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Martin Eisler & Carlo Hauner Midcentury Brazilian Armchairs White Fabric Metal

$12,736.53per item
£9,533.61per item
€10,800per item
CA$17,529.09per item
A$19,538per item
CHF 10,250.92per item
MX$238,590.80per item
NOK 129,798.90per item
SEK 122,679.70per item
DKK 82,217.21per item
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About the Item

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measurements 66 cm x 80 cm x 94h cm. 26 in x 35 in x 37h in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair, the "concha/haia" chair or “reversible” lounge chair, both shown in this exhibition. In 1958 Hauner decided to return to Italy to open Forma di Brescia, which catered to i.g. the embassy of Brazil in Rome and Vatican City. Eventually Hauner sold his part of the company, leaving Eisler solely at the helm, to focus himself on painting and the making of wine on Salina, a little island just above Sicily. After a full life the artist, designer and serial entrepreneur died in 1997. Forma prospered during the 1960s and 1970s, until Martin Eisler died in 1977. His original company in Argentina still exists and at the moment is the sole heir to Hauner and Eisler’s Heritage.

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