestal. This image is known to have been used on these pieces before 1598, again in 1619, and again in 1690. These relics (they are blessed by the Pope) get their name because they are printed on the front, above the book with the seven seals , the haloed Paschal Lamb carrying the banner of the Resurrection. In the text around the image, it seems to include a reference to Pope Pius V...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Miniature on copper...

Place this elegant antique coffer at the foot of a king size bed. Crafted in Italy, circa 1680, the rectangular trunk stands on bracket feet. Heavily carved on all three sides with a...

Antique print titled 'Nicaea Civitas'. Original antique print with a view of the city of Nice, France. Rare in this edition. Source unknown, to be determined. Artists and Engraver...

Outstanding and expressive sculpture of Crucified Jesus Christ in carved polychrome wood is approximately from middle 17th century, originated from Italy. The quality of details is ...

17th century Spanish Talavera pharmacy jar in blue glazed ceramic.

Antique print titled 'Lubecca, Lübeck'. A bird's eye view of Lubeck, the northern German city in Schleswig-Holstein. This print originates from 'Topographia Saxoniae Inferioris'. Ar...

17th century Spanish Talavera pharmacy jar in blue Glazed ceramic.

17th Century Spanish Talavera pharmacy jar in blue glazed ceramic.

17th century Spanish Talavera pharmacy jar in blue glazed ceramic.

17th Century Spanish Talavera pharmacy jar in Blue Glazed ceramic.

Antique map titled 'The Counti of Warwick the Shire Towne and Citie of Coventre described'. Map of Warwickshire, England. Includes inset town plans of Warwic...

Antique map titled 'Thienen'. Old map of Tienen showing the siege of Tienen in 1588. This map originates from 'La genealogie des illustres comtes de Nassau' by Jan Jansz. Orlers. ...