Armchairs

17th Century Oak Wainscot hall chair This Handsome Chair, has a magnificent patina, the solid plank seat has a little carving to the front border, the back is carved with a large ...

Beautiful pair of Directore armchairs in lacquered wood bench, trapezoidal backrest and jacob style legs, Seats covered with a beautiful bottle gr...

This pair of antique armchair frames are unsigned, but presumed to have originated from England and date to approximately 1790 and done in the period King George III style. The chair...

An attractive 18th century barrel-back armchair with simple, mahogany tapered legs and curved back. Having a loose seat cushion. Terminating in brass castors. Needs re-upholstery....

An 18th century oak commode armchair having solid back with reverse arched and central rectangular inset panel, solid sides and base with shaped aprons, over open curved arms on turn...

Great set of 4 18th century Queen Anne walnut arm chairs with pad feet and well executed shells carved into the seat rail and crest rail.

The minimalist and incredibly comfortable 'LC3' series chairs designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand for Cassina. Large and in-charge, the 'LC3 - Fauteuil Grand Confort...

Mid-Century Modern space age design pair of armchairs or lounge rocking chairs model Dondolo in metal, leather and wood feet by the Iconic Danish designer Verner Panton for the itali...

Queen Anne chair made of walnut with upholstered seat.

A truly fine Wood & Hogan English George I style Walnut open armchair which can be produced only by a master chairmaker. Note the beautifully shaped deep scoop shepherd crook arms and the hand carved cabriole legs. The finish is equal to that of a prized antique.

18th century French pair of wooden upholstered armchairs.

The Virgola armchair, designed by Yaakov Kaufman for Arflex, has a steel frame with molded polyurethane padding and polyester fiber, springing on elastic straps, legs in aluminum or black painted steel and removable cover in fabric or fixed in leather. Playful design for a piece of furniture that certainly does not go unnoticed: the Virgola armchair transmits personality to any environment. In production since 1991. Yaacov Kaufman...

A superb and original carved Wainscot armchair, circa 1660. Yorkshire This superb Wainscot chair dates from the middle of the 17th century and is most likely from the Leeds area of ...

Antique upholstered chair, early 18th century. Upholstered in a tapestry style fabric. Item #: FR-0056 Dimensions: 26”W x 22”D x 46”H.  

Original Flemish armchair in elm, 18th century.   

Postmodern Italian Design Galaxy series 'Peggy' Low Armchair set of 2 by Umberto Asnago for Giorgetti, made in Italy 1990's. Black laquered architectural frame with blueish grey gree...

Pair of Louis XVI fauteuils. Elegant yet comfortable. In it's original woven velvet and silk tapestry upholstery. The pair of giltwood chairs do...

Postmodern Italian Design Galaxy series 'Peggy' High Armchair by Umberto Asnago for Giorgetti, made in Italy 1990's. Black laquered frame with blueish grey green flower fabric. Super...

Beautiful pair of French original Directoire - Louis XVI chairs, France, 18th century. Original painted French Greenish gray with blue accents. All pegged construction, these came ou...

An “X”-frame folding chair with curved arms and legs joined by a central working pivot and standing on sled feet. In walnut with good rich color...

Stunning intricate workmanship on this puzzle chair by David Kawecki. Stained plywood. Please be sure to check our storefront for more wonderful decorating pieces that range from Pri...

Chrome aluminum frame Black netweave seat Adjustable and reclining seat Excellent condition.

A pair of lacquered wood northern Chinese yoke-back chairs, Guan mao shi Hebei Province, Qing Dynasty, early 18th century Measures: H. 99.5 x W. 61 x D. 49 cm ?The back spla...

A fine and important George III design attributed to Robert Adam, circa 1775. The Adam Armchair is carved gilt-wood and upholstered in the client’s own material. Bespoke sizing, d...

A throne-like silhouette and a rich patina give this antique chair an air of august dignity. Built in France in the 18th Century — before the advent of electric light — the deep burnished polish and warm ruby hue of the wood would have reflected the light from candles and oil-lamps beautifully in the evenings. Visible pegs and mortises showcase the impressive craftsmanship that went into the making of this piece. The paneling of the backrest, the contoured crest and carved ears...

"""""""""""""""""""" Short Time sale of 23 % is Over """""""""""""""""""""""""""""" Rare pair of the 18th century Regence period (French Regency) detailed carving fauteuils armchairs in walnut with the original Aubusson Tapestry. Wildlife hunting scenes animalier depicted such as what we see in the Chateau Château de Chasse. We can see a rooster attacking a fox in a trap in another cartouche we see a lion with a wild horse with the surrounding typical 18th century bucolic "Bucolique" Theme in the spirit of Jean-Honoré Fragonard , depicting garden scenes with verdure and flowers. Los Angeles Antiques...

