Living Room Sets

Royal House Antiques Royal House Antiques is delighted to offer for sale this SUPER RARE and highly collectable Minty Oxford three piece sofa and pair of armchairs suite along with ...

Objekt: Stahlrohrsessel Entwurf: unbekannt, um 1970 Modell-Nummer: - Ausführung: unbekannter Kunstmöbelhersteller, um 1970 Maße in cm Sessel (H x B x SH): 74x55x43 Material: Stahlroh...

1990's Leather and chrome daybed style sofa and chair by Normand Couture for Shermag of Canada. Back rests and arm rest are both removable. Great moder...

This Is a rare iconic set of 4 chairs design by Carlo Scarpa for Bernini, mod 1934-765. This chairs Born in 1970, and come up in original condition, without any restoration as in pho...

This modular sofa was produced by Klöber, a German manufactory founded in 1935. It consists of four separate lounge chairs in black leather. The minimalist base is made from chrome-p...

Paul Frankl-style rattan living room set includes a matching three-seat sectional sofa and a pair of lounge chairs. Both feature the famous six-strand square pretzel side arms and st...

Rare set of 4 "VillaBianca" chairs design by italian master Vico Magistretti for luxury brand Cassina. This Amazing set Is perfect for 80s lovers, Memphis style, plastic space age ro...

Vintage Lynch Chair & Ottoman by Taylor King, #5316-01, 5316-00. featuring rolled arms with beige / gold / whitish silver floral skirted upholstery. Taylor King began over forty yea...

This rare model is in very good condition. The pine wood frames show hardly any signs of wear, and the brown fabric upholstery is also in perfect condition. Bright canvas covers with thick leather straps are stretched into the wooden frame. All pillowcases can be easily removed and washed. The set of 3 includes an ottoman. The objects can be placed together as a 3-seater sofa or individually. Peter Ole...

Beautiful complete Italian luxury Louis Philippe style 1930s living room set includes: 1 sofa 2 armchairs Refined living room set in beech wood. The...

This living room set is a typical example of furniture design of the 1970/1980´s in the former Czechoslovakia. The furniture is very comfortable. It consists of one sofa and two arm...

Beautiful set of two armchairs with a coffee table. Sold as a set with all three pieces. The set was designed by Karin Mobring for Ikea in 1970s. The beautiful design is made of squa...

Gorgeous Vintage Rattan Barrel Back Chairs with accompanying ottoman and side tables. In nice vintage condition with minimal surface blemishe...

This newly reupholstered pair of club chairs by Claudio Salocchi for Sormani, circa 1970s, features graceful chrome frames with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching sofa available in another listing. The graceful frames share a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However these Sormani lounge chairs feature some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair of easy chairs are an amazing opportunity. These Cassina LC2 / LC3 style chairs...

Art Deco French Style Three Piece Sofa Suite, recently restored with new cushioning and soft velvet fabric. These pieces are very comfortable which makes this set a pleasure to own and use. The wood framing has been restored as well. The color is soft light teal/gray and would fit perfectly into any Art Deco setting. The craftsmanship is outstanding with all pieces finished using a matched gimp on both the outsides and insides of all 3 pieces. A loveseat and two armchairs, the wood tone is warm medium mahogany brown. We love the lines of Art Deco sofas and chairs...

A stylish rocking chair and ottoman designed by Monte for you and your little bundle of joy. Comfy, with a smaller footprint, our Joya Rocking Chair gently rocks back and forth on solid wood frame. It will hug you in all the right places and keep you supported for hours with your little one. And, like all of our upholstered seating, its look will work in any room when baby makes the move to big kid bed...

Restored Rattan 4 Strand Deco Living Room 3 Piece Set. The set consists of a large sofa and two generously proportioned armchairs, restored to its former glory with newly reupholster...

Peter Ghyczy's exceptional 2-seater sofa from the 1970s is an incredibly rare and truly unique piece. Also referred to as the "Fehlbaum sofa". Finding this particular sofa is a rar...

Mid-Century Modern French three-seat sofa with original velvet fabric designed by Gérard Guermonprez. The sofa presents some wear consistent with age and use. It can become a set ...

Art Deco Rattan living-room set including a matching 3-seat sectional sofa and lounge chair with matching stacked coffee table with two side tables. Both lounge chairs and sofas feat...

Superb and exclusive pair of two seat Mohair Velvet 'CALIFORNIA' sofas freshly reupholstered with Italian luxury Mohair Velvet fabric from Dedar Milano with inset stainless steel bases by Parisian high society designer Jacques Charpentier. This plush mohair pile...

Mid-Century Modern Rattan Seating Set, Italy,1970s

De Sede DS46 Sectional sofa-Living room set in Patinated Cognac Brown Buffalo Leather, Switzerland 1970s This twelve-piece De Sede DS 46 sectional sofa-living room set is a one-of-a...

- good original condition with minor signs of use - Dimensions of the Sofa: 86x197x82.

Original condition.