A very handsome 17th century Armchair soundly constructed is richly stained oak. Wonderful carving detail. The seat height is 17 1/8". A terrific accent piece.

Fine pair of 18th century French Rococo armchairs with great proportions and in their original finish with good patination. Newly upholstered. Ca 1750 France.

Pair of comfortable 1970s chairs, Italian made, in purple synthetic leather and polished chrome metal frame. These armchairs are not afraid of being damaged due to the solid structur...

Classical revival with herm finials and newly upholstered back and seat in muslin fabric. Arms with bronze finials , folding X form base.

A small 18th century Louis XV French fauteuil, or armchair, with sturdy walnut frame and fine hand carved decoration. Upholstered in 19th century petit point tapestry. Pegged constru...

This magnificent set of three French antique Louis XVI (ca 1770) gold gilded armchairs originated from the region of Avignon. These stunning original armchairs are elegant and charac...

Gerard Van Den Berg; arm chair; Modern; Plain, usually slightly curved, and yet suggestive and unmistakable forms are typical of Gerard van den Berg. The Dutch designer consciously goes for simplicity and for this very reason shows his creative ability. Van den Berg, born in 1947, studied furniture building and design at a technical college. In the Seventies, he founded together with his brother the Montis upholstered furniture company. Thanks to his designs the young company soon attained international recognition. It´s success did not stop van den Berg´s leaving Montis in the early Nineties. Since then he has been a freelance designer. His work for leading international furniture companies...

Sublime pair of armchairs and a chair stamped Henri Jacob, round tapered legs, finely fluted, sculpted backs inside. The wood has been entirely restored and the seats are covered ...

Modern leather armchairs Piero Lissoni For Matteo Grassi, Italy 1990s. These modern leather armchairs were designed by Piero Lissoni for Matteo Grassi. These modern style chairs wer...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

18th Century Gustavian bucket chairs, set of four (4), giltwood, origin: Stockholm, Sweden, circa 1790 - 1800. Elegant proportions, beautif...

An 18th century, Dutch mahogany and marquetry corner chair. The shaped top rail supported by baluster turned supports, with a lovely elaborate marquetry seat raised on three turned baluster legs and a splayed back leg. This corner chair has been crafted from mahogany with floral marquetry inlaid decoration and are typical of the very best period Dutch marquetry furniture...

A large George III wing arm chair, the shaped deep-buttoned back with scrolling arms, reupholstered in distressed blue-black leather, raised on four cab...

Queen Anne armchair. Walnut wood with quality image carving on arms, apron, legs and the top piece on the back. Gently Restored "French polish" ...

The curved back with crest rail carved with a central urn, the carved down swept arms joining the seat. The seat swivels. The seat rail with guilloche carving, raised on carved taper...

Elegant caned Louis XV period walnut armchair, circa 1760. Leather armrests.

A very fine Georgian mahogany library armchair of unusually generous proportions. Exceptional features of these chairs include the tapering Greek key...

A pair of Louie XV style hand carved walnut chairs with 17th century wool tapestry upholstery. These are of generous proportions, very sturdy and comfortable....

Magnificent pair of walnut hand carved cardinal armchairs with royal antique red velvet with golden metal threats upholstery. These extraordinary la...

A two seater Thomas Chippendale design roll arm, camel back, painted settee on square legs with corner brackets. To be upholstered in the clients own material...

coppia di poltroncine di ispirazione Bauhaus, produzione Alivar, anni 90. usate ma in buono stato. h seduta cm 38 struttura in acciaio cromato, sedili in vero cuoio...

We are delighted to offer for sale this original early 17th century Charles I Wainscot armchair. A good early original piece, hand carved, very naïve but at the time this would ha...

Step into the world of mid-century luxury with our professionally restored Mid-Century Brass Swivel Chair, upholstered in an exquisite violet leather color. This chair, crafted by ex...

Wonderful and rare "giacominbo" armchair, design afra & tobia scarpa fo Meritalia, 1998. New, never used, from a closed store. Perfect conditions, as pics, red color.

Fine pair of George III giltwood armchairs, the molded oval backs over shaped arms ending in acanthus leaf and scrolled ends, ove...

Mats Theselius for Källemo AB, limited edition lounge chair, aluminum, birch, leather Sweden, 1990 This distinct design of Mats Theselius features a body of aluminium on four metal ...

An authentic and unique prototype piece from the French nineties design : The iconic "Spidlight" tripod armchair by Douglas Mont. High-tech streamline...