Introducing the exceptional Wolfgang Feierbach FG2008 set, featuring three yellow seats and a coffee table in their original brown corduroy fabric. As you may already know, the FG200...

Vintage Dakota Bergere chair and ottoman by Hammer Fine Furniture. Featuring French styling with Tuscan Field Green Leather and Brixton Crackle finish frame with nailhead trim. Made...

This gorgeous living room set consist of two very rare lounge chairs and matching coffee table. The set was produced in late 1980s by Stol Kamnik. Its modern look is still fashionabl...

Sofa, aluminum, leather, Italy 1970s Comfortable sofa made in the 1970s. This sofa strongly represent the essence of furniture design of the 1970s, going beyond the strict conventio...

De Sede DS46 Sectional sofa-Living room set in Patinated Cognac Brown Buffalo Leather, Switzerland 1970s This De Sede DS 46 sectional sofa-living room set is a one-of-a-kind piece, c...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Confidential Seating Set by Alberto Rosselli for Saporiti, Cognac Leather, Italy, 1970s

Art Deco era six-strand square pretzel arm, three-seat sectional sofa. This sofa features the famous six-strand square pretzel side arms and a stacked rattan base originally designed...

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

A stunning pair of armchairs made in Italy in the 1970s. The seat is very comfortable and supportive. The pads are still original and in very good condition. Original natural leather...

This is a beautiful light brown color bamboo covered with canvas and lovely leather cushions. We have a set with a round table with frosted glass top, a high chair and a low chair w...

Dining room set ‘’Tapiolina’’ designed by the Finish designer Ilmari Tapiovaara for Fratelli Montina. Italy, 1970s. Ilmari Tapiovaara’s work is characterized by the most radical fun...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

Set composed of three Bonanza lounge chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer C&B Italia (now B&B Italia...

Mario Bellini for B&B Italia, 'Le Bambole' sofa, brown patinated leather, Italy, 1972. This piece is one of the very rare prototypes or early editions, and still 100% original, read ...

Early Ikea Settee and Chair designed by Tord Bjorklund, Sweden.Wonderful design. GREAT QUALITY AND CONSTRUCTION. Chair measures 30" wide, Hand delivery avail to New York City or anyw...

Mario Bellini “Le Bambole” pouf for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new shape for ...

Mario Bellini "Le Bambole" living room set for B&B Italia, three-seater sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for u...

The greatest works of Modern and Brutalist architecture seem to defy physics - with top-heavy silhouettes, unexpected slivers of negative space, and stacks of heavy, blocky forms see...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

This unique and gorgeous modular sectional sofa from the 70ties is manufactured in germany. It has slightly curved design. The Sling shape is made of vegetal leather with fine deta...

Italian armchair with covering in black faux crocodile imitation leather, structure in antiqued yellow / pink color beech. It is very elegant and comfortable. Comes from an old shop...

1930’s Pair Of Mucke Melder original armchairs – FN21 – fully restored. 1930’s Pair Of Mucke Melder original armchairs – FN21 – fully restored. Founded in the...

Maison Regain Style Sofa/living room set in Elm and bouclé Fabric, France, 1970s This is a beautiful Mid-Century Modern Solid Elm Wood Sofa/living room set that was manufactured a...

Bonzanini Rudy design for Tecnosalotto Mantova Italy in years 70 Set of 4 chairs with structure in chrome and cuscion ulphostered textile si...

MASSIVE GREY/BLUE LEATHER "DS-18" SECTIONAL CORNER SOFA BY DE SEDE DESIGN TEAM, SWITZERLAND 1980S Looking for a statement piece that combines luxury and history? Look no further tha...

Two-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. An azure velvet big seat completes the sofa. The min...

Enhance your interior with this versatile set of 5 furniture pieces, offering an abundance of variation options. If you love changing up your living space regularly, this set is perf...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new...

Exceptional salon / living room set consisting of two armchairs and a convertible sofa bed. In chromed and painted metal, wood and fabric. Very good manufacturing quality (assembly, chrome plating, painting, strapping, trim). The salon is 90 years old, original and still presents very honourably. Current Art Deco Streamline Moderne / Bauhaus, Canada, 1931. By Atlas Bedding Ltd...

We can neither confirm nor deny that these Paul Boulva suspension chairs have seen screen time on Start Trek: The Next Generation, but the teal color resemblance to the Ten Forward chairs is uncanny. The illusiveness of this line makes their discovery all the more exciting when considering the exceptional condition. We’re certain you won’t find a more sublime representation of these chairs and end table anywhere. Clearly inspired by (and often mistaken for) the Etcetera chair by Jan Ekselius. Created by Canadian Designer Paul Boulva for Artopex...

Italian modern Black metal plastic Chairs 4855 by Anna Castelli Kartell, 1990s Set of 12 dining room chairs mod. 4855 with round seat with a hole in the centre, in plastic and black...

Mid-Century Modern Seating Set, Leather and Wood, Italy, 1970s - Original Leather.