A late 18th century, George III period Chippendale Cuban mahogany armchair, the shaped crest rail with carved 'c' scroll ends above the wide, carved, pierced splat and bold out scrolling arms. The padded upholstered seat raised on moulded Marlborough legs ending on bun feet united by traditional 'H' stretchers. The dimensions are: Height: 98cm (38.6in) Width: 72cm (28.3in) Depth: 49cm (19.3in) Very comfortable seating. This chair has recently been professionally reupholstered. A rather pleasing example. In good antique condition throughout with some signs of age. The seat has recently been professionally reupholstered and remain in good, clean condition. The antique carved armchair...

18th Century, Pair of Barocchetto Venetian Lacquered Giltwood Armchairs This refined and important pair of armchairs was made around the middle of ...

Rare double Cathedra made from walnut wood, sculpted, and inlaid, around 1500 Origin: Southern Germany Period: Late 15th Century - Early 16th Century Height: 221cm Width: 146,5cm Depth: 60,4cm Walnut wood and inlaid Good state of conservation Description: This double cathedra in walnut wood was probably intended for an abbey, according to the sculpted decor. This cathedra is made from a symmetrical aspect and is divided into three levels. The bottom level has a base sustained by six feet. In the front, the base is decorated by four sculpted elements flattened with a “napkin fold decoration”. Each of the seat rises, revealing a trunk. The intermediate level in divided by three straight and solid armrests. The lower part of the backrest has two inlaid panels with “tarsia certosina” for geometric patterns. This technique also called “inlay in the mass” consists in digging a cavity in the wood to inlay decorative elements. Those panels are framed with the “tarsia a toppo” technique. The top level is divided in two elements. The top part of the backrest has two panels, where parchment patterns frame two badges. Three pinnacles dominate the summit of the backrest. The center of the backrest is sculpted in a rectangular shape. Inside, there are two niches with biblical characters: Saint Anthony the Great and the Virgin Mary. Saint Anthony the Great: Or Antony the Ermit is a monk considered as the father of the Christian monasticism. Born around 251 in Egypt, he withdraws very early into a spirituel solitude. Divine powers are conferred to Saint Antony thanks to the exorcism of the king of Catalonia’s family. But also, the piglet’s episode, born blind. During the XI century, a hospital Order is founded under the invocation of the saint which makes him a holy thaumaturgist. His iconography appears during this period, often represented as an old man with a bear wearing a hooded bute dress, characteristic of the monks of his order, sign of poverty. Also, wearing a long coat. This bas-relief takes back all its usual attributes. - The tau: holding in his left hand, which serves as an abbot’s crook. Also embroidered on his coat. - The bell: hanging from his right hand, also known as hermits’ attribute, used to repel demons. - The book of “la règle des Antonins”: sign of the diffusion of the Faith and the precepts of the Order. - The pig: first, from the piglet’s episode. Then he often is linked to demons, and has another function here: he represents firefighting, coming from the fact that his meat could cure ill people from ergot poisoning. In Italie, he’s known as “Antonio del porco”. - Flames: are associated to the French name of the ergot poisoning (“le feu saint Antoine”: Saint Anthony fire). This attribute is emerging during the XVI century. Furthermore, a nimbus crowns the hermit. The two olive branches symbolize peace. We can see resilience and the pain of the saint who bares the disease of humanity. The Virgin of the Apocalypse: Saint Antony is looking at the Woman of the Apocalypse. This biblical character appears in the twelfth chapter, described by Saint John. Theologians have recognized the appearance of the Virgin even though there are differences for this identification. As a matter of facts, to some, this figure could be the New Eve holding the New Adam in her arms. Other iconographic representations, such as the Immaculate Conception or the Assumption, use the Woman of the Apocalypse attributes. In fact, the Virgin is crowned by angels, holding the Christ. This representation of the Virgin of the Apocalypse is being formed during the Middle Ages and the Renaissance. This iconography takes it rises during the XVI century. In our cathedra, the Virgin is standing up, wrapped in a long flowing drape falling down her feet. The collar of her tunic is decorated with embroidery and brocades. Mary is wearing her hair down, framing a calm and benevolent face, looking down. Two angels are crowning her, with gemstones. She seems to be holding a Christ gesticulating. The baby Jesus hangs on Mary’s neck. Finally, the Virgin is resting on a moon cross. The moon symbolizes the frontier between the incorruptible world and the corruptible one, which in the ancient tradition, used to be under the moon. And so, the Virgin seems incorruptible. Literature • RÉAU, Louis, Iconographie de l’Art Chrétien...

The most exquisitely shaped oval-back Wood & Hogan upholstered armchair. The subtle convolution of the curved back, with its delicate foliage carvings, could have been fashioned only...

Lovely small Louis XVI "Bergère" armchair with cream silk upholstery and original wood paint in beige and light blue. Fluted legs and typical decoration in Louis XVI the style with r...